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A specter is haunting contemporary television—the specter of creepiness. In our everyday lives, we try to avoid creepiness at every cost, shunning creepy people and recoiling in horror at the idea that we ourselves might be creeps. And yet when we sit down to watch TV, we are increasingly entranced by creepy characters. In this follow-up to Awkwardness and Why We Love Sociopaths, Adam Kotsko tries to account for the strange fascination of creepiness. In addition to surveying a wide range of contemporary examples—from Peep Show to Girls, from Orange is the New Black to Breaking Bad—Kotsko mines the television of his 90s childhood, marveling at the creepiness that seemed to be hiding in plain sight in shows like Full House and Family Matters. Using Freud as his guide through the treacherous territory of creepiness, Kotsko argues that we are fascinated by the creepy because in our own ways, we are all creeps.
In his hilarious yet disturbing (because it's so true) book Creepiosity: A Hilarious Guide to the Unintentionally Creepy, comedy writer David Bickel presents readers with 100 of the most unsettling everyday things, such as grown men in Boy Scout uniforms, old ladies with really long hair, fish with people faces, lifelike baby dolls, and much more. Bickel infuses each subject with comedic insight into what exactly makes it creepy and provides an appropriately hilarious photo to help illustrate his point. And since not all creepiness is created equal, Bickel has invented an unnecessarily complex mathematical formula (or Creepiosity Index, if you will) to quantify each unsettling item's relative creepiness. (Band-Aids that were once affixed to someone's body but now aren't: 7.454.) However, Bickel also acknowledges that creepiness, universal as it may be, is far from absolute. To that end, he invites readers to assign their own Creepiosity number to these and other curiosities via a companion Web site. (For example, what's more disturbing, hairless cats or Dick Cheney smiling? You decide!)
There are some places in the world where humans quite simply should not go. Not just haunted places, but sites where ancient forces still hold sway. We can recognize such locations by the responses they evoke within us—that feeling we call “the creeps.” But just where are these places, and why do they terrify us? In The World’s Creepiest Places, Dr. Curran visits some of these sites, looking at their history and traditions and exploring the creepy feeling they evoke in people who have been there. His travels range widely—from his native Ireland and through the empty deserts of the Middle East, to the misty hills of Tibet and back through Europe to America. He’s not only looking for ghosts, but also for sinister people, vampires, the living dead, doorways to other worlds—even venturing close to the Gates of Hell itself! This is not just a ghostly travel book. It’s for those who want to explore the weird, out-of-the-way locations of our planet and test the boundaries of the reality many of us take for granted. We dare you to take the journey with us!
Young readers are introduced to some of the world's creepiest animals through simple text and photographs.
In this provocative book, Jonathan Alexander interweaves personal narrative and cultural analyses to explore what it means to be a creep. Calling this work a critical memoir, he draws on his own experiences growing up gay in the deep south, while also interrogating examples from literature and popular film and media, to approach the figure of the creep with some sympathy. Ranging widely over contemporary culture, especially the ever-creeping presence of nearly ubiquitous surveillance, Alexander confesses his own creepiness while also explaining to us what being creepy can show us in turn about our culture. He also resurrects some famous "creeps" from the past, such as J.R. Ackerley, to explore what makes a creep creepy, and how even the best of us succumb at times to being creeps
The New Cinematic Weird argues that weird fiction is rising also in audiovisual culture. Presenting several detailed analyses of weird cinematic works, the book shows how the new cinematic weird is best understood as atmospheric worldings — affective intensities that suffuse the experience of the cinematic weird. The weird exists as an experiential field, an inflation of the world. These worldings disclose a variety of experiences. The book engagingly shows how creepy, unsettling, ominous, uneasy, and eerie atmospheres provide a way into the weird experience. This book is important to anyone interested in the audiovisual weird, cinematic atmospheres, how audiovisual media produce worlds, and how weird fiction challenges our conception of the way the world is.
Cover -- Half Title -- Why Privacy Matters -- Copyright -- Contents -- Introduction: The Privacy Conversation -- Part I -- 1. What Privacy Is -- 2. A Theory of Privacy as Rules -- 3. What Privacy Isn't -- Part II -- 4. Identity -- 5. Freedom -- 6. Protection -- Conclusion: Why Privacy Matters -- Acknowledgments -- Notes -- Index.
Evaluates the negative impact of digital network technologies on the economy and particularly the middle class, citing challenges to employment and personal wealth while exploring the potential of a new information economy.
This third edition of Current Approaches in Drama Therapy offers a revised and updated comprehensive compilation of the primary drama therapy methods and models that are being utilized and taught in the United States and Canada. Two new approaches have been added, Insight Improvisation by Joel Gluck, and the Miss Kendra Program by David Read Johnson, Nisha Sajnani, Christine Mayor, and Cat Davis, as well as an established but not previously recognized approach in the field, Autobiographical Therapeutic Performance, by Susana Pendzik. The book begins with an updated chapter on the development of the profession of drama therapy in North America, followed by a chapter on the current state of the field written by the editors and Jason Butler. Section II includes the 13 drama therapy approaches, and Section III includes the three related disciplines of Psychodrama and Sociodrama, Playback Theatre, and Theatre of the Oppressed that have been particularly influential to drama therapists. This highly informative and indispensable volume is structured for drama therapy training programs. It will continue to be useful as a basic text of drama therapy for both students and seasoned practitioners, including mental health professionals (such as counselors, clinical social workers, psychologists, creative arts therapists, occupational therapists), theater and drama teachers, school counselors, and organizational development consultants.
An expert in criminology and psychology uses science to understand evil in today’s society. What is it about evil that we find so compelling? From our obsession with serial killers to violence in pop culture, we seem inescapably drawn to the stories of monstrous acts and the aberrant people who commit them. But evil, Dr. Julia Shaw argues, is largely subjective. What one may consider normal, like sex before marriage, eating meat, or working on Wall Street, others find abhorrent. And if evil is only in the eye of the beholder, can it be said to exist at all? In Evil, Shaw uses an engrossing mix of science, popular culture, and real-life examples to break down timely and provocative issues. How similar is your brain to a psychopath’s? How many people have murder fantasies? Can artificial intelligence be evil? Do your sexual proclivities make you a bad person? Who becomes a terrorist? If you could travel back in time, would you kill baby Hitler? In asking these questions, Shaw urges readers to discover empathy and to rethink and reshape what it means to be bad. Evil is a wide-ranging exploration into a fascinating, darkly compelling subject from wickedly smart and talented writer. Praise for Evil “A brilliant panorama that elucidates humanity’s dark side. . . . This science-based foundation for studying the minds of sadists, mass murderers, freaks and creeps, as well the new role of tech in promoting evil is presented in a totally engaging fashion.” —Philip Zimbardo, PhD; Professor Emeritus, Stanford University; author of The Lucifer Effect “This overview of various kinds of aberrant behavior grouped under the umbrella term evil is well backed up by the expertise of Shaw. . . . Shaw’s work will be particularly appropriate for college and high school libraries for its sober-minded, academically rigorous examination of an oft-sensationalized subject.” —Publishers Weekly “Capably written with a smooth mix of scientific insight and theoretical thought, the book will hopefully inspire empathy and understanding rather than hysteria and condemnation. A consistently fascinating journey into the darker sides of the human condition that will push on the boundaries of readers’ comfort zones.” —Kirkus Reviews