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Presents basic and unintimidating techniques for using the most popular crafting materials, including fabric, concrete, paint, clay, thread, and wax to create over thirty projects.
With so many authors and an array of genres, you might expect the Bible to be an anthology of disconnected pieces. Yet, the sixty-six books from Genesis to Revelation weave together into a cohesive unit of divine instruction. But, the question remains - Is there more? Is there a comprehensive design in the Bible that surpasses the mere idea of conceptual unity? Stepping back to look more broadly at the arrangement of the sixty-six divinely inspired books of the Bible it is surprising to observe a mosaic image of a person with a head, torso, arms, and legs. The body of Jesus Christ (Incarnation) and the body of biblical truth (Inspiration) representing the two special revelations of God, were apparently constructed in the same manner. Taking the books of the Bible in their received groupings and order, being careful not to manipulate God's providential arrangement, we see a mirror image of the man Jesus Christ. It seems that the Bible presents to us the Person of our Lord, not only in its content, but also in its form. Crafted by God is the unveiling of this discovery and a probing of its implications. Here is a study that truly unlocks the harmonious structure and purposeful design of the Bible - as well as opening new vistas of thought that put all of Scripture into its contextual meaning.
The authors have selected 24 makers and 5 essayists who work within different media and have different methodologies to provide a microcosm of the crafting community. This book features photographs of the makers, their work environment, their process, their work, and discussions of how they got their start.
From "the DIY maven" (Architectural Digest), comes a beautiful, practical craft book for both aspiring and seasoned makers. Here are 60 projects for high-quality furniture, textiles, and accessories to enjoy all through the house--plus all the techniques you need for dyeing or sewing fabric, cutting leather, antiquing mirrors, working with wood, and much more. A Well-Crafted Home includes simple, creative details that will tailor a space to your taste. More than just “DIY” crafts, these carefully designed projects call for good materials--like linen, leather, and wood--so the finished product will last you a lifetime. Ranging from beginner to more advanced, each item elevates a room in a way you'd never expect: a large-scale painting with an effortless “dot” design looks like a modern piece of art, flax linen bedding sewn with a few easy seams is gorgeous way to set off the bed (and is more affordable than you would think), and a copper pipe rack for hanging clothes is so pretty, you’ll want to keep it on display. There's something for every room in this book: The Entryway: Dowel Wall Hooks, Reclaimed Wood Bench, Woven Leather Basket, Soft Planter Cover, Block-Print Pillow, Looped-Tassel Wall Hanging The Living Room: Dyed Fabric Ottoman, Tassel Wall Banner, Bleach-Dot Lumbar Pillow, Flange-Edge Throw Pillow, Tied Shibori Throw Pillow, Gemstone Box, Air-Dry Clay Bowl, Rolling Trunk Storage, Glass-Cover Pendant Lamp The Kitchen: Wooden Herb Planter, Rustic Footed Cutting Board, Quilted Cushions, Leather-Loop Tea Towels, Ombre Ceramic Vase The Dining Room: Heirloom Linen Tablecloth, Indigo-Stripe Napkins, Leather Napkin Rings, Clay Candlesticks, Boro Stitched Trivet, Beaded Light Fixture, The Bedroom: Framed Cane Headboard; Linen Bedding with Duvet, Shams, and Pillowcases; Simple Stitch Throw Pillow; Sewn Leather Pillow; Trimmed Waffle-Weave Blanket; Modern Latch-Hook Stool; Dyed Fabric Art in Round Mat; Natural Jute Rug; Painted Ceramic Tray; Acrylic Side Table; Refurbished Table Lamp; Boro Stitched Memory Quilt The Closet: Copper Garment Rack, Leaning Floor Mirror, Wall Shoe Display, Thread-Wrapped Pendant Light, Liberty Print Hamper, Antiqued Mirror Table The Bathroom: Natural Wood Stump, Oak Tub Tray, Knotted Rope Ladder, Terry-cloth Towels, Leather Wastebasket The Outdoor Oasis: Simple Sewn Hammock, Painted Wood Stump, Restored-Frame Tray, Ice-Dyed Blanket, Colorwash Sheepskin With beautiful photographs of rooms styled with all of the projects, A Well-Crafted Home proves that even the smallest touch of handmade can make a house a home.
From whimsical to elegant, and old-school influences to new school—Goodtype’s The Art of Lettering showcases dynamic hand lettering from today’s young and sought-after typographers and calligraphers, stoking creative inspiration for graphic designers, artists, and type enthusiasts alike. Hand lettering is making a comeback, bursting out of its graphic-design bubble and finding a mainstream via collecting social media sites like Instagram and Pinterest. The avid interest in hand lettering seemingly goes hand in hand with the weariness audiences feel with constant slick digital presentation of the information they consume. The Art of Lettering collects myriad new and established graphic designers for whom hand lettering is a time-honored art that has modern applications. Showcasing more than 100 artists from all over the world, the book displays their typographic takes and illustrates their perfectly imperfect handcrafted art, from beautiful photographs of concept sketches to the end result. Straying away from traditional pen calligraphy, artists today employ new and creative approaches, including building type with coffee grounds, watercolors, and combinations of different hand tools, resulting in a dynamically fresh approach to creating type.
