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CrimeSong: True Crime Stories From Southern Murder BalladsCrimeSong plunges readers into a world of violence against women, murders, familicide, suicides, brutal mob action, and many examples of a failed justice system. Although these ballads and stories are set in specific times, cultures, and places, they present universal themes of love, betrayal, jealousy, and madness through true-life tales that are both terrifying and familiar'stories that could be ripped from today's headlines. This compelling investigation of the gripping true crimes behind American ballads dispels myths and legends and brings to life a cast of characters --both loathsome and innocent--shadowy history, courtroom dramas, murders, mayhem, and music. In CrimeSong, law professor and authentic storyteller Richard H. Underwood recreates in engaging and folksy prose the true facts behind twenty-four Southern murder ballads. All of these ballads were composed and eventually written down by simple folk, mostly unknown, who were preserving, in their homespun lyrics, actual, tragic events. Because of Underwood's interest and experience in the law, he has resurrected these stories and shares them with the reader through his old lawyer trifocals. He presents his case studies, documented through contemporary news accounts and court records, as a series of dramas filled with jump-off-the-page real and memorable characters. These stories are sometimes harrowing, but they are always completely readable.CrimeSong includes 90 illustrations, including a map relevant to stories and the original art of a North Carolina artist and a Kentucky artist.
The return of Frank Marr, the "refreshing" protagonist of one of the New York Times' Best Crime Novels of 2016. Frank Marr was a good cop with a bad habit, until his burgeoning addictions to alcohol and cocaine forced him into retirement from the DC police. Now barely eking out a living as a private investigator, he agrees to take on a family case: a favor for his aunt, who was like a second mother to him growing up. Frank's surveillance confirms that his cousin Jeffrey is involved with a small-time drugs operation. Modest stuff, until Frank's own home is burglarized, leaving a body on the kitchen floor: Jeffrey. Worse, Frank's .38 revolver-the murder weapon-is stolen, along with his cherished music collection, his only possessions of sentimental value: dozens of vinyl albums that belonged to his late mother. Only Frank's stash, his dwindling supply of the cocaine he needs to get through the day, is untouched. Why? Clearly, his cousin was deeper in the underworld than anyone realized. With the weight of his family, his reputation, and his own life on the line, he'll have to find the culprit by following the stolen goods through a tangled network of petty thieves, desperate addicts, deceiving fences, good cops, bad cops, and one morally compromised taxi driver. Frank's as determined to uncover the truth as he is to feed his habit, and both pursuits could prove deadly. This time, it may just be a question of what gets him first.
From the creator of Splat! comes more playful, irreverent, kid-empowering fun--with a rhyming twist. In this buoyant rhyming romp, words have gone mysteriously missing: Who stole Marlow's happy smile, and replaced it with a crocodile? Who swiped Dingle's sneeze--aaaaachooo!--and left a stinky cheese? The thief took Tumble's orange, and switched it with a . . . with a . . . Hey, does anything rhyme with orange? No? Aha! Could this be the rhyming robber's undoing? Guided by bright, clever artwork, kids are empowered to put the final clues together for themselves to solve this silly rhyme crime, then guess at the name-nabber's next sneaky move. Splendid, satisfying, inspiring. "Rhyming wordplay. . . [and] even more hysterical laughter." --Kirkus "The creator of Splat! offers more page-turn-based tomfoolery" --Booklist
This unique volume explores the relationship between music and crime in its various forms and expressions, bringing together two areas rarely discussed in the same contexts and combining them through the tools offered by cultural criminology. Contributors discuss a range of topics, from how songs and artists draw on criminality as inspiration to how musical expression fulfills unexpected functions such as building deviant subcultures, encouraging social movements, or carrying messages of protest. Comprised of contributions from an international cohort of scholars, the book is categorized into five parts: The Criminalization of Music; Music and Violence; Organised Crime and Music; Music, Genocide, and Crimes Against Humanity and Music as Resistance. Spanning a range of cultures and time periods, Crime and Music will be of interest to researchers in critical and cultural criminology, the history of music, anthropology, ethnology, and sociology.
