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One Secret Love + One Misdirection and Multiple Situationships = Courting Country Taggart Bauman has secretly loved Kylie Gordon since they were young, but she married his best friend. When Kylie is widowed, Taggert promises to take care of her. And even though he could be free to profess his love, he chooses to keep his feelings a secret. If Kylie knew that he'd failed to save her husband, she'd never forgive him. He knows, because he can't forgive himself. After being alone for so long, Kylie believes an online dating service is her last chance at finding love. But she continually finds herself in "situationships" that require Taggert to rescue her. When at last she reconnects with Eldon Wenz, an old friend from their college years, she thinks perhaps this is finally her second chance at love...but just in case, she asks Taggert to accompany her when she travels to Eldon's ranch. But sometimes things are not what they seem, and when one more situationship crops up, Taggart vents his resentment and tells Kylie she needs to work out the choices she's making. Will Taggart lose Kylie forever, friendship and all, or will Kylie realize that what she's been searching for has been right in front of her the whole time?
#1 Bestselling Author Leslie Gould Delivers a New Amish Romance Series When Amish farmer Pete Treger moves to Paradise Township, Pennsylvania, seeking a better life, he meets sisters Cate and Betsy Miller. Both are beautiful, but older sister Cate is known more for her sharp tongue and fiery temper than her striking appearance. Betsy, on the other hand, is sweet and flirty--and seems to have attracted most of the bachelors in Lancaster County! However, the sisters' wealthy father has made one hard and fast rule: elder sister must marry first, before the younger can even start courting. Unfortunately for poor Betsy, and for the men who want to court her, her older sister, Cate, doesn't have any suitors--until Pete comes to town, that is. Though he finds both sisters attractive, something about Cate's feisty demeanor appeals to him. Soon the other bachelors in the district convince Pete to court Cate. She hardly seems receptive to his overtures, though. Instead, she's immediately suspicious of his interest.
Gardens of Court and Country provides the first comprehensive overview of the development of the English formal garden from 1630 to 1730. Often overshadowed by the English landscape garden that became fashionable later in the 18th century, English formal gardens of the 17th century displayed important design innovations that reflected a broad rethinking of how gardens functioned within society. With insights into how the Protestant nobility planned and used their formal gardens, the domestication of the lawn, and the transformation of gardens into large rustic parks, David Jacques explores the ways forecourts, flower gardens, bowling greens, cascades, and more were created and reimagined over time. This handsome volume includes 300 illustrations - including plans, engravings, and paintings - that bring lost and forgotten gardens back to life.
Winner of the 2017 Eduardo Bonilla-Silva Outstanding Book Award, sponsored by the Society for the Study of Social Problems. Finalist for the C. Wright Mills Book Award, sponsored by the Society for the Study of Social Problems. Winner of the 2017 Oliver Cromwell Cox Book Award, sponsored by the American Sociological Association's Section on Racial and Ethnic Minorities. Winner of the 2017 Mary Douglas Prize for Best Book, sponsored by the American Sociological Association's Sociology of Culture Section. Honorable Mention in the 2017 Book Award from the American Sociological Association's Section on Race, Class, and Gender. NAACP Image Award Nominee for an Outstanding Literary Work from a debut author. Winner of the 2017 Prose Award for Excellence in Social Sciences and the 2017 Prose Category Award for Law and Legal Studies, sponsored by the Professional and Scholarly Publishing Division, Association of American Publishers. Silver Medal from the Independent Publisher Book Awards (Current Events/Social Issues category). Americans are slowly waking up to the dire effects of racial profiling, police brutality, and mass incarceration, especially in disadvantaged neighborhoods and communities of color. The criminal courts are the crucial gateway between police action on the street and the processing of primarily black and Latino defendants into jails and prisons. And yet the courts, often portrayed as sacred, impartial institutions, have remained shrouded in secrecy, with the majority of Americans kept in the dark about how they function internally. Crook County bursts open the courthouse doors and enters the hallways, courtrooms, judges' chambers, and attorneys' offices to reveal a world of punishment determined by race, not offense. Nicole Gonzalez Van Cleve spent ten years working in and investigating the largest criminal courthouse in the country, Chicago–Cook County, and based on over 1,000 hours of observation, she takes readers inside our so-called halls of justice to witness the types of everyday racial abuses that fester within the courts, often in plain sight. We watch white courtroom professionals classify and deliberate on the fates of mostly black and Latino defendants while racial abuse and due process violations are encouraged and even seen as justified. Judges fall asleep on the bench. Prosecutors hang out like frat boys in the judges' chambers while the fates of defendants hang in the balance. Public defenders make choices about which defendants they will try to "save" and which they will sacrifice. Sheriff's officers cruelly mock and abuse defendants' family members. Delve deeper into Crook County with related media and instructor resources at www.sup.org/crookcountyresources. Crook County's powerful and at times devastating narratives reveal startling truths about a legal culture steeped in racial abuse. Defendants find themselves thrust into a pernicious legal world where courtroom actors live and breathe racism while simultaneously committing themselves to a colorblind ideal. Gonzalez Van Cleve urges all citizens to take a closer look at the way we do justice in America and to hold our arbiters of justice accountable to the highest standards of equality.
