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Chinatown Film Culture provides the first comprehensive account of the emergence of film and moviegoing in the transpacific hub of San Francisco in the early twentieth century. Working with materials previously left in the margins of grand narratives of history, Kim K. Fahlstedt uncovers the complexity of a local entertainment culture that offered spaces where marginalized Chinese Americans experienced and participated in local iterations of modernity. At the same time, this space also fostered a powerful Orientalist aesthetic that would eventually be exported to Hollywood by San Francisco showmen such as Sid Grauman. Instead of primarily focusing on the screen-spectator relationship, Fahlstedt suggests that immigrant audiences' role in the proliferation of cinema as public entertainment in the United States saturated the whole moviegoing experience, from outside on the street to inside the movie theater. By highlighting San Francisco and Chinatown as featured participants rather than bit players, Chinatown Film Culture provides an historical account from the margins, alternative to the more dominant narratives of U.S. film history.
Matthew J. Davenport’s The Longest Minute is the spellbinding true story of the 1906 earthquake and fire in San Francisco, and how a great earthquake sparked a devastating and preventable firestorm. At 5:12 a.m. on April 18, 1906, a 7.9 magnitude earthquake struck San Francisco, catching most of the city asleep. For approximately one minute, shockwaves buckled streets, shattered water mains, collapsed buildings, crushed hundreds of residents to death and trapped many alive. Fires ignited and blazed through dry wooden ruins and grew into a firestorm. For the next three days, flames devoured collapsed ruins, killed trapped survivors, and nearly destroyed what was then the largest city in the American West. Meticulously researched and gracefully written, The Longest Minute is both a harrowing chronicle of devastation and the portrait of a city’s resilience in the burning aftermath of greed and folly. Drawing on the letters and diaries and unpublished memoirs of survivors and previously unearthed archival records, Matthew Davenport combines history and science to tell the dramatic true story of one of the greatest disasters in American history.