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Cosmopolitanism and the Media explores the diverse implications of today's digital media environments in relation to people's worldviews and social practices. The book presents an empirically grounded account of the relationship between cosmopolitanized lifeworlds and forces of surveillance, control and mobility.
With the majority of the world's population now living in cities, questions about the cultural and political trajectories of urban societies are increasingly urgent. Media and the City explores the global city as the site where these questions become most prominent. As a space of intense communication and difference, the global city forces us to think about the challenges of living in close proximity to each other. Do we really see, hear and understand our neighbours? This engaging book examines the contradictory realities of cosmopolitanization as these emerge in four interfaces: consumption, identity, community and action. Each interface is analysed through a set of juxtapositions to reveal the global city as a site of antagonisms, empathies and co-existing particularities. Timely, interdisciplinary and multi-perspectival, Media and the City will be essential reading for students and scholars in media and communications, cultural studies and sociology, and of interest to those concerned with the growing role of the media in changing urban societies.
This essay collection examines the relationship between media and cosmopolitanism in an increasingly fragmented and globalizing world. It covers areas such as cosmopolitanization in everyday life, the mediation of suffering and cosmopolitanism, cosmopolitanism and trauma studies, and researching cosmopolitanism from a non-Western perspective.
In recent years there has been an explosion in the usage and visibility of the language of human rights, but what does this mean for the role of the media? For evolving ideas about human rights? And for the prospect of shared cosmopolitan values? Ekaterina Balabanova argues that in order to answer these questions there needs to be a deconstruction of monolithic ways of thinking about the media and human rights, incorporating the spectrum of political arguments and worldviews that underpin both. Ten case studies are presented which illustrate many of the problems and challenges associated with the relationship between the media and human rights. The examples range from cases of humanitarian intervention to analysis of global human rights campaigning on refugee issues; from immigration and asylum, to genocide, freedom of speech and torture. Anchored in an appreciation of the political conflicts and compromises at the heart of international human rights agreements, The Media and Human Rights is an invaluable resource for students studying media and human rights, international politics, security studies and political communication.
Henry James and the Media Arts of Modernity: Commercial Cosmopolitanism turns to the author’s late fiction, letters, and essays to investigate his contribution to the development of an American cosmopolitan culture, both in popular and high art. The book contextualizes James’s writing within a broader cultural and social history to uncover relationships among increasingly sensory-focused media technologies, mass-consumer practices, and developments in literary style when they spread to Europe at the inception of the era of big business. Combining cultural studies with neoclassical Marxism and postcolonial theory, the study addresses a gap in scholarship concerning the rise of literary modernism as a cosmopolitan phenomenon. Although scholars have traditionally acknowledged the international character of artists’ participation in this movement, when analyzing the contributions of American expatriate writers in Europe, they generally assume an unequal degree of reciprocity in transatlantic cultural exchange with European artists being more influential than American ones. This book argues that James identifies a cultural form of American imperialism that emerged out of a commercialized version of cosmopolitanism. Yet the author appropriates the arts of modernity when he realizes that art generated with the mechanized principles of mass-production spurred a diverse range of aesthetic responses to other early-twentieth century technological and organizational innovations.
Based on the analysis of over 2000 news reports broadcast on national and global channels and interviews with journalists and audience members, 'Mediated Cosmopolitanism' illustrates that the same everyday stories about the world can take on different meanings in different cultures.
Cosmopolitanism is the idea of humanity as a single community or polis. Beyond particularities, all human beings (and in some versions of cosmopolitanism certain non-humans) are part of a community, and have responsibilities, rights and the power to decide on a common future. Ideas of cosmopolitan vary from the purely moral to cultural, social, legal, institutional, political, educational and economic cosmopolitanism, or combine some or all of these facets. All of these different perspectives try to establish the basis necessary to create a true cosmopolitanism. This book provides an introduction to the ideality and reality of cosmopolitanism, presenting it “in genesis” and giving a point of departure to students and readers of cosmopolitanism from which to analyse its various contemporary versions and proposals, providing an additional tool for their thinking and judgments in the face of a huge amount of literature today. It also offers a sense of emergency to those matters, requiring a prompt legal, political and economic response, for the continuing existence of the planet and for cosmopolitanism to continue as a viable proposal for humanity. As such, this volume will, ultimately, provoke the reader into a new spirit and action, that of cosmopolitanism.
Publisher Description
Cosmopolitanism: Uses of the Idea offers an illuminating and dynamic account of an often confusing and widespread concept. Bringing together both historical and contemporary approaches to cosmopolitanism, as well as recognizing its multidimensional nature, Zlatko Skrbis and Ian Woodward manage to show the very essence of cosmopolitanism as a theoretical idea and cultural practice. Through an exploration of various social fields, such as media, identity and ethics, the book analyses the limits and possibilities of the cosmopolitan turn and explores the different contexts cosmopolitanism theory has been, and still is, applied to. Critical, diverse and engaging, the book successfully answers questions such as: How can we understand cosmopolitanism? What is the relationship between cosmopolitanism and ethics? What is the relationship between cosmopolitanism and identity? How do cosmopolitan networks come into being? How do we apply cosmopolitanism theory to contemporary, digital and mediated societies? This comprehensive and authoritative title is a must for anyone interested in cultural consumption, contemporary citizenship and identity construction. It will be especially useful for students and scholars within the fields of social theory, ethics, identity politics, cultural diversity and globalisation.
The Arab Spring, the Occupy Wall Street movement and the Haiti earthquake are only some of the recent examples of the power of new media to transform journalism. Some celebrate this power as a new cosmopolitanism that challenges the traditional boundaries of foreign reporting, yet others fear that the new media simply reproduce old power relations in new ways. It is this important controversy around the role of new media in shaping a cosmopolitan journalism that offers the starting point of this book. By bringing together an impressive range of leading theorists in the field of journalism and media studies, this collection insightfully explores how Twitter, Facebook, Flickr and YouTube are taking the voice of ordinary citizens into the forefront of mainstream journalism and how, in so doing, they give shape to new public conceptions of authenticity and solidarity. This collection is directed towards a readership of students and scholars in media and communications, digital and information studies, journalism, sociology as well as other social sciences that engage with the role of new media in shaping contemporary social life. This book was originally published as a special issue of Journalism Studies.