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Greg Sutton and Robert Hawkins are two cousins who quarrel over the ownership of the Portmouth Falls Country Store, which Greg inherited from their grandfather. In addition, Robert's mother finds out she is cut out of their grandparents' wills, after she marries out of the faith. The novel is set in a fictional town in Connecticut, accessible only by crossing the covered bridge.
The author examines the roles of the small and professional armed forces of Australia and Canada, by comparing their historical experiences with expeditionary land forces.
Here Aronoff and Ward show siblings and cousins how to work together on key issues that are critical to the future success of the business including how to attract the most capable family members into leadership roles, how to develop agreement among many owners and how to create a "cousin collaboration".
A Richmond Times-Dispatch Best Book of the Year When Theodore Roosevelt became president in 1901, his beautiful and flamboyant daughter was transformed into “Princess Alice,” arguably the century’s first global celebrity. Thirty-two years later, Alice’s first cousin Eleanor moved into the White House as First Lady. The two women had been born eight months and twenty blocks apart in New York City, spent much of their childhoods together, and were far more alike than most historians acknowledge. But their politics and personalities couldn’t have been more distinct. Democratic icon Eleanor was committed to social justice and hated the limelight; Republican Alice was an opponent of big government who gained notoriety for her cutting remarks. The cousins liked to play up their rivalry—in the 1930s they even wrote opposing syndicated newspaper columns and embarked on competing nationwide speaking tours. When the family business is politics, winning trumps everything. Lively, intimate, and stylishly written, Hissing Cousins is a double biography of two extraordinary women whose entwined lives give us a sweeping look at the twentieth century in America.
A study of the career and writings of Zaynab Fawwaz (c.1860-1914) an early feminist thinker and writer in Egypt. It focuses on her newspaper essays, novels, poetry, and her play which was the first to be published by a female author in Arabic.
The Bhagavad Gita, the Song of the Lord, is an ancient Hindu scripture about virtue, presented as a dialogue between Krishna, an incarnation of God, and the warrior Arjuna on the eve of a great battle over succession to the throne. This new verse translation of the classic Sanskrit text combines the skills of leading Hinduist Gavin Flood with the stylistic verve of award-winning poet and translator Charles Martin. The result is a living, vivid work that avoids dull pedantry and remains true to the extraordinarily influential original. A devotional, literary, and philosophical masterpiece of unsurpassed beauty and imaginative relevance, The Bhagavad Gita has inspired, among others, Mahatma Gandhi, J. Robert Oppenheimer, T. S. Eliot, Christopher Isherwood, and Aldous Huxley. Its universal themes—life and death, war and peace, sacrifice—resonate in a West increasingly interested in Eastern religious experiences and the Hindu diaspora.
There’s never been a better time to take a fresh look at William Shakespeare’s eternal works. His plays and poems continue to surprise, inspire, console and delight us. Whether you’re a lifelong lover of the Bard or a curious newcomer to his world, this companion will lift the curtain on Britain’s greatest dramatist.
Despite the importance of archives to the profession of history, there is very little written about actual encounters with them—about the effect that the researcher’s race, gender, or class may have on her experience within them or about the impact that archival surveillance, architecture, or bureaucracy might have on the histories that are ultimately written. This provocative collection initiates a vital conversation about how archives around the world are constructed, policed, manipulated, and experienced. It challenges the claims to objectivity associated with the traditional archive by telling stories that illuminate its power to shape the narratives that are “found” there. Archive Stories brings together ethnographies of the archival world, most of which are written by historians. Some contributors recount their own experiences. One offers a moving reflection on how the relative wealth and prestige of Western researchers can gain them entry to collections such as Uzbekistan’s newly formed Central State Archive, which severely limits the access of Uzbek researchers. Others explore the genealogies of specific archives, from one of the most influential archival institutions in the modern West, the Archives nationales in Paris, to the significant archives of the Bakunin family in Russia, which were saved largely through the efforts of one family member. Still others explore the impact of current events on the analysis of particular archives. A contributor tells of researching the 1976 Soweto riots in the politically charged atmosphere of the early 1990s, just as apartheid in South Africa was coming to an end. A number of the essays question what counts as an archive—and what counts as history—as they consider oral histories, cyberspace, fiction, and plans for streets and buildings that were never built, for histories that never materialized. Contributors. Tony Ballantyne, Marilyn Booth, Antoinette Burton, Ann Curthoys, Peter Fritzsche, Durba Ghosh, Laura Mayhall, Jennifer S. Milligan, Kathryn J. Oberdeck, Adele Perry, Helena Pohlandt-McCormick, John Randolph, Craig Robertson, Horacio N. Roque Ramírez, Jeff Sahadeo, Reneé Sentilles