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The first collection in twenty years of essays on Robinson Jeffers, one of the great American poets of the twentieth century, this work signals the sea change in Jeffers scholarship, as well as the increasing breadth and depth of criticism of the literature of the American West. The essays assembled here highlight issues and theories critical to Jeffers studies, among them the advance of ecocriticism, the reimagining of regionalism as place studies, the continuing development of cultural studies and the new historicism, the increasingly poignant vector of science and literature, the new formalism, particularly as it pertains to narrative verse, and the glaring omission of feminist analysis in Jeffers scholarship. Jeffers has always appealed to a wider audience than many twentieth-century poets, and this book will speak to that general readership as well as to scholars and students.
Robinson Jeffers and the American Sublime is the most comprehensive and most substantial critical work ever devoted to the major American poet Robinson Jeffers (1887–1962). Jeffers, the best known poet of California and the American West, particularly valorized the Big Sur region, making it his own as Frost did New England and Faulkner, Mississippi, and connecting it to the wider tradition of the American sublime in Emerson, Thoreau, and John Muir. The book also links Jeffers to a Puritan sublime in early American verse and explores his response to the Darwinian and Freudian revolutions and his engagement with modern astronomy. This discussion leads to a broad consideration of Jeffers' focus on the figure of Christ as emblematic of the human aspiration toward God—a God whom Jeffers defines not in Christian terms but in those of an older materialist pantheism and of modern science. The later sections of the book develop a conspectus of the democratic sublime that addresses American exceptionalism through the prism of Jeffers' Jeffersonian ethos. A final chapter places Jeffers' poetic thought in the larger cosmological perspective he sought in his late works.
This work is the first volume of critical essays devoted to the poetry of Robinson Jeffers. Although Jeffers was likened to some of the greatest figures in the literary world, his work was controversial. His preoccupation with violence and sexuality was denounced by some, his alleged blasphemy by others. Condemned by moralists, Marxists, and Cold Warriors alike, Jeffers fell into obscurity until his death in 1962. Included are nine original essays by leading Jeffers scholars.
A selection of book reviews, articles, and essays that run the gamut from glorification to deprecation, all the more remarkable in that the selections were chosen for their representativeness and, in the case of reviews, to reveal the response Jeffers (1887-1962) received as his books appeared. Karm
v. 1. 1890-1930. 2009.
How do poets use language to render the transcendent, often dizzyingly inexpressible nature of the divine? In an age of secularism, does spirituality have a place in modern American poetry? In Thick and Dazzling Darkness, Peter O’Leary reads a diverse set of writers to argue for the existence and importance of religious poetry in twentieth- and twenty-first-century American literature. He traces a poetic genealogy that begins with Whitman and Dickinson and continues in the work of contemporary writers to illuminate an often obscured but still central spiritual impulse that has shaped the production and imagination of American poetry. O’Leary presents close and comprehensive readings of the modernist, late-modernist, and postmodern poets Robinson Jeffers, Frank Samperi, and Robert Duncan, as well as the contemporary poets Joseph Donahue, Geoffrey Hill, Fanny Howe, Nathaniel Mackey, Pam Rehm, and Lissa Wolsak. Examining how these poets drew on a variety of traditions, including Catholicism, Gnosticism, the Kabbalah, and mysticism, the book considers how modern and contemporary poets have articulated the spiritual in their work. O’Leary also argues that an anxiety of misunderstanding exists in the study and writing of poetry between secular and religious impulses and that the religious nature of poets’ works is too often marginalized or misunderstood. Examining the works of a specific poet in each chapter, O’Leary reveals their complexity and offers a defense of the value and meaning of religious poetry against the grain of a secular society.
In this award-winning collection, the bestselling author of Gilead offers us other ways of thinking about history, religion, and society. Whether rescuing "Calvinism" and its creator Jean Cauvin from the repressive "puritan" stereotype, or considering how the McGuffey readers were inspired by Midwestern abolitionists, or the divide between the Bible and Darwinism, Marilynne Robinson repeatedly sends her reader back to the primary texts that are central to the development of American culture but little read or acknowledged today. A passionate and provocative celebration of ideas, the old arts of civilization, and life's mystery, The Death of Adam is, in the words of Robert D. Richardson, Jr., "a grand, sweeping, blazing, brilliant, life-changing book."