The Gory Stories Behind The Murder Ballads Cheerfully vulgar, revelling in gore, and always with an eye on the main chance, murder ballads are tabloid newspapers set to music, carrying word of the latest ‘orrible murders to an insatiable public. Victims are bludgeoned, stabbed or shot in every verse and killers often hanged, but the songs themselves never die. Instead, they mutate – morphing to suit local place names as they criss cross the Atlantic and continue to fascinate each generation’s biggest musical stars. Paul Slade traces this fascinating genre’s history through eight of its greatest songs. Stagger Lee’s “biographers” alone include Duke Ellington, James Brown, Bob Dylan, Dr John, The Clash and Nick Cave. No two tell his story in quite the same way. Covering eight classic murder ballads, including “Knoxville Girl”, “Tom Dooley” and “Frankie & Johnny”, Slade investigates the real-life murder which inspired each song and traces its musical development down the decades. Billy Bragg, The Bad Seeds’ Mick Harvey, Laura Cantrell, Rennie Sparks of The Handsome Family and a host of other leading musicians add their own insights.
A fascinating history of crime and punishment, Gaslight Lawyers paints a serious but entertaining portrait of colorful characters, courtroom drama, and the emerging importance of forensic science and medical-legal jurisprudence in Gilded Age New York City.From the 1870s to the early 1900s, post-Civil War New York City was becoming a wonder city of commerce and invention, art and architecture, and emerging global prominence. It was also a city of crime, corruption, poverty, slums, and tenements teeming with newcomers and standing in sharp contrast to the city mansions and the extravagant lifestyle of the rising American aristocracy. The New York City of those days is not just the venue of the intriguing true stories told in this book'it is also a supporting actor in them.The Gaslight Era has been called the Second Golden Age of the New York Bar. Gaslight Lawyers sheds new light on a gallery of notables of the day, including the exploits of famous William ?Big Bill? Howe and his archrival, Tammany prosecutor Francis Wellman, along with trial tactics and ethics of the day'skullduggery on both sides. It tells of the passing of the old guard and the rise of a new generation of criminal defense lawyers, and the aggressive and sometimes ruthless prosecutors. It also chronicles judges and politicians, police bungling and corruption, and famous physicians and ?alienists,? like Dr. Allan McLane Hamilton, the grandson of Alexander Hamilton. Other characters, such as photojournalist and reformer Jacob Riis, and infamous criminals of the day illuminate the social conditions.Drawing from the experience of a legal scholar and from a wealth of meticulous research gleaned from trial transcripts, other court records, contemporary newspaper stories, and memoirs, Richard H. Underwood also reconstructs and recounts the absorbing legal drama of a number of spectacular murder trials.Gaslight Lawyers is a compelling, witty, and insightful account of an important era in American legal history. It reminds us to acknowledge and deal with biases that continue to manifest themselves in our criminal justice systems today and to be mindful that we "are the guardians of the law.
#1 NEW YORK TIMES BESTSELLER • More than one million copies sold! A “brilliant” (Lupita Nyong’o, Time), “poignant” (Entertainment Weekly), “soul-nourishing” (USA Today) memoir about coming of age during the twilight of apartheid “Noah’s childhood stories are told with all the hilarity and intellect that characterizes his comedy, while illuminating a dark and brutal period in South Africa’s history that must never be forgotten.”—Esquire Winner of the Thurber Prize for American Humor and an NAACP Image Award • Named one of the best books of the year by The New York Time, USA Today, San Francisco Chronicle, NPR, Esquire, Newsday, and Booklist Trevor Noah’s unlikely path from apartheid South Africa to the desk of The Daily Show began with a criminal act: his birth. Trevor was born to a white Swiss father and a black Xhosa mother at a time when such a union was punishable by five years in prison. Living proof of his parents’ indiscretion, Trevor was kept mostly indoors for the earliest years of his life, bound by the extreme and often absurd measures his mother took to hide him from a government that could, at any moment, steal him away. Finally liberated by the end of South Africa’s tyrannical white rule, Trevor and his mother set forth on a grand adventure, living openly and freely and embracing the opportunities won by a centuries-long struggle. Born a Crime is the story of a mischievous young boy who grows into a restless young man as he struggles to find himself in a world where he was never supposed to exist. It is also the story of that young man’s relationship with his fearless, rebellious, and fervently religious mother—his teammate, a woman determined to save her son from the cycle of poverty, violence, and abuse that would ultimately threaten her own life. The stories collected here are by turns hilarious, dramatic, and deeply affecting. Whether subsisting on caterpillars for dinner during hard times, being thrown from a moving car during an attempted kidnapping, or just trying to survive the life-and-death pitfalls of dating in high school, Trevor illuminates his curious world with an incisive wit and unflinching honesty. His stories weave together to form a moving and searingly funny portrait of a boy making his way through a damaged world in a dangerous time, armed only with a keen sense of humor and a mother’s unconventional, unconditional love.
