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Cream City Chronicles is a collection of lively stories about the people, the events, the landmarks, and the institutions that have made Milwaukee a unique American community. These stories represent the best of historian John Gurda’s popular Sunday columns that have appeared in the Milwaukee Journal Sentinel since 1994. Find yourself transported back to another time, when the village of Milwaukee was home to fur trappers and traders. Follow the development of Milwaukee’s distinctive neighborhoods, its rise as a port city and industrial center, and its changing political climate. From singing mayors to summer festivals, from blueblood weddings to bloody labor disturbances, the collection offers a generous sampling of tales that express the true character of a hometown metropolis.
When baseball teams began competing in Milwaukee in the 1860s the game, though still recognizably baseball, had some peculiar rules. There were no gloves, no protective gear for the catchers, the pitchers threw underhanded, and the game was over when one team scored 21 runs. Spanning the years 1859 to 1901, this volume presents a detailed study of the history of baseball in Milwaukee. In addition to coverage of the major league teams that played in the city, there is also an extensive history of the many minor league and amateur league teams. Also included are photographs and illustrations of owners, players and teams as well as statistics on Milwaukee players and teams of the era.
These poems take a closer look at violence against women, both physical and psychological. Follow the intersection of fear, identity, and the malleability of the speaker’s own experiences of violence enacted on her by men, particularly a past partner. Imagistic and evocative, the poems ask how are we conditioned into living with violence, and how do we move forward?
Unreal City: a cartoon megalopolis where towers are built of cotton candy, facts scatter like pixie dust, and the truth is whatever you feel it to be. And it's no fantasy. It's where we live. "We dwell in Unreal City. We believe in un-being." With saber-like wit, poet and professor Anthony Esolen leads readers on a tour through the ruins of their own Western world—through king-size bookstores, manicured college campuses, strobe-lit choir lofts, mechanized farms, divorce courts, drag-queen libraries, and beyond. This hilarious guide to a culture gone mad with sex and self-care minces no words and spares no egos. We the people of Unreal City are no better, and certainly no smarter, than our fathers. But fear not. Sex and the Unreal City insists there's no need to settle down in the ninth circle of unreality. Esolen lights a torch and heads up the well-trod path back to our cleaner, kinder, truer homeland: Earth. Along the way, the author sings the songs of masters long forgotten—Shakespeare, Dante, Milton, the Evangelists—and asks us to join in.
From murder and matchstick men to all-consuming fires, painted women, and Great Lakes disasters--and the wide-eyed public who could not help but gawk at it all--"Milwaukee Mayhem" uncovers the little-remembered and rarely told history of the underbelly of a Midwestern metropolis. "Milwaukee Mayhem" offers a new perspective on Milwaukee's early years, forgoing the major historical signposts found in traditional histories and focusing instead on the strange and brutal tales of mystery, vice, murder, and disaster that were born of the city's transformation from lakeside settlement to American metropolis. Author Matthew J. Prigge presents these stories as they were recounted to the public in the newspapers of the era, using the vivid and often grim language of the times to create an engaging and occasionally chilling narrative of a forgotten Milwaukee. Through his thoughtful introduction, Prigge gives the work context, eschewing assumptions about "simpler times" and highlighting the mayhem that the growth and rise of a city can bring about. These stories are the orphans of Milwaukee's history, too unusual to register in broad historic narratives, too strange to qualify as nostalgia, but nevertheless essential to our understanding of this American city.
Set in modern Shanghai, a debut by a Chinese-American writer about a prodigal son whose unexpected return forces his newly wealthy family to confront painful secrets and unfulfilled promises. After years of chasing the American dream, the Zhen family has moved back to China. Settling into a luxurious serviced apartment in Shanghai, Wei, Lina, and their daughter, Karen, join an elite community of Chinese-born, Western-educated professionals who have returned to a radically transformed city. One morning, in the eighth tower of Lanson Suites, Lina discovers that a treasured ivory bracelet has gone missing. This incident sets off a wave of unease that ripples throughout the Zhen household. Wei, a marketing strategist, bows under the guilt of not having engaged in nobler work. Meanwhile, Lina, lonely in her new life of leisure, assumes the modern moniker taitai -a housewife who does no housework at all. She is haunted by the circumstances surrounding her arranged marriage to Wei and her lingering feelings for his brother, Qiang. Sunny, the family's housekeeper, is a keen but silent observer of these tensions. An unmarried woman trying to carve a place for herself in society, she understands the power of well-kept secrets. When Qiang reappears in Shanghai after decades on the run with a local gang, the family must finally come to terms with the past and its indelible mark on their futures. From a silk-producing village in rural China, up the corporate ladder in suburban America, and back again to the post-Maoist nouveaux riches of modern Shanghai, What We Were Promised explores the question of what we owe to our country, our families, and ourselves.
“All hits no skips. I was incredibly moved by these poems.” —Roxane Gay, via Goodreads From National Poetry Series winner Su Cho, chosen by Paige Lewis, a debut poetry collection about immigration, memory, and a family’s lexicon Language and lore are at the core of The Symmetry of Fish, a moving debut about coming-of-age in the middle of nowhere. With striking and tender insight, it seeks to give voice to those who have been denied their stories, and examines the way phrases and narratives are passed down through immigrant families—not diluted over time, but distilled into potency over generations. In this way, a family's language is not lost but continuously remade, hitched to new associations, and capable of blooming anew, with the power to cut across space and time to unearth buried memories. The poems in The Symmetry of Fish insist that language is first and foremost a bodily act; even if our minds can't recall a word or a definition, if we trust our mouths, expression will find us—though never quite in the forms we expect.
One ngh's account of learning, running from, and confronting his mental health.
A clever and complex woman builds an ice cream empire after immigrating from Russia in this stunning novel of power, Prohibition, and performance set against the backdrop of early 20th-century America. In 1913, little Malka Treynovsky flees Russia with her family. Bedazzled by tales of gold and movie stardom, she tricks them into buying tickets for America. Yet no sooner do they land on the squalid Lower East Side of Manhattan, than Malka is crippled and abandoned in the street. Taken in by a tough-loving Italian ices peddler, she manages to survive through cunning and inventiveness. As she learns the secrets of his trade, she begins to shape her own destiny. She falls in love with a gorgeous, illiterate radical named Albert, and they set off across America in an ice cream truck. Slowly, she transforms herself into Lillian Dunkle, "The Ice Cream Queen" -- doyenne of an empire of ice cream franchises and a celebrated television personality. Lillian's rise to fame and fortune spans seventy years and is inextricably linked to the course of American history itself, from Prohibition to the disco days of Studio 54. Yet Lillian Dunkle is nothing like the whimsical motherly persona she crafts for herself in the media. Conniving, profane, and irreverent, she is a supremely complex woman who prefers a good stiff drink to an ice cream cone. And when her past begins to catch up with her, everything she has spent her life building is at stake.