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Lisa and Tom Cuchara see the beauty in decay and abandonment. In this book, they take you on a guided journey of historic, grand, dramatic, and unique locations and provide tips to help you capture creative fine-art photographs of rusty, dusty subjects and locations. In this book, you’ll find a plethora of urban exploration images and discover the processes used to create each one. You’ll learn how to capture HDR images, create long-exposure photos, and paint with light. You’ll also learn how to approach challenging locations, deal with high-contrast scenes, create stitched HDR panoramics, and produce light and shadow effects. The authors share the gear that was used, the camera settings, the story behind the scene, and how they pre-visualized their images and looked for light (or created it) in each location. This book will inspire you to visit new “old” places and to get to know them well enough to tell their story -- Lisa and Tom Cuchara
Biomedical sciences professor Lisa Cuchara fell head-over-heels in love with frogs the first time she and her photographer husband Tom were invited to photograph a red-eyed tree frog. Before long, the couple was clearing out their space in their home for terrariums full of well-loved amphibians! As it turned out, Lisa’s uncanny ability to put frogs at ease set the couple on a new creative path: producing whimsical frog portraits. Through patience, care—and plenty of snacks!—they have been able to achieve incredible images while keeping their animal friends totally content. In fact, some of their frogs now know that they will fed after being taken out of their terrarium—so they sign to Lisa and Tom or smush their faces up to the glass, wanting to be photographed! Whether sitting quietly on a flower or humorously interacting with a carefully selected prop, these frogs are sure to bring a smile to the face of any animal lover.
Successful nature photographer and lecturer Charles Needle often asks students in his workshops if they understand the difference between “looking” and “seeing”. The difference he is pointing out is that while we are constantly “looking” at countless people, places and things, we might not be actually seeing what is right in front of us. Being tuned into this difference can elevate your art as a photographer, allowing you to be more in tune with your surroundings. Needle has applied this concept to his work and it shows. Utilizing macro photography to capture the nuances of the nature all around us. In this extensive handbook, Needle covers not only his philosophy for seeing and capturing nature photography but delves into the equipment he uses. Needle covers composition, flash techniques, the fundamentals of macro photography and so much more. The book features many set-up shots, equipment shots and sequential shots detailing the progression towards creating the final images. This essential text provides both the inspiration and the technique required to beautifully capture the wonders of nature.
The genre of still life is considered from a wide range of visual perspectives as it spans the history of photography from the early nineteenth century to the present.
The first step to creating a successful photograph happens before you even click the shutter: the act of visualizing the final result—viewing the landscape in front of you and seeing, in your mind’s eye, the final image that you want to create—is the true first act of the creative process. Once you know the end result you want to achieve, connecting the dots from capture through post-processing in Adobe Camera Raw and Photoshop becomes an intentional and logical act. Instead of randomly (and desperately) pushing and pulling sliders in Photoshop with the hope that your image will look “better,” you execute a logical series of steps that closes the gap between the initial capture and your earlier visualization. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px 'Avenir Next'} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px 'Avenir Next'; min-height: 16.0px} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Symbol; min-height: 11.0px} span.s1 {font: 11.0px Symbol} span.Apple-tab-span {white-space:pre} In The Landscape Photographer’s Guide to Photoshop: A Visualization-Driven Workflow, photographer, author, and educator Guy Tal provides you with a roadmap to help you learn to implement such a visualization-driven approach in your landscape photography. Guy covers process, workflow, and the hands-on Photoshop techniques you need to know in order to achieve your expressive goals. In this book, you’ll learn: • Techniques and strategies to help you effectively implement visualization in your photographic process • How to perform “gap analysis,” where you learn to identify the gaps between the image at any point in time and the desired outcome • How to use Adobe Camera Raw to optimize your digital negative in advance of further editing in Photoshop • The best ways to set up your Photoshop preferences for optimal performance • How best to employ Photoshop’s tools and features (such as the Healing Brush, Cloning tool, Cropping tool, and blending modes) • How to become proficient with layers, masks, selections, and actions • Dodging and burning techniques to masterfully direct the viewer’s eye • Image-blending techniques for dynamic range and focus stacking • Post-processing strategies for black-and-white conversions, including toning your images • Printing and other output techniques, covering sizing, sharpening, noise reduction, and color management Bringing all of these techniques together, Guy presents a series of image case studies, beginning with his earlier visualization for each image in mind and working through the post-processing, from RAW capture to the final print.
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
Written by the prominent art and artifacts scholar Cycleback, this book is a primer and survey of standard methods and issues in the identification, authentication, fake and forgery detection of art, artifacts and collectibles, from ancient artifacts and famous paintings to antique toys and trading cards. Topics include stylistic and historical analysis, scientific testing (including radiometric dating, thermoluminescence testing, spectroscopy, microscopy and artificial intelligence analysis), basic research methods, material and process identification, provenance, altered forgeries, the limits of science and analysis, and more. Authentication involves many aspects and perspectives working together, from nuclear physics to art history, and this book is written for all those invested or interested in the topic, including museum workers, scientists, historians, students, appraisers, lawyers, collectors and those simply interested in how famous artworks and relics are authenticated and forgeries identified.
Hans Strand's stunning images of Iceland with a collection of images combining aerial views and studies from the ground and below. A result of almost 20 years of traveling to this fantastic volcanic island in the middle of The Atlantic. 'I have spent around 75 hours photographing from the sky and I have travelled several thousands of kilometres shooting landscapes from ground level'.