During the early 1990s, the diet drugs fen-phen and Redux achieved tremendous popularity. The chemical combination was discovered by chance, marketed with hyperbole, and prescribed to millions. But as the drugs' developer, pharmaceutical giant American Home Products, cashed in on the miracle weight-loss pills, medical researchers revealed that the drugs caused heart valve disease. This scandal was, incredibly, only the beginning of an unbelievable saga of greed. In Fat Chance, Rick Christman recounts a story that a judicial tribunal later described as "a tale worthy of the pen of Charles Dickens." Bill Gallion, Shirley Cunningham, and Melbourne Mills contrived to bring a class-action lawsuit against American Home Products in Covington, Kentucky. Their hired trial consultant, Mark Modlin, had a bizarre relationship with the presiding judge, Jay Bamberger of Covington, who was once honored as the Kentucky Bar Association's "Judge of the Year." Soon after, Stan Chesley, arguably the most successful trial attorney in the United States, joined the class-action suit. Ultimately, their efforts were rewarded with $200 million for the 431 plaintiffs, and the four lawyers immediately began to plunder their clients' money. When the fraud was discovered, two of the attorneys received long prison sentences and another was acquitted after claiming an alcoholism defense. All four were permanently banished from the practice of law and Judge Bamberger was disbarred and disrobed. Recounting a dramatic affair that bears conspicuous similarities to opioid-related class-action litigation against the pharmaceutical industry, Christman offers an engaging, if occasionally horrifying, account of one of America's most prominent product liability cases and the settlement's aftermath.
He's a good detective...with a bad habit. "One of the Year's Best Crime Novels"-The New York Times Book Review, Booklist Frank Marr knows crime in Washington, DC. A decorated former police detective, he retired early and now ekes a living as a private eye for a defense attorney. Frank Marr may be the best investigator the city has ever known, but the city doesn't know his dirty secret. A high-functioning drug addict, Frank has devoted his considerable skills to hiding his usage from others. But after accidentally discovering a kidnapped teenage girl in the home of an Adams Morgan drug gang, Frank becomes a hero and is thrust into the spotlight. He reluctantly agrees to investigate the disappearance of another girl -- possibly connected to the first -- but the heightened scrutiny may bring his own secrets to light, too. Frank is as slippery and charming an antihero as you've ever met, but he's also achingly vulnerable. The result is a mystery of startling intensity, a tightly coiled thriller where every scene may turn disastrous. The Second Girl is the crime novel of the season, and marks the start of a refreshing series from an author who knows the criminal underworld inside and out.
Winner of the Carnegie Medal for Excellence Finalist for the Young Lions Fiction Award A Chinese American assassin sets out to rescue his kidnapped wife and exact revenge on her abductors in this New York Times Book Review Editors' Choice: a twist on the classic western from "an astonishing new voice" (Jonathan Lethem). Orphaned young, Ming Tsu, the son of Chinese immigrants, is raised by the notorious leader of a California crime syndicate, who trains him to be his deadly enforcer. But when Ming falls in love with Ada, the daughter of a powerful railroad magnate, and the two elope, he seizes the opportunity to escape to a different life. Soon after, in a violent raid, the tycoon's henchmen kidnap Ada and conscript Ming into service for the Central Pacific Railroad. Battered, heartbroken, and yet defiant, Ming partners with a blind clairvoyant known only as the prophet. Together the two set out to rescue his wife and to exact revenge on the men who destroyed Ming, aided by a troupe of magic-show performers, some with supernatural powers, whom they meet on the journey. Ming blazes his way across the West, settling old scores with a single-minded devotion that culminates in an explosive and unexpected finale. Written with the violent ardor of Cormac McCarthy and the otherworldly inventiveness of Ted Chiang, The Thousand Crimes of Ming Tsu is at once a thriller, a romance, and a story of one man's quest for redemption in the face of a distinctly American brutality. "In Tom Lin's novel, the atmosphere of Cormac McCarthy's West, or that of the Coen Brothers' True Grit, gives way to the phantasmagorical shades of Ray Bradbury, Charles Finney's The Circus of Dr. Lao, and Katherine Dunn's Geek Love. Yet The Thousand Crimes of Ming Tsu has a velocity and perspective all its own, and is a fierce new version of the Westward Dream." —Jonathan Lethem, author of Motherless Brooklyn