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In A Fascinating Investigation Andreas Volwahsen Reveals, How Hindu Priests And Mystics As Well As Indian Mandala Theory Were The Main Influences On Jai Singh`S Architectural Projects. The Maharaja`S Aim Was To Create A Representation Of His Own Earthly Powers And Ultimately Display His Own Superior Knowledge.
In A Fascinating Investigation Andreas Volwahsen Reveals, How Hindu Priests And Mystics As Well As Indian Mandala Theory Were The Main Influences On Jai Singh`S Architectural Projects. The Maharaja`S Aim Was To Create A Representation Of His Own Earthly Powers And Ultimately Display His Own Superior Knowledge.
Explore the eighteenth-century Indian astronomical observatories called the Jantar Mantars, massive, stunning structures built to observe and understand the heavens Between 1724 and 1730, Maharaja Sawai Jai Singh II of Jaipur constructed five astronomical observatories, called Jantar Mantars, in northern India. The four remaining observatories are an extraordinary fusion of architecture and science, combining elements of astronomy, astrology, and geometry into forms of remarkable beauty. The observatories’ large scale and striking geometric forms have captivated the attention of architects, artists, scientists, and historians worldwide, yet their purpose and use remain largely unknown to the public. In this book, Barry Perlus’s visually driven exploration brings readers to the Jantar Mantars and creates an immersive experience. Panoramas plunge the viewer into a breathtaking 360-degree space, while pages of explanatory illustrations describe the observatories and the workings of their many instruments. The book provides the experience of visiting the sites, the historical context of the Jantar Mantars, and an understanding of their scientific and architectural innovations.
Part monograph, part manifesto, Sun Path House and Other Cosmic Architectures is the first comprehensive publication from Christian Wassmann. Centred around the Sun Path House in Miami Beach (2015), this book presents projects originating from the interconnections of the arts, a love for geometry and an awareness of the cosmos. It draws parallels between current technologies, ancient knowledge and sustainable materials while highlighting sensibilities far beyond the visible. While some of the projects are mere ideas, illustrated throughout the publication, Wassmann seeks to communicate the symbiotic relationship between spirituality and self-expression, and its connection to nature to discover the many possibilities of architecture and design. Wassmann?s practice embodies the architectural ideal he witnessed at the Jantar Mantar observatories in Jaipur, India, where everything designed and constructed connects individuals to one another, to themselves, and to the cosmos.
Semi-autobiographical discussion of astronomy and astronomers, and history of astronomy and cosmology.--
As Python continues to grow in popularity, projects are becoming larger and more complex. Many Python developers are now taking an interest in high-level software design patterns such as hexagonal/clean architecture, event-driven architecture, and the strategic patterns prescribed by domain-driven design (DDD). But translating those patterns into Python isn’t always straightforward. With this hands-on guide, Harry Percival and Bob Gregory from MADE.com introduce proven architectural design patterns to help Python developers manage application complexity—and get the most value out of their test suites. Each pattern is illustrated with concrete examples in beautiful, idiomatic Python, avoiding some of the verbosity of Java and C# syntax. Patterns include: Dependency inversion and its links to ports and adapters (hexagonal/clean architecture) Domain-driven design’s distinction between entities, value objects, and aggregates Repository and Unit of Work patterns for persistent storage Events, commands, and the message bus Command-query responsibility segregation (CQRS) Event-driven architecture and reactive microservices
One of the great visionaries and pioneers of modern architecture, Le Corbusier was a master of light, declaring it both a fundamental basis of architecture and the key to personal well-being. In this portfolio of 160 photographs taken over 40 years, Henry Plummer captures Le Corbusier's inspired use of natural light in three of his greatest achievements: the small pilgrimage chapel at Ronchamp, the Dominican monastery of Sainte Marie de La Tourette, and the parish church of Saint-Pierre in Firminy-Vert, all in France. In these modest religious works Le Corbusier deploys light to create enchanted, emotionally charged spaces wedded to the cosmic rhythm of sunlight and season. Cosmos of Light reveals how the artist reimagined sacred space and charted new ways that buildings can both reveal and inhabit the universe around them.
*A semi-philosophical, semi-aesthetic appreciation of the great stone structures of the past*Boasts an abundance of color photographsStone is a material that takes many million years to form. As a result, it offers a sense of permanence. Craftsmen and designers of an earlier era were able to use it most effectively to produce masterpieces of art and architecture. The primordial aspect of stone is perhaps why we feel so full of energy when wandering in areas with an abundance of this material. Stone offers magnificent natural compositions in the vast expanses of the countryside, but man's intervention elevates stone constructions to a whole new level of beauty.The builders of Mahabalipuram, Ellora, Elephanta, Angkor Wat, Badami, and Hampi were concerned not only with creating shelter in harmony with the natural landscape, but also with the numinous sense of elation one experiences when confronted with the architecture of these places. There was a time when man respected the landscape, seeing it as a reflection of his devotion to the creator of this universe. These primordial men also practiced a lifestyle that did not adversely affect the sustaining powers of the earth. Cosmic Dance in Stone is largely a collection of photographs and illustrations that show how their creations, wonderful landscapes of stone, have been devised to transcend space and time. It is an attempt to discover how the designers of the past envisaged structures that could link us to the stars and help us realize the nature of our existence.
Charles Correa – seen by many in India as a sort of guru, as someone capable to transcend and grasp the ineffable reality that surrounds us – has left his noteworthy architectural heritage across the globe. In 2013, the Royal Institute of British Architects (RIBA) celebrated him as one of the greatest contemporary urban planners showcasing his work in an exhibition called: “Charles Correa: India’s greatest architect”. Profoundly tied to my Indian origins, to me Correa has been the master over distance, a personal benchmark to set my goals against. He was my inspiring thinker, architect and urbanist, or simply said, the designer I would have liked to be. Many of Correa’s last works show his deep-rooted search of the highest spiritual dimension in the attempt to trap part of the cosmic energy surrounding us into architectural works that were – and are – the shadow of his soul.