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"...a classy movie-geek-must-have..." - Kevin Smith "This book is 176 pages of stunning, creative, witty, and sometimes just down-right funny art pieces." - We Are Movie Geeks "I personally recommend the hell out it, and I hope it does well -- because I'll get every single damn collection Gallery 1988 and Titan Books puts out." - Topless Robot "It’s just a damned gorgeous book filled with stunning, movie-related artwork." - Hollywood.com "Quite simply this book is a must have. If ever there was a book for movie inspired Art collectors then this is it." - Poster Shizzle "The artwork is beautiful, and anyone who loves film owes it to themselves to check it out." - Ain't It Cool "Crazy 4 Cult: Cult Movie Art is absolutely amazing and should be picked up by anyone and everyone who considers themselves a moving pictures enthusiast." - Posterocalypse "A book that belongs on every movie geek's coffee table." - Movies.com "There’s nothing like Crazy 4 Cult and this book shows you why." - Very Aware "Love Movies? Love Cult Art? Then 'Crazy 4 Cult' Is the Book for You." - Moviefone "THIS BOOK ROCKS!" - Cool and Collected -- The annual Crazy 4 Cult art show in LA has quickly become a phenomenon, with thousands of visitors, a million hits on its website on opening day, and high profile buyers including Kevin Smith and Edgar Wright. Why? Because the cream of the pop culture-influenced art scene - including Shepard Fairey, creator of the Obama 'Hope' poster - come together to celebrate cult movies with art that is surprising, beautiful and very, very cool. This lavishly produced book presents the best of the first 4 years of the show, with art inspired by such movies as The Big Lebowski, Edward Scissorhands, Blade Runner, Donnie Darko, A Clockwork Orange, Pulp Fiction and many more.
Taking you behind the scenes of the special effects world, the author guides readers through the world of creature and character design. Suitable for special effects experts and novices alike, he helps you learn the secrets behind designing characters for the entertainment industry.
The bold and boundlessly original debut novel from the Oscar®-winning screenwriter of Being John Malkovich, Adaptation, Eternal Sunshine of the Spotless Mind, and Synecdoche, New York. LONGLISTED FOR THE CENTER FOR FICTION FIRST NOVEL PRIZE • “A dyspeptic satire that owes much to Kurt Vonnegut and Thomas Pynchon . . . propelled by Kaufman’s deep imagination, considerable writing ability and bull’s-eye wit."—The Washington Post “An astonishing creation . . . riotously funny . . . an exceptionally good [book].”—The New York Times Book Review • “Kaufman is a master of language . . . a sight to behold.”—NPR NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR AND MEN’S HEALTH B. Rosenberger Rosenberg, neurotic and underappreciated film critic (failed academic, filmmaker, paramour, shoe salesman who sleeps in a sock drawer), stumbles upon a hitherto unseen film made by an enigmatic outsider—a film he’s convinced will change his career trajectory and rock the world of cinema to its core. His hands on what is possibly the greatest movie ever made—a three-month-long stop-motion masterpiece that took its reclusive auteur ninety years to complete—B. knows that it is his mission to show it to the rest of humanity. The only problem: The film is destroyed, leaving him the sole witness to its inadvertently ephemeral genius. All that’s left of this work of art is a single frame from which B. must somehow attempt to recall the film that just might be the last great hope of civilization. Thus begins a mind-boggling journey through the hilarious nightmarescape of a psyche as lushly Kafkaesque as it is atrophied by the relentless spew of Twitter. Desperate to impose order on an increasingly nonsensical existence, trapped in a self-imposed prison of aspirational victimhood and degeneratively inclusive language, B. scrambles to re-create the lost masterwork while attempting to keep pace with an ever-fracturing culture of “likes” and arbitrary denunciations that are simultaneously his bête noire and his raison d’être. A searing indictment of the modern world, Antkind is a richly layered meditation on art, time, memory, identity, comedy, and the very nature of existence itself—the grain of truth at the heart of every joke.
