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This book offers the first full-scale examination of the architecture associated with the Arts and Crafts movement that spread throughout New England at the turn of the twentieth century. Although interest in the Arts and Crafts movement has grown since the 1970s, the literature on New England has focused on craft production. Meister traces the history of the movement from its origins in mid-nineteenth-century England to its arrival in the United States and describes how Boston architects including H. H. Richardson embraced its tenets in the 1870s and 1880s. She then turns to the next generation of designers, examining buildings by twelve of the region's most prominent architects, eleven men and a woman, who assumed leadership roles in the Society of Arts and Crafts, founded in Boston in 1897. Among them are Ralph Adams Cram, Lois Lilley Howe, Charles Maginnis, and H. Langford Warren. They promoted designs based on historical precedent and the region's heritage while encouraging well-executed ornament. Meister also discusses revered cultural personalities who influenced the architects, notably Ralph Waldo Emerson and art historian Charles Eliot Norton, as well as contemporaries who shared their concerns, such as Louis Brandeis. Conservative though the architects were in the styles they favored, they also were forward-looking, blending Arts and Crafts values with Progressive Era idealism. Open to new materials and building types, they made lasting contributions, with many of their designs now landmarks honored in cities and towns across New England.
New Ideas for Crafting Heritage Albums picks up where Crafting Your Own Heritage Album left off, showcasing the many new archival products that have been developed and illuminating new trends in scrapbooking. Readers will also discover new ideas for preserving and presenting more family heirlooms and relics than ever before, including: * cassette and video tapes * the latest computer software for generating genealogical entries * using a scanner to restore faded or damaged photographic images * an entire chapter on saving family recipes * suggestions for turning heritage scrapbooking into a family activity * Internet resources Bev Kirschner Braun teaches classes on genealogy and making heritage albums. She is the author of Crafting Your Own Heritage Album. She lives in Cincinnati, Ohio.
This collection of 19 original essays argues for a critical and sustained engagement between the fields of craft and heritage. The book's interdisciplinary and international array of authors consider how heritage and craft institutions, policies, practices and audiences encounter the constraints and opportunities of production, recognition and exhibition. Case studies spanning 125 years raise and address questions concerning authenticity and commodification, innovation and improvisation, diasporas and decolonization, global economies and national and professional identities. Authors also analyse mechanisms through which craft mobilises and has been harnessed by heritage processes and designations. Examples range from an Irish village at the 1893 Chicago World's Fair and the role of chronopolitics in contemporary Vietnamese pottery, to the invisibility of crochet within Swedish heritagisation processes and the application of game theory in a ceramics museum. With section one considering citizenship and identity, section two sustainability and section three dynamic craft in cultural institutions, Craft and Heritage interrogates how craft objects, makers and processes intersect with current heritage concerns and practices.
Gender and Heritage brings together a group of international scholars to examine the performance, place and politics of gender within heritage. Through a series of case studies, models and assessments, the significance of understanding and working with concepts of gender is demonstrated as a dynamic and reforming agenda. Demonstrating that gender has become an increasingly important area for heritage scholarship, the collection argues that it should also be recognised as a central structuring device within society and the location where a critical heritage studies can emerge. Drawing on contributions from around the world, this edited collection provides a range of innovative approaches to using gender as a mode of enquiry. From the politics of museum displays, the exploration of pedagogy, the role of local initiatives and the legal frameworks that structure representation, the volume’s diversity and objectives represent a challenge for students, academics and professionals to rethink gender. Rather than featuring gender as an addition to wider discussions of heritage, this volume makes gender the focus of concern as a means of building a new agenda within the field. This volume, which addresses how we engage with gender and heritage in both practice and theory, is essential reading for scholars at all levels and should also serve as a useful guide for practitioners.
First made in Elizabethan England, bandboxes remain popular in decorating. Patterns and techniques to make your own.
A look at the extensive history of the folkcraft, its presence in the modern world, and resources to help beginners enter the world of textile artistry. This book offers a whistle-stop guide to the history of spinning and weaving. The story begins in prehistory when people first wove yarns to create clothing and blankets. The book explores how spinning and weaving have continued to be important throughout human history (or should that be herstory), in artistic, economic, and functional terms. The second part of the book brings us up to date, via interviews with modern-day spinning and weaving artisans. These textiles artists generously allowed the author a window into their studios and discussed the way they use and adapt traditional methods, techniques, and tools for the twenty-first century. Photos of their work and their working environment offer a unique view into the world of this ancient craft. Finally, if you are inspired to try your hand at this fascinating art, the book also has a resources section. It includes a valuable list of suppliers of fiber, dyes, tools, and yarn, as well as information about training courses, useful websites, and more—everything you need to get started.
A guide to the history of basketry and willow weaving, from ancient times to today, plus photos and information for crafters. The story begins in prehistory, when people first wove plant fibers together to create containers, shelters, and fences. This book explores the ways in which basketry and willow weaving has continued to be important throughout human history in artistic, economic, and functional terms. It brings us up to date via interviews with modern basketry and willow weaving artisans who generously allowed the author a window into their studios and discussed the way they use and adapt traditional methods, techniques, and tools for the twenty-first century. Photos of their work and their working environments offer a unique view into the world of this ancient craft. Finally, in case you’re inspired to try your hand, the book also has a resources section that includes a valuable list of suppliers of plant fibers, plants, and tools, as well as information about training courses, useful websites and more—everything you need to get started.
Craft Communities addresses the social groups, old and new, which have developed around craft production and consumption, exploring the social and cultural impact of contemporary practices of making. Addressing a wide range of crafting practice, from yarnbombs to Shetlands shawls, brassware to paper crafting, in a variety of regional and national contexts, the contributors consider how craft practices operate collectively in the home, communities, businesses, workshops, schools, social enterprises, and online. It further identifies how social media has emerged as a key driver of the 'Third Wave' of craft. From Etsy to Instagram, Twitter to Pinterest, online communities of the handmade are changing the way people buy and sell, make and meet.