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'. . . let the townsman say what he will, country life has more variety . . .' A contemporary of Cecil Beaton, Siegfried Sassoon and Rex Whistler, Edith Olivier is best known for her first book, the novella, The Love Child but was the author of a variety of both fiction and non-fiction, as well as becoming the mayor of Wilton, Wiltshire, in 1939. In this biographical memoir, written during the Second World War and subtitled 'A Non-Grammarian's Chapbook', Olivier takes the five grammatical moods - infinitive, imperative, indicative, subjunctive and conditional - and uses them to describe village and country life in her beloved Wiltshire as it was in 1941, the year of first publication. Covering a range of topics - from the folklore and traditions of the local area, to the weather and landscape itself - Edith Olivier's Country Moods and Tenses captures a moment and describes a world which has, in many ways, been lost to us.
I loved A Curious Friendship. Anna Thomasson, in her first book, has brilliantly captured this strange coterie.' Sir Roy Strong The winter of 1924: Edith Olivier, alone for the first time at the age of 51, thought her life had come to an end. For Rex Whistler, a 19-year-old art student, life was just beginning. They were to start an intimate and unlikely friendship that would transform their lives. Gradually Edith's world opened up and she became a writer. Her home, the Daye House, in a wooded corner of the Wilton estate, became a sanctuary for Whistler and the other brilliant and beautiful younger men of her circle: among them Siegfried Sassoon, Stephen Tennant, William Walton, John Betjeman, the Sitwells and Cecil Beaton - for whom she was 'all the muses'. The story is set against the backdrop of a period that spanned the madcap parties of the 1920s, the sophistication of the 1930s and the drama and austerity of the Second World War. With an extraordinary cast of friends and acquaintances, from the Royal Family to Tallulah Bankhead, Anna Thomasson's A Curious Friendship brings to life, for the first time, the curious, unlikely and fascinating friendship of a bluestocking and a bright young thing.
This in-depth yet student-friendly introduction to Koine Greek provides a full grounding in Greek grammar, while starting to build skill in the use of exegetical tools. The approach, informed by twenty-five years of classroom teaching, emphasizes reading Greek for comprehension as opposed to merely translating it. The workbook is integrated into the textbook, with exercises appearing within each chapter rather than pushed to the end or located in a separate book. This enables students to practice concepts as they encounter them in the chapter--ideal for distance learning or studying beyond the traditional classroom. The book covers not only New Testament Greek but also the wider range of Bible-related Greek (LXX and other Koine texts). It introduces students to reference tools for biblical Greek, includes tips on learning, and is supplemented by robust web-based resources through Baker Academic's Textbook eSources. Resources for students include flash cards and audio files. Resources for professors include a test bank and an instructor's manual.
"I sometimes think she is rather a vampire. . . . O no, not an evil one in any way, of course," Cynthia hastened to add, seeing Jane's shocked face. "But people of very strong character are demoralising to live with. One leaves everything to them, even the keeping of one's conscience." As a child Jane is dominated by her mother and grandmother, her character silenced and moulded by their formidable personalities. Living in their shadow, Jane fills her empty life with fantasy, until as a young adult an invite to a party opens her world to the possibility of choosing her own path - and even a rebellious romance. Can Jane escape her stifled youth and discover her own life, or has the mask she has always worn for her family 'grown so close to the face that it would never come off'? As Far as Jane's Grandmother's (1928) was Edith Olivier's second novel after her miniature masterpiece The Love Child (1927) won huge critical acclaim.
The Seraphim Room, by Edith Olivier, is the story of Lilian and Emily, two half-sisters who live together under the watch of their domineering father. Together they whittle their days away under the claustrophobic roof of the dusty and decaying Chilvester House. Shut away from the wider world, it looks like the two siblings might grow to be old spinsters together. That is until Emily encounters the charming Christopher Honythorne on a rare evening out. Emily basks in her new-found freedom and realises that there is a whole other world beyond the isolated existence she has experienced. But when Emily quickly becomes infatuated with Christopher, their tangled interactions could soon bring more misery than joy to Emily's secluded life. Particularly as Chilvester House already has a very unfortunate life expectancy for the women who live under its roof . . .