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The word Creole evokes a richness rivaled only by the term's widespread misunderstanding. Now both aspects of this unique people and culture are given thorough, illuminating scrutiny in Creole, a comprehensive, multidisciplinary history of Louisiana's Creole population. Written by scholars, many of Creole descent, the volume wrangles with the stuff of legend and conjecture while fostering an appreciation for the Creole contribution to the American mosaic. The collection opens with a historically relevant perspective found in Alice Moore Dunbar-Nelson's 1916 piece "People of Color of Louisiana" and continues with contemporary writings: Joan M. Martin on the history of quadroon balls; Michel Fabre and Creole expatriates in France; Barbara Rosendale Duggal with a debiased view of Marie Laveau; Fehintola Mosadomi and the downtrodden roots of Creole grammar; Anthony G. Barthelemy on skin color and racism as an American legacy; Caroline Senter on Reconstruction poets of political vision; and much more. Violet Harrington Bryan, Lester Sullivan, Jennifer DeVere Brody, Sybil Kein, Mary Gehman, Arthi A. Anthony, and Mary L. Morton offer excellent commentary on topics that range from the lifestyles of free women of color in the nineteenth century to the Afro-Caribbean links to Creole cooking. By exploring the vibrant yet marginalized culture of the Creole people across time, Creole goes far in diminishing past and present stereotypes of this exuberant segment of our society. A study that necessarily embraces issues of gender, race and color, class, and nationalism, it speaks to the tensions of an increasingly ethnically mixed mainstream America.
This is a new release of the original 1962 edition.
In American Creoles, leading authorities examine the cultural, social, and historical affinities between the Francophone Caribbean and the American South. The essays focus on issues of history, language, politics, and culture in various forms and consider figures as diverse as Barack Obama, Frantz Fanon, Miles Davis, James Brown, Edouard Glissant, William Faulkner, and Lafcadio Hearn. Exploring the ideas of Creole culture and creolization—terms rooted in the history of contact between European and African people and cultures in the Americas—the essays provide productive ways to conceive of the larger Caribbean as a single cultural and historical entity.
The American essays of renowned writer Lafcadio Hearn (1850-1904) artistically chronicle the robust urban life of Cincinnati and New Orleans. Hearn is one of the few chroniclers of urban American life in the nineteenth century, and much of this material has not been widely available since the 1950s. Lafcadio Hearn's America collects Hearn's stories of vagabonds, river people, mystics, criminals, and some of the earliest accounts available of black and ethnic urban folklife in America. He was a frequently consulted expert on America during his years in Japan, and these editorials reflect on the problems and possibilities of American life as the country entered its greatest century. Hearn's work, which reflects an America that is less "melting pot" than a varied, spicy, and often exotic gumbo, provide essential background for the study of America's first steps away from its agrarian beginnings.
Lafcadio Hearn (1850-1904) has long been marginalised as a failed Victorian Romantic whose writings on Japan were poetic but inconsequential; as a person, he emerges as a one-dimensional neurotic. In this new study, based on a wealth of hitherto unpublished sources, as well as a fresh reading of Hearn's writings, Paul Murray reveals a multi-faceted character of considerable depth, intelligence and literary skill. This is a book, therefore, that will appeal on many levels. The story of Hearn's life makes fascinating reading; his fantastic journey took him from conception outside marriage on a Greek island to a protected upbringing in Dublin; from a Gothic education in England to Cincinnati in the United States where, as Paddy Hearn, he established himself as a journalist of the macabre par excellence. In New Orleans, in the 1860s, he transformed himself into Lafcadio Hearn, litterateur and a man of the South. Finally after two years in the West Indies, he spent the last fourteen years of his life in Japan - arriving in 'the land of the gods' in the spring of 1890. Although it was always to be an ambiguous relationship with his adopted country, Hearn gave to the world some of the most valuable and enduring insights into Japanese society and culture that continue to stand the test of time. For students of the Anglo-Irish tradition, a little explored strand of Hearn's heritage, this book is also essential reading, providing substantial insights into Hearn's mastery of the literary horror genre. Equally, students of Japan will want to understand, for the first time, the make-up and motivation of one of its greatest ever Western interpreters.