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Libby I found Killian drunk and sprawled out on my lawn like some lost prince. With the face of a god and the arrogance to match, the pest won’t leave. Sexy, charming, and just a little bit dirty, he’s slowly wearing me down, making me crave more. He could be mine if I dare to claim him. Problem is, the world thinks he’s theirs. How do you keep an idol when everyone is intent on taking him away? Killian As lead singer for the biggest rock band in the world, I lived a life of dreams. It all fell apart with one fateful decision. Now everything is in shambles. Until Liberty. She’s grouchy, a recluse —and kind of cute. Scratch that. When I get my hands on her, she is scorching hot and more addictive than all the fans who’ve screamed my name. The world is clamoring for me to get back on stage, but I’m not willing to leave her. I’ve got to find a way to coax the hermit from her shell and keep her with me. Because, with Libby, everything has changed. Everything.
In 1972, Will Campbell published an issue of the Committee of Southern Churchmen's journal, Katallagete, to shed light on the US prison system. None could anticipate how the system would expand exponentially in the next four decades. Today, the US operates the world's largest prison system, incarcerating nearly 1 in every 100 American adults. How did this expansion happen? What is the human toll of this retributive system? How might "ambassadors of reconciliation" respond to such a punitive institution? Replicating the firsthand nature of Will Campbell's original Katallagete collection, twenty new essays pull back the veil on today's prison-industrial complex. The plea throughout this collection is not for some better, more progressive institution to exact justice. Rather, the invitation is to hear from voices of experience how the system functions, listen to what the institution does to those locked in its cells, consider what an execution involves, and, most importantly, contemplate the scandalous call to be in reconciled community with those whom society discards and the system silences. Our story is that there are neither good nor bad people, neither felon nor free world. We are all one.
If prophets are called to unveil and expose the illegitimacy of those principalities masquerading as "the right" and purportedly using their powers for "the good," then Will D. Campbell is one of the foremost prophets in American religious history. Like Clarence Jordan and Dorothy Day, Campbell incarnates the radical iconoclastic vocation of standing in contraposition to society, naming and smashing the racial, economic, and political idols that seduce and delude.In this anthology Campbell diagnoses a problem afflicting much of the church today. Zealous to make a difference in the world by acquiring the power of legislation and enforcement, Christians employ society's political science rather than the scandalous politics of Jesus. Although well-intentioned, Christians are, Campbell laments, mistakenly "up to our steeples in politics." Campbell's prescription is for disciples simply to incarnate the reconciliation that Christ has achieved. Rather than crafting savvy strategies and public policies, "Do nothing," Campbell counsels. "Be reconciled!"Yet his encouragement to "do nothing" is no endorsement of passivity or apolitical withdrawal. Rather, Campbell calls for disciples to give their lives in irrepressible resistance against all principalities and powers that would impede or deny our reconciliation in Christ--an unrelenting prophetic challenge leveled especially at institutional churches, as well as Christian colleges and universities.In sermons, difficult-to-access journal articles, and archival manuscripts, Campbell then develops what reconciliation looks like. Being the church, for example, means identifying with, and advocating for, society's "least one"-including violent offenders, disenfranchised minorities, and even militant bigots. In fact, in Campbell's o
An Economist Best Book of the Year In this timely and lively look at the act of toppling monuments, the popular historian and author of Blood and Sand explores the vital question of how a society remembers—and confronts—the past. In 2020, history came tumbling down. From the US and the UK to Belgium, New Zealand, and Bangladesh, Black Lives Matter protesters defaced, and in some cases, hauled down statues of Confederate icons, slaveholders, and imperialists. General Robert E. Lee, head of the Confederate Army, was covered in graffiti in Richmond, Virginia. Edward Colston, a member of Parliament and slave trader, was knocked off his plinth in Bristol, England, and hurled into the harbor. Statues of Christopher Columbus were toppled in Minnesota, burned and thrown into a lake in Virginia, and beheaded in Massachusetts. Belgian King Leopold II was set on fire in Antwerp and doused in red paint in Ghent. Winston Churchill’s monument in London was daubed with the word “racist.” As these iconic effigies fell, the backlash was swift and intense. But as the past three hundred years have shown, history is not erased when statues are removed. If anything, Alex von Tunzelmann reminds us, it is made. Exploring the rise and fall of twelve famous, yet now controversial statues, she takes us on a fascinating global historical tour around North America, Western and Eastern Europe, Latin America and Asia, filled with larger than life characters and dramatic stories. Von Tunzelmann reveals that statues are not historical records but political statements and distinguishes between statuary—the representation of “virtuous” individuals, usually “Great Men”—and other forms of sculpture, public art, and memorialization. Nobody wants to get rid of all memorials. But Fallen Idols asks: have statues had their day?
Performing on the hugely popular American Idol television show in 2007 almost ruined Phil Stacey’s life. Fame, and the temptations that came with it, led this part-time worship pastor to a dark place. Eventually Phil cut through the confusion, realizing that he was created not for entertaining people or for fame but for one thing—to worship God. In Made to Worship, Phil shares the exciting details of his quick rise to fame as well as the resulting emptiness it offered him. You’ll be encouraged as you read how Phil escaped the lure of an empty idol and instead experienced the fullness of God. And you’ll be amazed by how God ultimately used Phil’s notoriety to spread the gospel around the world. You can use your talents and skills to worship God and to share the gospel with others in a unique way that fits you and your family. Read about Phil’s encounter with fame—and how the notoriety from this world-renowned show surprisingly opened doors for Phil to spread the gospel and minister to others. Like Phil, you’ll learn that we only find true fulfillment when we find it in Jesus Christ.
Includes passages translated into English.
Why do we find it so hard to change? Is it because modern-day idols trap us to commit treason against the gospel? Brad Bigney shows, using poignant testimonies, how to live joyfully and free.
This collection of essays and sermons by Rodney Kennedy and Kyle Childress is focused on honoring the memory of Will Campbell--the prophet from the South who made a vocation of destroying sacred cows. The essays and sermons attempt to be true to the spirit of Will Campbell's devotion to the gospel above all else. It should not be surprising that the essays and sermons are about the business of deconstructing more sacred cows while lifting up the truth claims of the gospel.
With an eye toward reuniting the church and the academy, this book focuses on the role that scholarship can play in making good preachers into really great preachers. This is the bridge between scholarly and popular writing that informs the sermon and makes it more powerful and meaningful for the people who regularly listen to sermons. Preachers are challenged to raise the level of their commitment to scholarship as well as overcome any pre-existing prejudices with scholarship. The preacher as scholar is the perfect way for the pulpit to respond to the challenges of a secular, post-modern world that often wonders if smart people can even believe in God.