Download Free Costume In Scottish Portraits 1560 1830 Book in PDF and EPUB Free Download. You can read online Costume In Scottish Portraits 1560 1830 and write the review.

Gegründet im Jahr 2000 widmet sich das Jahrbuch der Europäischen Geschichte von der Frühen Neuzeit bis zur jüngeren Zeitgeschichte. Die große zeitliche Breite, thematische Vielfalt und methodische Offenheit zeichnen das Jahrbuch von Beginn an aus und machen es zu einem zentralen Ort wissenschaftlicher Debatten. Das bleibt künftig so. Mit dem Jahrgang 2014 verändert sich das Jahrbuch aber in mehrfacher Hinsicht: Das Jahrbuch erscheint mit der Ausgabe 2014 im Open Access. Jeder Band setzt einen thematischen Schwerpunkt. Das Forum bietet Platz für geschichtswissenschaftliche Reflexionen und Debatten. Jeder Beitrag des Jahrbuchs durchläuft ein strenges Peer-Review-Verfahren. Das Jahrbuch erweitert seinen Namen zum "Jahrbuch für Europäische Geschichte. European History Yearbook". und druckt künftig deutsch- und englischsprachige Beiträge, seit 2015 ausschließlich englischsprachige.
From the death of James III to the execution of Mary, Queen of Scots, Jane Dawson tells story of Scotland from the perspective of its regions and of individual Scots, as well as incorporating the view from the royal court. Scotland Re-formed shows how the country was re-formed as the relationship between church and crown changed, with these two institutions converging, merging and diverging, thereby permanently altering the nature of Scottish governance. Society was also transformed, especially by the feuars, new landholders who became the backbone of rural Scotland. The Reformation Crisis of 1559-60 brought the establishment of a Protestant Kirk, an institution influencing the lives of Scots for many centuries, and a diplomatic revolution that discarded the 'auld alliance' and locked Scotland's future into the British Isles.Although the disappearance of the pre-Reformation church left a patronage deficit with disastrous effects for Scottish music and art, new forms of cultural expression arose that
Presents a global history of dress regulation and debates around how human life and societies should be visualised and materialised.
Centering on five Stuart rulers, plus their royal courtiers and tailors, this is the first detailed study of elite men's clothing in 17th-century Scotland.
This 2001 interpretation of literature and arts reveals how clothing and costume were critical to Renaissance culture.
Henry VIII used his wardrobe, and that of his family and household, as a way of expressing his wealth and magnificence. This book encompasses the first detailed study of male and female dress worn at the court of Henry VIII (1509-47) and covers the dress of the king and his immediate family, the royal household and the broader court circle. Henry VIII's wardrobe is set in context by a study of Henry VII's clothes, court and household. ~ ~ As none of Henry VIII's clothes survive, evidence is drawn primarily from the great wardrobe accounts, wardrobe warrants, and inventories, and is interpreted using evidence from narrative sources, paintings, drawings and a small selection of contemporary garments, mainly from European collections. ~ ~ Key areas for consideration include the king's personal wardrobe, how Henry VIII's queens used their clothes to define their status, the textiles provided for the pattern of royal coronations, marriages and funerals and the role of the great wardrobe, wardrobe of the robes and laundry. In addition there is information on the cut and construction of garments, materials and colours, dr given as gifts, the function of livery and the hierarchy of dress within the royal household, and the network of craftsmen working for the court. The text is accompanied by full transcripts of James Worsley's wardrobe books of 1516 and 1521 which provide a brief glimpse of the king's clothes.
This magnificent volume offers a richly illustrated survey of art in Scotland, from 1460 to the current day. Its main emphasis is on painting and the graphic arts, and its scope clearly establishes the place of visual art in Scottish culture. Placing in perspective the impact of the Reformation and the richness of late medieval art, the book then follows the growth of art in the new Protestant culture through the 17th century. It culminates with the glorious achievements of the 18th, 19th, and 20th centuries, of painters such as Ramsay, Raeburn, Mackintosh, and Wilkie. A splendid volume that establishes the claim of Scottish art to a distinct identity and that changes our understanding of the wider history of European art.
The Illustrated Encyclopedia of Scotland is a comprehensive, illustrated reference guide to Scotland. It presents an overview of the country in a wide perspective: its varied landscapes, towns and their buildings, its past and present, and above all its people, their occupations and pastimes. This encyclopedia also provides an illustrated portrait of Scotland now and in the past, covering history, the arts, industry, science, commerce, medicine, sport, politics, religion, architecture and popular culture. The aim of this encyclopedia is to give a wide range of information in an accessible form. Many topics are given extended entries, such as the main cities, the clans, the Enlightenment, language, the law, parliament, golf and whisky. Entries are cross-referenced, and each topic has been researched and reviewed by experts in their field. For additional information there is a list of further reading, lists of Scottish festivals and societies, and maps indicating the changes to local government boundaries both in 1975 and in 1996.