Redefining the boundaries of what we call craft Contemporary art and craft presents a profusion of paradoxes. It bridges ancient traditions and state-of-the-art technologies, cutting-edge concepts and enduring tenets about skilled making and beauty, and in so doing blurs the lines between art, craft, architecture and design. This pioneering publication brings together work by nearly 40 international artists, whose varied approaches are not only pushing but redefining the boundaries of what we call craft today. Author Emily Zilber investigates the role of new tools and materials, the connection between craft and performance, and the power of craft's interactions with space. Along the way, readers encounter a diverse group of works across a wide range of materials and practices, including 3-D printed ceramics, a dancelike performance with molten glass and a piano deconstructed to form jewelry that can surround or adorn the body. Enhanced with approachable text and abundant illustrations, Crafted invites readers to explore these stunning and surprising objects in flux.
Widely celebrated as the father of the Studio Furniture Movement, Wharton Esherick is one of the most important furniture designers of the twentieth century. Presenting his preserved hillside house and studio, this book showcases seven decades of innovative woodwork and sculpture, embodying his influence on American art and design. Wharton Esherick (1887–1970) stands as a pivotal figure in 20th-century American art, craft, and design. Now known as the Wharton Esherick Museum, the artist’s self-proclaimed “autobiography in three dimensions” on Valley Forge Mountain, constructed between 1926 and 1966, served as his creative epicenter and a vibrant community hub. To introduce Esherick’s visionary work to a broader public, this book draws on the museum’s collection of almost 3,000 objects, many never before seen outside his home and studio, following Esherick’s evolution from paintings and woodcut illustrations to his revolutionary fusion of furniture and organic sculpture. Through fully contextualizing iconic works in Esherick’s own space, this book immerses readers in his creative world while capturing his unparalleled artistic contributions to the realms of furniture, architecture, prints, drawings, and sculpture.
What is understanding and how does it differ from knowledge? How can we determine the big ideas worth understanding? Why is understanding an important teaching goal, and how do we know when students have attained it? How can we create a rigorous and engaging curriculum that focuses on understanding and leads to improved student performance in today's high-stakes, standards-based environment? Authors Grant Wiggins and Jay McTighe answer these and many other questions in this second edition of Understanding by Design. Drawing on feedback from thousands of educators around the world who have used the UbD framework since its introduction in 1998, the authors have greatly revised and expanded their original work to guide educators across the K-16 spectrum in the design of curriculum, assessment, and instruction. With an improved UbD Template at its core, the book explains the rationale of backward design and explores in greater depth the meaning of such key ideas as essential questions and transfer tasks. Readers will learn why the familiar coverage- and activity-based approaches to curriculum design fall short, and how a focus on the six facets of understanding can enrich student learning. With an expanded array of practical strategies, tools, and examples from all subject areas, the book demonstrates how the research-based principles of Understanding by Design apply to district frameworks as well as to individual units of curriculum. Combining provocative ideas, thoughtful analysis, and tested approaches, this new edition of Understanding by Design offers teacher-designers a clear path to the creation of curriculum that ensures better learning and a more stimulating experience for students and teachers alike.
From typographic illustrator Marian Bantjes, I Wonder will make you think in new ways about art, design, beauty, and popular culture. This unique presentation features the elaborately crafted word pictures of Marian Bantjes, the most inventive and creative typographic illustrator of our time. Whether intricately hand-drawn or using computer illustration software, Bantjes's work crosses the boundaries of time, style, and technology. There is, however, another side to Bantjes's visual work: her thoughtful treatises on art, design, beauty, and popular culture that add a deeper dimension to the decorative nature of her best-known work. These reflections cover the cult of Santa, road-side advertising, photography and memory, the alphabet's letterforms, heraldry, and stars. Bantjes's writing style ranges from the playful to the confrontational, but it is always imbued with perspicacity, insight, and a sense of fun. Intended to inspire creatives of any persuasion, this is more than a collection of ideas: Bantjes has meticulously illustrated every page of the book in her inimitable style to create an accessible work of art that is far greater than the sum of its parts. Quirky, poignant, astute, funny--this beautiful book presents a compelling collection of observations on visual culture and design. In Stefan Sagmeister's telling words, Bantjes's work is his "favorite example of beauty facilitating the communication of meaning." This paperback edition is expanded with a new essay from the author.
Mixing glamour with modern practicality, interior designer Windsor Smith’s first book celebrates her elegant, comfortable style. Windsor Smith’s aesthetic was once described as "unbuttoned elegance, like a taffeta dress worn with bare feet." In her first book, Smith—a traditionalist who likes to realize classic themes in a new way—shares her fresh vision for modern life. Each chapter reflects one of her unique philosophies for creating beautiful, livable spaces, expressed through the homes she designs. Themes include how to bring balance—an essential ingredient to a beautiful, functional home—into rooms and spaces, as well as how to successfully combine new belongings with treasures from the past to create homes that reflect where we have come from, as well as where we wish to go. Whether it is repurposing a neglected dining room or expanding the role of the kitchen, Windsor Smith Homefront will guide readers to reclaiming their home’s best spaces and remaking them to suit a modern life.