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The first ever multi-author anthology of crime fiction set in Singapore. Featuring stories from veteran UK crime writer Stephen Leather, Singapore Literature Prize winner Ng Yi-Sheng, and popular Singapore-based authors Richard Lord, Chris Mooney-Singh, Dawn Farnham, Lee Ee Leen, Pranav Joshi, Zafar Anjum, and Carolyn Camoens.
Crime Scene Asia is a casebook written by award winning Australian Author Liz Porter of fascinating true stories throughout Asia. Its opening case begins when the body of a woman is found in a Singapore nature park. Nobody has reported her missing. Nobody knows who she is. The only clue to her identity is a set of tiny numbers etched into a series of implants in her teeth. Police door-knock the dentists of Singapore until they find the one who treated her. Then, following a trail of numbers called from her phone, they unmask her killer. In another case, set 300 kms away, in Kuala Lumpur, a married man is arrested for the murder of his mistress. Police are adamant that he is her killer. But the man’s lawyer can point to forensic evidence that tells a different story altogether. Meanwhile one of the book’s Hong Kong cases tells the story of a humble truck driver facing jail for his apparent involvement in a bombing plot allegedly masterminded by two of the former British colony’s most notorious gangsters. Then the evidence of a forensic scientist sets him free.
The dark side of The Lion City is explored in a thrilling anthology that gives “plenty of new and unfamiliar voices a chance to shine” (San Francisco Book Review). The island city-state of Singapore harbors unique customs and traditions largely unknown to the West. A booming economy and embrace of conformity overshadow its gambling dens, red-light districts, and a collective passion for ghostly and gory tales. Now, in Singapore Noir, some of its best contemporary authors delve into its seedy side, including three winners of the Singapore Literature Prize: Simon Tay (writing as Donald Tee Quee Ho), Colin Cheong, and Suchen Christine Lim, whose contribution was named a finalist for the Private Eye Writers of America Shamus Award for Best P.I. Short Story. Eleven more tales showcase the talents of Colin Goh, Philip Jeyaretnam, Cheryl Lu-Lien Tan, Monica Bhide, S.J. Rozan, Lawrence Osborne, Ovidia Yu, Damon Chua, Johann S. Lee, Dave Chua, and Nury Vittachi. “Singapore, with its great wealth and great poverty existing amid ethnic, linguistic, and cultural tensions, offers fertile ground for bleak fiction . . . Tan has assembled a strong lineup of Singapore natives and knowledgeable visitors for this volume exploring the dark side of a fascinating country.” —Publishers Weekly
Volume 1 of Crime Scene Asia features nine delectably horrid crimes that take readers on a chilling trip through the dark underbelly of contemporary Asia. This volume serves up the unique flavor of crime in six of Asia’s most dynamic and fascinating lands, written by nine seasoned crime writers based throughout the region. The pieces in this crime anthology may be fiction, but they read like the more attention-grabbing stories seen frequently in newspapers across Asia.
Crime and Behaviour: An Introduction to Criminal and Forensic Psychology is the first textbook to provide a detailed overview of criminal psychology in Singapore. The textbook puts together ideas relating to crime, crime prevention, and criminal psychology, as it occurs in the Singaporean context. While leveraging on psychology as an anchor, the book adopts a multidisciplinary perspective and examines the forensic sciences angle, legal issues, and the investigative perspectives of crimes.The chapters cover criminal justice agencies in Singapore, theories of crime, deception and lying behaviors, sex crimes, violent crimes, crime prevention, terrorism, and psychology applied in legal settings. Each chapter contains case studies of actual cases and ends with questions for discussion and research, making this a valuable text for courses in university and in law enforcement settings.This textbook has several unique features, such as:
A thrilling, eye-popping look at true crime in the billion-dollar art world. The art world is one of the most secretive of global businesses, and the list of its crimes runs long and deep. Today, with prices in the hundreds of millions for individual artworks, and billionaires' collections among the most conspicuous and liquid of their assets, crime is more rampant than ever in this largely unregulated universe. Increased prices and globalization have introduced new levels of fraud and malfeasance into the art world--everything from "artnapping," in which an artwork is held hostage and only returned for a ransom, to forgery and tax fraud. However, the extent of the economic and cultural damage that results from criminality in the global art scene rarely comes to light. The stories of high-stakes, brazen art crimes told by art experts Stefan Koldehoff and Tobias Timm are by turns thrilling, disturbing, and unbelievable (the imagination for using art to commit crimes seems boundless). The authors also provide a well-founded analysis of what needs to change in the art market and at museums. From the authors of False Pictures, Real Money (about the Beltracchi art forgery case), Art and Crime includes a chapter on art owned by Donald Trump. It is a thoroughly researched, explosive, and highly topical book that uncovers the extraordinary and multifarious thefts of art and cultural objects around the world.
The Best I Could traces the life and career of Subhas Anandan, an advocate whose tireless devotion to the Singapore criminal justice system is legendary. In this highly personal autobiography, first published in 2009, Subhas describes not only the many sensational cases he covered, including those of Took Leng How, Anthony Ler and Ah Long San, but also his views on mandatory death sentences and police entrapment.' Subhas Anandan, who passed away in January 2015 surely was the face of criminal defense in Singapore. But why did he choose to represent clients who were to all intents and purposes guilty? And were the criminals he represented the monsters they were made out to be? Did he ever feel sorry for the clients he represented? What were his views on the death penalty, and which parts of the legal system did he want reformed? Read all about this in The Best I Could."