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Focused on the appropriation of John Dewey’s ideas on progressive education in revolutionary Mexico, this book reconsiders the interpretation and application of Dewey’s ideas in the world. Rodriguez examines the use of Dewey in Mexico’s state-building projects as a vantage point to assess the global impact of Dewey’s pedagogy. As these projects converged with Dewey’s desire to employ education as a tool for effective social change, Rodriguez understands Dewey not just as a philosopher but as an integral part of the Americas’ progressive movement and era.
V.1 Modernization -- V.2 Cultural modernity -- V.3 Odern system -- V.4 After modernity.
First published in 2004. Walter Benjamin famously defined modernity as “the world dominated by its phantasmagorias”. The chapters in this book focus on one such phantasmagoria, namely that of ‘modernity’ itself. From the late seventeenth century until today, the ‘modern’ has served as a key category by which to understand an ever-changing present. Art and architecture have played a key role in this pursuit as the means by which the modern was to manifest itself. The aim of this anthology is to trace the modern project through its multifarious manifestations, in order to understand contemporary culture in a deeper sense than facile discussions of modernism and post-modernism often grant. Drawing on architectural and urban history as well as philosophy and sociology, the chapters outline the complex and conflicting roots of modernity by tracing its manifestations in architecture and the city. The book is divided into three parts, each exploring a distinct aspect of modernity. While part one scrutinizes the much-abused concepts of ‘modernity’ , ‘modernism’ and ‘the modern’ , parts two and three look at the manifestations of the modern in architecture and the city respectively. Focusing particularly on the transition between historicism and modernism, the chapters offer a re-interpretation of early modern architectural and urban culture as it came to expression in people such as Cerda, Semper, Bötticher, Scott, Baudelaire, the Goncourt brothers, Benjamin, Warburg, Kracauer, Mackintosh, Behrens, Taut, and Le Corbusier. For all their differences, these were thinkers and practitioners whose undisputed modernity arose from a deep preoccupation with history. A re-reading of their legacy may throw light on the neglected reciprocity between modernity and its historical conditions of becoming.
The creation of Soviet culture in the 1920s and the 1930s was the most radical of modernist projects, both in aesthetic and in political terms. Modernism and the Making of the New Man explores the architecture of this period as the nexus between aesthetics and politics. The design of the material environment, according to the author, was the social effort that most clearly articulated the dynamic of the socialist project as a negotiation between utopia and reality, the will for progress and the will for tyranny. It was a comprehensive effort that brought together professional architects and statisticians, theatre directors, managers, housewives, pilots, construction workers... What they had in common was the enthusiasm for defining the “new man”, the ideal citizen of the radiant future, and the settings in which he or she lives.
A collection of work in translation by the celebrated, influential German historian Adelheid von Saldern
Analyzes the complex unity of modernist culture, paying special attention to artistic, intellectual, and social institutions that embody value.
At the core of Martial Arts Cinema and Hong Kong Modernity: Aesthetics, Representation, Circulation is a fascinating paradox: the martial arts film, long regarded as a vehicle of Chinese cultural nationalism, can also be understood as a mass cultural expression of Hong Kong’s modern urban-industrial society. This important and popular genre, Man-Fung Yip argues, articulates the experiential qualities, the competing social subjectivities and gender discourses, as well as the heightened circulation of capital, people, goods, information, and technologies in Hong Kong of the 1960s and 1970s. In addition to providing a novel conceptual framework for the study of Hong Kong martial arts cinema and shedding light on the nexus between social change and cultural/aesthetic form, this book offers perceptive analyses of individual films, including not only the canonical works of King Hu, Chang Cheh, and Bruce Lee, but also many lesser-known ones by Lau Kar-leung and Chor Yuen, among others, that have not been adequately discussed before. Thoroughly researched and lucidly written, Yip’s stimulating study will ignite debates in new directions for both scholars and fans of Chinese-language martial arts cinema. “Yip subjects critical clichés to rigorous examination, moving beyond generalized notions of martial arts cinema’s appeal and offering up informed scrutiny of every facet of the genre. He has the ability to encapsulate these films’ particularities with cogent examples and, at the same time, demonstrate a thorough familiarity with the historical context in which this endlessly fascinating genre arose.” —David Desser, professor emeritus, University of Illinois at Urbana-Champaign “Eschewing a reductive chronology, Yip offers a persuasive, detailed, and sophisticated excavation of martial arts cinema which is read through and in relation to rapid transformation of Hong Kong in the 1960s and 1970s. An exemplar of critical genre study, this book represents a significant contribution to the discipline.” —Yvonne Tasker, professor of film studies and dean of the Faculty of Arts and Humanities, University of East Anglia
In much the same way that Japan has become the focus of contemporary American discussion about industrial restructuring, Germans in the economic reform in terms of Americanism and Fordism, seeing in the United States an intriguing vision for a revitalized economy and a new social order. During the 1920s, Germans were fascinated by American economic success and its quintessential symbols, Henry Ford and his automobile factories. Mary Nolan's book explores the contradictory ways in which trade unionists and industrialists, engineers and politicians, educators and social workers explained American economic success, envisioned a more efficient or "rationalized" economic system for Germany, and anguished over the social and cultural costs of adopting the American version of modernity. These debates about Americanism and Fordism deeply shaped German perceptions of what was economically and socially possible and desirable in terms of technology and work, family and gender relations, consumption and culture. Nolan examines efforts to transform production and consumption, factories and homes, and argues that economic Americanism was implemented ambivalently and incompletely, producing, in the end, neither prosperity nor political stability. Vision of Modernity will appeal not only to scholars of German History and those interested in European social and working-class history, but also to industrial sociologists and business scholars.
Have you ever wondered why society is getting cruder and ruder, with stress, depression and mental illness rising and little joy felt? Why children behave badly and schools are failing? Why trust has vanished with your identity? And why sex is oozing out of every aspect of the culture? We live in a skeptical age with the country splintering into special interest groups claiming to be victims and requiring special treatment, and a Congress thats deadlocked in partisan bickering. There is anger and tension and really intolerable things being tolerated, placing women and children in danger. If you have such questions, this is your book, an inquiry into the spirit of the age. Examined are root causes for the darkened culture, immoral behavior, and rejection of traditions. The age glorifies science and technical progress, and yet is unhappy and sickly. Individualism surmounts community concerns creating narcissistic people tending toward nihilism, where the self is the center of the universe. The postmodern culture throws away things, relationships, and lives, like it disposes of outdated items. Logic is replaced with how I feel, and reliance on personal experience for making decisions. Relativism is accepted in ethics and for determining truth, so that it is my truth and your truth, and objectivity and common sense are lost. Science is erecting the abstract man, who, in the process, has lost heart and a sense of reality, living in a delusional world. The result is a profusion of confusion.
How science fiction forged a unique Russian vision of modernity distinct from Western models Science fiction emerged in Russia considerably earlier than its English version and instantly became the hallmark of Russian modernity. We Modern People investigates why science fiction appeared here, on the margins of Europe, before the genre had even been named, and what it meant for people who lived under conditions that Leon Trotsky famously described as "combined and uneven development." Russian science fiction was embraced not only in literary circles and popular culture, but also by scientists, engineers, philosophers, and political visionaries. Anindita Banerjee explores the handful of well-known early practitioners, such as Briusov, Bogdanov, and Zamyatin, within a much larger continuum of new archival material comprised of journalism, scientific papers, popular science texts, advertisements, and independent manifestos on social transformation. In documenting the unusual relationship between Russian science fiction and Russian modernity, this book offers a new critical perspective on the relationship between science, technology, the fictional imagination, and the consciousness of being modern.