Over the years the motion picture industry has (sadly) gravitated to generating poorly cropped and heavily airbrushed posters that rely far too often on celebrity head shots. Thankfully, an underground network of graphic designers and artists has reinvigorated the art of the movie poster, crafting stunning pieces for classic and cult films. Here is the first comprehensive look at the movement, presenting this eclectic and dynamic medium through more than 200 eye-popping posters from over 100 cutting-edge artists, coupled with fascinating commentary and behind-the-scenes information. These new, underground posters have quickly become the most coveted by ardent moviegoers; they are typically produced in very limited runs, sell out within minutes, and command upwards of several hundred dollars each. With a smart, fresh visual perspective, alternative movie posters celebrate classics like Star Wars, A Clockwork Orange, and The Shining as well as cult favorites: The Big Lebowski, Blade Runner, and Pink Flamingos.
Named one of Vulture’s Top 10 Best Books of 2020! Leftist firebrand Fredrik deBoer exposes the lie at the heart of our educational system and demands top-to-bottom reform. Everyone agrees that education is the key to creating a more just and equal world, and that our schools are broken and failing. Proposed reforms variously target incompetent teachers, corrupt union practices, or outdated curricula, but no one acknowledges a scientifically-proven fact that we all understand intuitively: Academic potential varies between individuals, and cannot be dramatically improved. In The Cult of Smart, educator and outspoken leftist Fredrik deBoer exposes this omission as the central flaw of our entire society, which has created and perpetuated an unjust class structure based on intellectual ability. Since cognitive talent varies from person to person, our education system can never create equal opportunity for all. Instead, it teaches our children that hierarchy and competition are natural, and that human value should be based on intelligence. These ideas are counter to everything that the left believes, but until they acknowledge the existence of individual cognitive differences, progressives remain complicit in keeping the status quo in place. This passionate, voice-driven manifesto demands that we embrace a new goal for education: equality of outcomes. We must create a world that has a place for everyone, not just the academically talented. But we’ll never achieve this dream until the Cult of Smart is destroyed.
This title collects the digital paintings and sketches of Christian Alzmann, as well as his more traditional pencil sketches.
An illustrated history of 101 of the strangest, sleaziest, most outrageous movies you've never seen! An elaborate work of illustrated fiction, Shock Festival is a raunchy, hilarious tall tale of imaginary sleazebag exploitation films, lavishly brought to life with hundreds of exclusive, never-before-seen original movie posters and memorabilia items! It's the retro-dazzle of Grindhouse meets the authentic 'mockumentary' appeal of Spinal Tap in over 350 full color pages! From wild monster flicks like "Universe of Bloody Zombies" to the streetwise blaxploitation of "Chocolate Cherri On Top," this illustrated epic is guaranteed to blow the most jaded movie geek's mind . . . and leave everyone else cheering in the aisles for more!
For over 30 years, Stan Winston and his team of artists and technicians have been creating characters, creatures and monsters for the silver screen, from The Terminator and the extraterrestrial monstrosities of Aliens and Predator to the amazing dinosaurs of Jurassic Park and the fanciful character of Edward Scissorhands. Now, at last, he's opening up the Stan Winston Studio to collaborate on the first-ever book to reveal all the behind-the-scenes secrets of his groundbreaking and hugely influential artistry and effects work. Featuring an extensive array of sketches, production art, and photographs straight from the studio archives, this is the book his fans have been waiting for! Limited edition featuring a variant cover and signed by Stan Winston!
Max Rockatansky returns. Haunted by his turbulent past, the wandering Road Warrior becomes swept up with a group fleeing across the Wasteland in a War Rig driven by an elite Imperator, Furiosa. Seeking escape from the tyranny of Immortan Joe, what follows is a high-octane Road War - and a chance for redemption. The Art of Mad Max: Fury Road is the official companion to the highly anticipated movie.
INTRODUCING THE SECOND CULT MOVIE-ART BOOK FROM GALLERY 1988, ONE OF THE WORLD'S MOST TALKED ABOUT ART GALLERIES! An impressive cult movie art collection, featuring art from Gallery 1988, a Los Angeles art gallery that focuses on pop-culture themed artwork. Be prepared to see your favourite cult movies as you've never seem them before!This second volume of Cult Movie Art collects the best of the last two years of the show, with pieces inspired by Escape From New York, Shaun of the Dead, Ghostbusters, The Princess Bride, The Big Lebowski and many moreGallery 1988's annual cult movie-inspired Crazy 4 Cult art show has become a phenomenon. 2012's show moved from LA for the first time, with a triumphant opening in New York