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This collection reveals many forms of servitude that Chinese women have endured, and the avenues of escape open to some of them. The authors are anthropologists, historians and sociologists, but the book is enriched also by contributions from the participants - a social worker, a mui tsai, and a colonial civil servant. The chapters are based on original documentary or oral research and personal experience, and, throughout the book, the voices of the women, their owners and their missionary rescuers can be clearly heard.
A periodical in part famous for the cartoon portraits of politicians and public figures. These were mainly by "Spy" (i.e. Sir Leslie Ward) and "Ape" (i.e. Carlo Pellegrini).
Essays examine the relationship between Hong Kong and China.
As Adam M. McKeown demonstrates, the push for increased border control and identity documentation is the continuation of more than 150 years of globalization. Modern passports and national borders are not only inseparable from the rise of global mobility. They are also tied to the emergence of individuals and nations as the primary sites of global power and identity. McKeown's history links the practices of border control to attempts to control Asian migration around the Pacific in the 1880s. New policies to control mobility had to be justified in the context of contemporary liberal ideas of freedom and mobility, generating such principles as the belief that migration control is a sovereign right of receiving nations and that it should occur at a country's borders. McKeown shows how the enforcement of these border controls required migrants to be extracted from social networks of identity and reconstructed as isolated individuals within centralized filing systems. Methods originally created to exclude Asians from full participation in the "family of civilized nations" are now the norm between all nations and have helped to institutionalize global cultural and economic divisions, such as East/West and First and Third World designations.