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This is an exhaustive cemetery-by-cemetery listing of Tennessee mortuary inscriptions, with a separate section of over 100 pages devoted to biographical and historical sketches.
This ambitious work chronicles 250 years of the Cromartie family genealogical history. Included in the index of nearly fifty thousand names are the current generations, and all of those preceding, which trace ancestry to our family patriarch, William Cromartie, who was born in 1731 in Orkney, Scotland, and his second wife, Ruhamah Doane, who was born in 1745. Arriving in America in 1758, William Cromartie settled and developed a plantation on South River, a tributary of the Cape Fear near Wilmington, North Carolina. On April 2, 1766, William married Ruhamah Doane, a fifth-generation descendant of a Mayflower passenger to Plymouth, Stephen Hopkins. If Cromartie is your last name or that of one of your blood relatives, it is almost certain that you can trace your ancestry to one of the thirteen children of William Cromartie, his first wife, and Ruhamah Doane, who became the founding ancestors of our Cromartie family in America: William, Jr, James, Thankful, Elizabeth, Hannah Ruhamah, Alexander, John, Margaret Nancy, Mary, Catherine, Jean, Peter Patrick, and Ann E. Cromartie. These four volumes hold an account of the descent of each of these first-generation Cromarties in America, including personal anecdotes, photographs, copies of family bibles, wills, and other historical documents. Their pages hold a personal record of our ancestors and where you belong in the Cromartie family tree.
To draw is to understand what we see. In The Undressed Art, writer-naturalist Peter Steinhart investigates the rituals, struggles, and joys of drawing. Reflecting on what is known about the brain’s role in the drawing process, Steinhart explores the visual learning curve: how children begin to draw, how most of them stop, and what brings adults back to this deeply human art form later in life. He considers why the face and figure are such commanding subjects and describes the delicate collaboration of the artist and model. Here is a powerful reminder that no revolution in art or technology can undermine our vital need to draw.
First published in English in 2007 under title: The history of terrorism: from antiquity to al Qaeda.
The Army of the Potomac’s First Corps was one of the best corps in the entire Union army. In September 1862, it was chosen to spearhead the Union attack at Antietam, fighting Stonewall Jackson’s men in the Cornfield and at the Dunker Church. In July 1863 at Gettysburg, its men were the first Union infantry to reach the battle, where they relieved the cavalry and fought off the Confederate onslaught all day before retreating to Cemetery Hill. Their valiant stand west of Gettysburg saved the Union from disaster that day but came at great cost (60 percent casualties). The corps was disbanded the following spring, having bled itself out of existence. The First Corps’ leadership included two generals who would rise to command the Army of the Potomac—Joseph Hooker and George Meade—and a third who refused that command, John Reynolds, often considered the best commander in the East until his death at Gettysburg. The corps was made up heavily of men from New York and Pennsylvania (including the famous Bucktails), with a handful of New England regiments and the Midwesterners of the Iron Brigade, perhaps the Civil War’s most famous Union brigade. Corps histories remain one of the last gaps in Civil War military history. Hundreds of regimental histories have been written since war’s end, many brigades have been covered, the armies have been explored . . . but corps remain relatively overlooked—not because they are an unimportant or unappealing subject, but because mastering the subject is so difficult, requiring knowledge of many commanders’ careers, dozens of constituent units, and many battles. Few are willing to tackle the subject. Lucky for us, Darin Wipperman has taken on the task and produced a monumental history of the Army of the Potomac’s First Corps, well written and deftly told, an exciting story in itself and, like all great unit histories, one that is representative of the many other corps in the Union army.
A superb visual reference to the principles of architecture Now including interactive CD-ROM! For more than thirty years, the beautifully illustrated Architecture: Form, Space, and Order has been the classic introduction to the basic vocabulary of architectural design. The updated Third Edition features expanded sections on circulation, light, views, and site context, along with new considerations of environmental factors, building codes, and contemporary examples of form, space, and order. This classic visual reference helps both students and practicing architects understand the basic vocabulary of architectural design by examining how form and space are ordered in the built environment.? Using his trademark meticulous drawing, Professor Ching shows the relationship between fundamental elements of architecture through the ages and across cultural boundaries. By looking at these seminal ideas, Architecture: Form, Space, and Order encourages the reader to look critically at the built environment and promotes a more evocative understanding of architecture. In addition to updates to content and many of the illustrations, this new edition includes a companion CD-ROM that brings the book's architectural concepts to life through three-dimensional models and animations created by Professor Ching.
The book includes six chapters that cover Virginia history from initial settlement through the 20th century plus one that deals with the important role of underwater archaeology. Written by prominent archaeologists with research experience in their respective topic areas, the chapters consider important issues of Virginia history and consider how the discipline of historic archaeology has addressed them and needs to address them . Changes in research strategy over time are discussed , and recommendations are made concerning the need to recognize the diverse and often differing roles and impacts that characterized the different regions of Virginia over the course of its historic past. Significant issues in Virginia history needing greater study are identified.
"The most detailed study ever published of Los Angeles' most critical period. . . . An invaluable aid to my understanding of this city."—David Brodsly, author of L.A. Freeway