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Lincolnshire, a county with many variations in the dialect, once nurtured many folk tales and though these stories may no longer be told as often as they once were, they still resonate within the rural landscape. From the dark tales of the 'Buried Moon', 'The Lincoln Imp', and the 'Werewolf of Langrick Fen', to the humorous tales of 'Ten-Pint Smith', 'The Lad that went to look for Fools' and the 'Farmer and the Boggart', so many of these tales are rooted in the county and take us back to a time when the people would huddle around the fire in the mud and stud cottages to while away the long winter evenings. Such nights would also inspire the telling of tales of witches, fairies, ghosts, giants and dragons. All the stories in Lincolnshire Folk Tales have been thoroughly researched and will be of interest to modern readers (and storytellers), both within the county and elsewhere.
This enthralling book will take you, month-by-month, day-by-day, through all the festivities of English life. From national celebrations such as New Year’s Eve to regional customs such as the Padstow Hobby Horse procession, cheese rolling in Gloucestershire and Easter Monday bottle kicking in Leeds, it explains how they originated, what they mean and when they occur. A fascinating guide to the richness of our heritage and the sometimes eccentric nature of life in England, The English Year offers a unique chronological view of our social customs and attitudes
Are black cats lucky or unlucky? What should you do when you hear the first cuckoo? Since when have people believed that it's unlucky to shoot an albatross? Why does breaking a mirror lead to misfortune? This fascinating collection answers these and many other questions about the world of superstitions and forms an endlessly browsable guide to a subject that continues to obsess and intrigue.
Offering evidence of women's extensive contributions to the theatrical landscape, this volume sharply challenges the assumption that the stage was 'all male' in early modern England. The editors and contributors argue that the pervasiveness of female performance affected cultural production, even on the professional London stages that used men and boys for women's parts. English spectators saw women players in professional and amateur contexts, in elite and popular settings, at home and abroad. Women acted in scripted and improvised roles, performed in local festive drama, and took part in dancing, singing, and masquing. English travelers saw professional actresses on the continent and Italian and French actresses visited England. Essays in this volume explore: the impact of women players outside London; the relationship between women's performance on the continent and in England; working women's participation in a performative culture of commerce; the importance of the visual record; the use of theatrical techniques by queens and aristocrats for political ends; and the role of female performance on the imitation of femininity. In short, Women Players in England 1500-1660 shows that women were dynamic cultural players in the early modern world.
The county of Lincolnshire is a beautiful mixture of low-lying marshy fen land, modest hills and the steep valleys of the rolling Wolds; it is also home to a wealth of folklore, legend and intrigue. With one of the most interesting dialects in the country, this vast region is also rich in superstitions, songs, and traditional games. A study of the daily life, lore, and customs of Lincolnshire are here interspersed with stories of monstrous black hounds, dragon lairs, witches, Tiddy Mun, mischievous imps and tales of the people known as the Yellowbellies. This fully illustrated book explores the origins and meanings of Lincolnshire’s traditions and shows how the customs of the past have influenced the ways of the present.