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The first systematic investigation of the impact of imperialism on twentieth-century Britain.
The first transnational history of cinema’s role in decolonization. Using popular cinema from the United States, Britain, and France, Empire Films and the Crisis of Colonialism, 1946–1959, examines postwar Western attitudes toward colonialism and race relations. Historians have written much about the high politics of decolonization but little about what ordinary citizens thought about losing their empires. Popular cinema provided the main source of images of the colonies, and, according to Jon Cowans in this far-reaching book, films depicting the excesses of empire helped Westerners come to terms with decolonization and even promoted the dismantling of colonialism around the globe. Examining more than one hundred British, French, and American films from the post–World War II era, Cowans concentrates on movies that depict interactions between white colonizers and nonwhite colonial subjects, including sexual and romantic relations. Although certain conservative films eagerly supported colonialism, Cowans argues that the more numerous “liberal colonialist” productions undermined support for key aspects of colonial rule, while a few more provocative films openly favored anticolonial movements and urged “internal decolonization” for people of color in Britain, France, and the United States. Combining new archival research on the films’ production with sharp analysis of their imagery and political messages, the book also assesses their reception through box-office figures and newspaper reviews. It examines both high-profile and lesser-known films on overseas colonialism, including The King and I, Bhowani Junction, and Island in the Sun, and tackles treatments of miscegenation and “internal colonialism” that appeared in Westerns and American films like Pinky and Giant. The first truly transnational history of cinema’s role in decolonization, this powerful book weaves a unified historical narrative out of the experiences of three colonial powers in diverse geographic settings.
The idea of "race" played an increasing role in nineteenth-century British colonial thought. For most of the nineteenth century, John Crawfurd towered over British colonial policy in South-East Asia, being not only a colonial administrator, journalist and professional lobbyist, but also one of the key racial theorists in the British Empire. He approached colonialism as a radical liberal, proposing universal voting for all races in British colonies and believing all races should have equal legal rights. Yet at the same time, he also believed that races represented distinct species of people, who were unrelated. This book charts the development of Crawfurd’s ideas, from the brief but dramatic period of British rule in Java, to his political campaigns against James Brooke and British rule in Borneo. Central to Crawfurd’s political battles were the debates he had with his contemporaries, such as Stamford Raffles and William Marsden, over the importance of race and his broader challenge to universal ideas of history, which questioned the racial unity of humanity. The book taps into little explored manuscripts, newspapers and writings to uncover the complexity of a leading nineteenth-century political and racial thinker whose actions and ideas provide a new view of British liberal, colonial and racial thought.
They were remarkably successful in gaining support, eventually swaying Secretary of State for the Colonies Joseph Chamberlain into drafting the agreement that secured their territories against the encroachment of Rhodesia, leading indirectly to the independence of present-day Botswana.
This volume investigates the shape and the development of scholarly and popular opinion about the British Empire over the centuries.