In the 1990s, a huge movement swept through America. Millions of young people stopped dating and embraced something new called "courtship" which promised to usher singles into marriage while avoiding the dangers of dating. It sounded wonderful. The problem? It didn't work. The resulting singleness epidemic left a generation with broken hearts and little hope. In Courtship In Crisis, Thomas Umstattd Jr. explains where the courtship crisis came from, and why it failed. More importantly, he lays out an alternative model that works.
Before constitutional regulation -- The Supreme Court steps in -- The invisibility of race in the constitutional revolution -- Between the Supreme Court and the states -- The failures of regulation -- An unsustainable system? -- Recurring patterns in constitutional regulation -- The future of the American death penalty -- Life after death
This book is a first-of-its-kind, five-country empirical study of the causes and consequences of social and economic rights litigation. Detailed studies of Brazil, India, Indonesia, Nigeria, and South Africa present systematic and nuanced accounts of court activity on social and economic rights in each country. The book develops new methodologies for analyzing the sources of and variation in social and economic rights litigation, explains why actors are now turning to the courts to enforce social and economic rights, measures the aggregate impact of litigation in each country, and assesses the relevance of the empirical findings for legal theory. This book argues that courts can advance social and economic rights under the right conditions precisely because they are never fully independent of political pressures.
When charming rake Tristan Barrett sweeps Lady Elizabeth off her feet, stealing both her heart and a kiss in a secluded garden, her brother challenges Tristan to a duel. The only way to save her brother and Tristan from harm—not to mention preserve her reputation—is to get married. But her father, the Duke of Pemberton, refuses to allow his daughter to marry anyone but a titled lord. The duke demands that Elizabeth marry Tristan’s older brother, Richard, the Earl of Averston. Now Elizabeth must give up Tristan to marry a man who despises her, a man who loves another, a man she’ll never love. Richard fears Elizabeth is as untrustworthy as his mother, who ran off with another man. However, to protect his brother from a duel and their family name from further scandal, he agrees to the wedding, certain his new bride will betray him. Yet when Elizabeth turns his house upside down and worms her way into his reluctant heart, Richard suspects he can’t live without his new countess. Will she stay with him or is it too little, too late?
The "orphan train" seemed like small-town spinster Adelaide Crum's last chance to know the simple joys of family life. So many lost children, every one of them dreaming only of a caring home—the home she longed to offer. And yet the narrow-minded town elders refused to entrust even the most desperate child to a woman alone…. Newspaperman Charles Graves believed his heart was closed forever, but he swore to stand by this lovely, lonely woman who was fighting for the right to take some motherless child into her heart. And her gentle soul and unwavering faith made him wonder if even he could overcome the bitter lessons of the past, and somehow find the courage to love….
The late 17th and early 18th centuries saw profound changes in Britain and in its visual arts. This volume provides fresh perspectives on the art of the late Stuart and early Georgian periods, focusing on the concepts, spaces, and audiences of court, country, and city as reflected in an array of objects, materials, and places. The essays discuss the revolutionary political and economic circumstances of the period, which not only forged a new nation-state but also provided a structural setting for artistic production and reception. Contributions from nineteen authors and the three editors cover such diverse topics as tapestry in the age of Charles II and painting in the court of Queen Anne; male friendship portraits; mezzotint and the exchange between painting and print; the interpretation of genres such as still life and marine painting; the concept of remembered places; courtly fashion and furnishing; the codification of rules for painting; and the development of aesthetic theory.