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Throughout history, records of women's lives and work have been lost through the pervasive assumption of male dominance. Wives, especially, disappear as supporters of their husbands’ work, as unpaid and often unacknowledged secretaries and research assistants, and as managers of men’s domestic domains; even intellectual collaboration tends to be portrayed as normative wifely behaviour rather than as joint work. Forgotten Wives examines the ways in which the institution and status of marriage has contributed to the active ‘disremembering’ of women’s achievements. Drawing on archives, biographies, autobiographies and historical accounts, best-selling author and academic Ann Oakley interrogates conventions of history and biography-writing using the case studies of four women married to well-known men – Charlotte Shaw, Mary Booth, Jeannette Tawney and Janet Beveridge. Asking critical questions about the mechanisms that maintain gender inequality, despite thriving feminist and other equal rights movements, she contributes a fresh vision of how the welfare state developed in the early 20th century.
George Bernard Shaw's frequently stormy but always creative relationship with the British Broadcasting Corporation was in large part responsible for making him a household name on both sides of the Atlantic. From the founding of the BBC in 1922 to his death in 1950, Shaw supported the BBC by participating in debates, giving talks, permitting radio and television broadcasts of many of his plays - even advising on pronunciation questions. Here, for the first time, Leonard Conolly illuminates the often grudging, though usually mutually beneficial, relationship between two of the twentieth century's cultural giants. Drawing on extensive archival materials held in England, the United States, and Canada, Bernard Shaw and the BBC presents a vivid portrait of many contentious issues negotiated between Shaw and the public broadcaster. This is a fascinating study of how controversial works were first performed in both radio and television's infancies. It details debates about freedom of speech, the editing of plays for broadcast, and the protection of authors' rights to control and profit from works performed for radio and television broadcasts. Conolly also scrutinizes Second World War-era censorship, when the British government banned Shaw from making any broadcasts that questioned British policies or strategies. Rich in detail and brimming with Shaw's irrepressible wit, this book also provides links to online appendices of Shaw's broadcasts for the BBC, texts of Shaw's major BBC talks, extracts from German wartime propaganda broadcasts about Shaw, and the BBC's obituaries for Shaw.
Lawrence of Arabia, as adviser to Prince Feisal, led camel-riding Bedouin in a guerrilla war against Turkey from Arabia to Damascus. The great British hero of World War I, he helped Winston Churchill draw the map of the modern Middle East, creating Jordan and making Feisal king of Iraq. Then, in 1922, he shed the rank of colonel and his name to serve as a private in the Royal Air Force until shortly before his death in 1935 at age 46. Lawrence has been characterized as a man with extraordinary powers and as an imposter who manufactured his own legend. This careful study, based on virtually all published and unpublished English-language sources, sides neither with Lawrence's eulogists nor with his denigrators. Presenting a fair, balanced picture of his life, it shows the lifelong continuity of his puzzling conduct: the often needless deviousness that troubled even close friends; the self-hatred and savage masochism that cursed his adult years.
Bernard Shaw fashioned public images of himself that belied the nature and depth of his emotional experiences and the complexity of his intellectual outlook. In this absorbing biography, noted Shavian authority A. M. Gibbs debunks many of the elements that form the foundation of Shaw's self-created legend--from his childhood (which was not the loveless experience he claimed publicly), to his sexual relationships with several women, to his marriage, his politics, his Irish identity, and his controversial philosophy of Creative Evolution. Drawing on previously unpublished materials, including never-before-seen photographs and early sketches by Shaw, Gibbs offers a fresh perspective and brings us closer than ever before to the human being behind the masks.
First published in 1976, John Mack's Pulitzer Prize-winning biography humanely and objectively explores the relationship between T.E. Lawrence's inner life and his historically significant actions. Extensive research provides the basis for Mack's sensitive investigation of the psychological dimensions of Lawrence's personality and with the history, sociology, and politics of his time. 27 photos.
Collected literary criticism of T.E. Lawrence together with his correspondence to and about writers - mainly his contempories
This is the first biography of Richard Aldington, contemporary and friend of Ezra Pound, D.H. Lawrence and T.S. Eliot and notable as a poet, translator, editor, novelist, biographer and significant member of the Modernist era. A critical appraisal of his major writings is included.