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Why would wealthy Philip Creighton leave his bride of only seven months to join the Union army at the outset of the Civil War--with the hope of being killed? That is the question at the heart of Creighton’s Crossroads, Betty Larosa’s novel of love, war, betrayal and retribution. Creighton‘s Crossroads is the first book in a four-part family saga. Philip Creighton, jarred from the privileged existence he’s always known, is forced to re-assess his view of life after sharing war-time experiences with a cross-section of soldiers from different states. These experiences take him from fashionable Washington soirees to the bloody trenches of Petersburg, Virginia, but his emotional journey is even longer and more difficult. Larosa, who lives in Bridgeport, West Virginia, near the heart of Civil War country, with her husband Gene, felt inspired to write about the human wreckage left in the wake of that war. During her research, she visited many of the battlefields and all the locations mentioned in the four books.
Melissa Creighton was never one to follow her father s admonitions, especially when, for some strange reason, he tells her not to go to the attic. So, being Melissa, she goes to the attic. There she discovers her beloved grandfather Philip Creighton s Civil War journal hidden in the bottom of a trunk. What she reads in his journal sparks her imagination and, burning with curiosity, she is determined to visit Howard Hill, the Petersburg, Virginia plantation where he spent so much time during the siege of Petersburg. Using her best little-sister wiles, she convinces her reluctant brother Alex to sneak away with her to find Howard Hill. When Melissa and Alex enter the abandoned plantation house, she senses at once that they are not alone. Soon, they encounter the unexpected including the malevolent presence that places their lives in danger. Despite that, they remain committed to finding answers to the puzzling questions that arise during their terrifying journey into the past. What they discover turns their lives upside down.
In this fourth and final episode of the Creighton Family Saga, Philip Creighton, now a prominent banker and newspaper publisher in 1890 San Francisco resists becoming involved in a questionable business transaction. By doing so, he sets off a chain reaction of blackmail, threats, and revenge. This event also re-opens the wounds of the past when Philips 24-year old son Chandler learns of his fathers dark secret from an unexpected source. After an emotional confrontation with Philip, Chandler expresses his sense of betrayal by his father and leaves San Francisco, vowing never to return. While seeking his own identity, his odyssey ultimately leads him into Philips shadowy past. Along the way, Chandler encounters some of the people who had a profound effect on his fathers life during the war years. In the end, he decides that he must visit Creightons Crossroads where it all began. What Chandler discovers from the people he meets casts his father in a new and unexpected light. Then, through a life-altering decision, Chandler thrusts himself and Philip forward in a new direction for their futures. But will Philip ever find a way to heal the memories that continue to haunt him?
The exhausted Union cavalry company under the command of Col. Philip Creighton arrives at Howard Hill plantation where they find five frightened women living alone. Philip informs Caroline Howard, the widowed mistress of the plantation, that they are confiscating her home for a few days of rest. But those few days stretch into the nearly- ten month siege of Petersburg, Virginia. Watching Caroline cope with the stress of constant bombardments of the nearby city, the endless numbers of Union wounded arriving daily, and a mother-in-law who is slowly going mad, Philip feels compelled to provide her with sorely-needed food and necessities, as well as seeing to her safety from his own men. Shortly thereafter, he is seriously wounded, nearly fulfilling his wish to die in battle. Through Caroline's care, he learns to trust again and at last finds all he's been seeking in life. After recovering his health, Philip again sees action where he suffers a severe concussion that leaves him temporarily blind. This blindness forces him to acknowledge at last his feelings for Caroline Howard. His war experiences transform Philip from bitter disillusionment to a completely different perspective of his future, including some painful truths about his family. At the war's end, ill and grief-stricken, he struggles to overcome the demons of his past and must learn to deal with the loss of all that is precious to him. But what should he do about his scandalous secret?
After the Civil War, Philip Creighton returns to Creighton's Crossroads a changed man. Still grieving Caroline's loss, he wishes nothing more than to settle into a peaceful existence. But can he? Given the rumors circulating about his scandalous involvement with Caroline, he faces a backlash of moral outrage not only from his family but the entire town. Philip's other wish is realized when he learns his divorce from Elizabeth is about to become final. But his life is soon shattered by a shocking murder from an unexpected source, an event that changes the direction of his life. It is then he decides it's time to bring his illegitimate son Chandler to Crossroads. His family's predictable reaction to this is indignation mingled with jealousy that his bastard child is now the Creighton heir, so they set out to make Philip's life miserable. After a lengthy trip abroad to recover from the trauma of the murder trial, Philip immerses himself in the family businesses and the construction of an opulent mansion to reinforce his image of power-and to establish Chandler's place in Crossroads society. On Christmas Eve 1867, his family's last cruel act toward his two year old son drives Philip over the edge, forcing him to acknowledge at last that returning to Crossroads has been nothing but a disaster. With a dramatic flourish before abandoning his past, Philip unleashes a bombshell that stuns the entire town, sending the message that, like his father, Philip knows how to repay.
Spiritually engaged readers commonly look towards fiction to better understand the depth of a faithful life, and Christians are no exception. Many followers of Jesus value beautifully written, deftly characterized and pulse-quickening literary art that seems more satisfying than dry, tedious doctrinal textbooks. This book surveys 12 pieces of historical fiction that feature notable Christian thinkers. They include an illustrated children's book about St. Irenaeus of Lyons, a novel about Martin Luther's Reformation, a screenplay focusing on Dietrich Bonhoeffer and even a story about Pope Francis narrated in popular manga style. Rather than arcane literary analyses, this book provides thoughtful and sometimes painful interviews with the authors of the covered works. Most interviewees are little known or emerging writers. Some have published their work with a church or denominational press, others with a major publishing empire or popular print-on-demand platforms. Storytellers reflect on their literary choices and the contexts of their writing, sharing what modern Christians can learn from historical religious fiction.
A member of the same intellectual generation as Harold Innis, Northrop Frye, and George Grant, Donald Creighton (1902–1979) was English Canada’s first great historian. The author of eleven books, including The Commercial Empire of the St. Lawrence and a two-volume biography of John A. Macdonald, Creighton wrote history as if it “had happened,” he said, “the day before yesterday.” And as a public intellectual, he advised the prime minister of Canada, the premier of Ontario, and – at least on one occasion – the British government. Yet he was, as Donald Wright shows, also profoundly out of step with his times. As the nation was re-imagined along bilingual and later multicultural lines in the 1960s and 1970s, Creighton defended a British definition of Canada at the same time as he began to fear that he would be remembered only “as a pessimist, a bigot, and a violent Tory partisan.” Through his virtuoso research into Creighton’s own voluminous papers, Wright paints a sensitive portrait of a brilliant but difficult man. Ultimately, Donald Creighton captures the twentieth-century transformation of English Canada through the life and times of one of its leading intellectuals.