Download Free Cosmos And History Book in PDF and EPUB Free Download. You can read online Cosmos And History and write the review.

The definitive history of humanity's search to find its place within the universe. North charts the history of astronomy and cosmology from the Paleolithic period to the present day.
Theologian Harry Lee Poe and chemist Jimmy H. Davis argue that God's interaction with our world is a possibility affirmed equally by the Bible and the contemporary scientific record. Rather than confirming that the cosmos is closed to the actions of the divine, advancing scientific knowledge seems to indicate that the nature of the universe is actually open to the unique type of divine activity portrayed in the Bible.
The Cosmos Explained is an exciting and beautifully designed book that charts the life of our universe from the Big Bang to the present day and beyond. Starting with the moment of the Big Bang—at exactly one ten-millionth of a trillionth of a trillionth of a trillionth of a second—this book charts a history of space and time all the way through the evolution of our solar system, the birth of stars and the formation of life on Earth, to the future of our galaxy and beyond. With deeply insightful and fascinating text by Hayden Planetarium Associate Professor Charles Liu, who also hosts the immensely popular StarTalk podcast, this book is an accessible and enthralling gateway into the mysteries of space, time and the universe. Pinpoint exactly where you are in space and time using the timeline at the bottom of every page, and explore the history of the cosmos and the science behind it through beautiful telescope images and striking illustrations. Packaged in a unique retro design that reflects the 1960s cosmonaut era but still feels modern and relevant today, this title is as rich with information as it is with stunning visualisations of the concepts and bodies detailed within. An ideal gift for anyone interested in space or curious about the cosmos, The Cosmos Explained is a unique and entertaining timeline of life, the universe, and everything!
This book is a historical account of how natural philosophers and scientists have endeavoured to understand the universe at large, first in a mythical and later in a scientific context. Starting with the creation stories of ancient Egypt and Mesopotamia, the book covers all the major events in theoretical and observational cosmology, from Aristotle's cosmos over the Copernican revolution to the discovery of the accelerating universe in the late 1990s. It presents cosmology as asubject including scientific as well as non-scientific dimensions, and tells the story of how it developed into a true science of the heavens. Contrary to most other books in the history of cosmology, it offers an integrated account of the development with emphasis on the modern Einsteinian andpost-Einsteinian period. Starting in the pre-literary era, it carries the story onwards to the early years of the 21st century.
A Best Book of 2020 (NPR) A Best Book of 2020 (The Economist) A Top Ten Best Science Book of 2020 (Smithsonian) A Best Science and Technology Book of 2020 (Library Journal) A Must-Read Book to Escape the Chaos of 2020 (Newsweek) Starred review (Booklist) Starred review (Publishers Weekly) A historically unprecedented disconnect between humanity and the heavens has opened. Jo Marchant's book can begin to heal it. For at least 20,000 years, we have led not just an earthly existence but a cosmic one. Celestial cycles drove every aspect of our daily lives. Our innate relationship with the stars shaped who we are—our art, religious beliefs, social status, scientific advances, and even our biology. But over the last few centuries we have separated ourselves from the universe that surrounds us. It's a disconnect with a dire cost. Our relationship to the stars and planets has moved from one of awe, wonder and superstition to one where technology is king—the cosmos is now explored through data on our screens, not by the naked eye observing the natural world. Indeed, in most countries, modern light pollution obscures much of the night sky from view. Jo Marchant's spellbinding parade of the ways different cultures celebrated the majesty and mysteries of the night sky is a journey to the most awe-inspiring view you can ever see: looking up on a clear dark night. That experience and the thoughts it has engendered have radically shaped human civilization across millennia. The cosmos is the source of our greatest creativity in art, in science, in life. To show us how, Jo Marchant takes us to the Hall of the Bulls in the caves at Lascaux in France, and to the summer solstice at a 5,000-year-old tomb at Newgrange, Ireland. We discover Chumash cosmology and visit medieval monks grappling with the nature of time and Tahitian sailors navigating by the stars. We discover how light reveals the chemical composition of the sun, and we are with Einstein as he works out that space and time are one and the same. A four-billion-year-old meteor inspires a search for extraterrestrial life. The cosmically liberating, summary revelation is that star-gazing made us human.
The award-winning former editor of Science News shows that one of the most fascinating and controversial ideas in contemporary cosmology—the existence of multiple parallel universes—has a long and divisive history that continues to this day. We often consider the universe to encompass everything that exists, but some scientists have come to believe that the vast, expanding universe we inhabit may be just one of many. The totality of those parallel universes, still for some the stuff of science fiction, has come to be known as the multiverse. The concept of the multiverse, exotic as it may be, isn’t actually new. In The Number of the Heavens, veteran science journalist Tom Siegfried traces the history of this controversial idea from antiquity to the present. Ancient Greek philosophers first raised the possibility of multiple universes, but Aristotle insisted on one and only one cosmos. Then in 1277 the bishop of Paris declared it heresy to teach that God could not create as many universes as he pleased, unleashing fervent philosophical debate about whether there might exist a “plurality of worlds.” As the Middle Ages gave way to the Renaissance, the philosophical debates became more scientific. René Descartes declared “the number of the heavens” to be indefinitely large, and as notions of the known universe expanded from our solar system to our galaxy, the debate about its multiplicity was repeatedly recast. In the 1980s, new theories about the big bang reignited interest in the multiverse. Today the controversy continues, as cosmologists and physicists explore the possibility of many big bangs, extra dimensions of space, and a set of branching, parallel universes. This engrossing story offers deep lessons about the nature of science and the quest to understand the universe.
A study of archaic man's conception of his place in the cosmos, denial of history, and desire through myths to return to his society's beginnings
In the rapidly changing world of the early Middle Ages, depictions of the cosmos represented a consistent point of reference across the three dominant states--the Frankish, Byzantine, and Islamic Empires. As these empires diverged from their Greco-Roman roots between 700 and 1000 A.D. and established distinctive medieval artistic traditions, cosmic imagery created a web of visual continuity, though local meanings of these images varied greatly. Benjamin Anderson uses thrones, tables, mantles, frescoes, and manuscripts to show how cosmological motifs informed relationships between individuals, especially the ruling elite, and communities, demonstrating how domestic and global politics informed the production and reception of these depictions. The first book to consider such imagery across the dramatically diverse cultures of Western Europe, Byzantium, and the Islamic Middle East, Cosmos and Community in Early Medieval Art illuminates the distinctions between the cosmological art of these three cultural spheres, and reasserts the centrality of astronomical imagery to the study of art history.
The modern materialist approach to life has conspicuously failed to explain such central mind-related features of our world as consciousness, intentionality, meaning, and value. This failure to account for something so integral to nature as mind, argues philosopher Thomas Nagel, is a major problem, threatening to unravel the entire naturalistic world picture, extending to biology, evolutionary theory, and cosmology. Since minds are features of biological systems that have developed through evolution, the standard materialist version of evolutionary biology is fundamentally incomplete. And the cosmological history that led to the origin of life and the coming into existence of the conditions for evolution cannot be a merely materialist history, either. An adequate conception of nature would have to explain the appearance in the universe of materially irreducible conscious minds, as such. Nagel's skepticism is not based on religious belief or on a belief in any definite alternative. In Mind and Cosmos, he does suggest that if the materialist account is wrong, then principles of a different kind may also be at work in the history of nature, principles of the growth of order that are in their logical form teleological rather than mechanistic. In spite of the great achievements of the physical sciences, reductive materialism is a world view ripe for displacement. Nagel shows that to recognize its limits is the first step in looking for alternatives, or at least in being open to their possibility.