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Excerpt from Correspondence of James Fenimore-Cooper, Vol. 1 Shortly before his death, While sitting on a sofa beside his eldest child, Susan Augusta, he said to her that he wished his family not to authorize the publication Of any biography. There was even then a difference of opinion in the family as to the extent of the prohibition intended; some members believing that it was only a temporary one prompted by the bitterness still felt toward Cooper by much of the press of the country on account of his libel suits. Acting upon the other theory, however, his eldest daughter, before she died, destroyed a great deal of the material which could have been used in the preparation of a biography, and had buried with her the most interesting of his Journals. To-day no one could write a satisfactory life of Cooper; it, would necessarily be limited to a bare state ment of facts, most of which already have been published in one of the existing accounts of his life. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from Correspondence of James Fenimore-Cooper, Vol. 2 Dear Sir: Though not my good fortune to know you personally, I can be no stranger to your well-deserved fame, and I should be ashamed of taking my pen at so late a day as this to return you my share of the public thanks for your admirable naval history, the approbation of it at home having already been universal and abroad too, as far as I have seen, but that accidental hindrances prevented my reading it until very lately. Devoted to our navy, I had myself during the war of 1812, when a young and humble member of Mr, Madison's administration, collected some materials for sketches of its brilliant career at that epoch, which I rejoice to think I never used; for you have brought to that part of its history, and all other parts, qualifications so immeasurably in advance of any one else that all will have been instructed by you, as well as delighted. You have told us all that any other pen could, and much, much more. You have shown all our naval glory in its best lights, yet been just to our great opponent on the ocean; your narratives are distinct and graphic, often enchanting; and your reflections scattered throughout the work such as add dignity and value to it - meriting in many instances the careful consideration of our Legislators and Statesmen, You have given to your country a work greatly wanted; one that from its entire execution as well as matter must become standard, and that will be even more valuable ages hence than now, as you have embalmed much of what would otherwise soon have perished. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Provides a wide-ranging entry point and intervention into scholarship on nineteenth-century American letter-writingThis comprehensive study by leading scholars in an important new field-the history of letters and letter writing-is essential reading for anyone interested in nineteenth-century American politics, history or literature. Because of its mass literacy, population mobility, and extensive postal system, nineteenth-century America is a crucial site for the exploration of letters and their meanings, whether they be written by presidents and statesmen, scientists and philosophers, novelists and poets, feminists and reformers, immigrants, Native Americans, or African Americans. This book breaks new ground by mapping the voluminous correspondence of these figures and other important American writers and thinkers. Rather than treating the letter as a spontaneous private document, the contributors understand it as a self-conscious artefact, circulating between friends and strangers and across multiple genres in ways that both make and break social ties.Key FeaturesDraws together different emphases on the intellectual, literary and social uses of letter writing Provides students and researchers with a means to situate letters in their wider theoretical and historical contextsMethodologically expansive, intellectually interrogative chapters based on original research by leading academicsOffers new insights into the lives and careers of Louisa May Alcott, Charles Brockden Brown, Emily Dickinson, Frederick Douglass, Margaret Fuller, Henry James, Thomas Jefferson, Abraham Lincoln, Herman Melville, Harriet Beecher Stowe, and Edgar Allan Poe, among many others
The Classic American Short Story Megapack (Volume 1) assembles 34 of the greatest stories ever written by American authors -- including Nathaniel Hawthorne, Washington Irving, James Fenimore Cooper, Ambrose Bierce, Edgar Allan Poe, Bret Harte, Sherwood Anderson, Mark Twain, O. Henry, Jack London, and Stephen Crane. Includes multiple stories per author, their most famous short works, along with biographical notes. Complete contents: YOUNG GOODMAN BROWN, by Nathaniel Hawthorne THE CELESTIAL RAILROAD, by Nathaniel Hawthorne THE GREAT STONE FACE, by Nathaniel Hawthorne ETHAN BRAND, by Nathaniel Hawthorne RIP VAN WINKLE, by Washington Irving THE LEGEND OF SLEEPY HOLLOW, by Washington Irving AUTOBIOGRAPHY OF A POCKET-HANDKERCHIEF by James Fenimore Cooper THE DAMNED THING, by Ambrose Bierce AN OCCURRENCE AT OWL CREEK, by Ambrose Bierce THE FALL OF THE HOUSE OF USHER, by Edgar Allan Poe THE CASK OF AMONTILLADO, by Edgar Allan Poe THE PURLOINED LETTER, by Edgar Allan Poe THE PIT AND THE PENDULUM, by Edgar Allan Poe THE PREMATURE BURIAL, by Edgar Allan Poe THE MURDERS IN THE RUE MORGUE, by Edgar Allan Poe THE LUCK OF ROARING CAMP, by Bret Harte THE OUTCASTS OF POKER FLAT, by Bret Hartev HANDS, by Sherwood Anderson I’M A FOOL, by Sherwood Anderson THE MAN THAT CORRUPTED HADLEYBURG, by Mark Twain THE CELEBRATED JUMPING FROG OF CALAVERAS COUNTY, by Mark Twain THE GIFT OF THE MAGI, by O. Henry THE RANSOM OF RED CHIEF, by O. Henry THE COP AND THE ANTHEM, by O. Henry A RETRIEVED REFORMATION, by O. Henry THE DUPLICITY OF HARGRAVES, by O. Henry TO BUILD A FIRE, by Jack London AN ODYSSEY OF THE NORTH, by Jack London LOVE OF LIFE, by Jack London THE HEATHEN, by Jack London THE PEARLS OF PARLAY, by Jack London THE BRIDE COMES TO YELLOW SKY, by Stephen Crane THE MONSTER, by Stephen Crane THE BLUE HOTEL, by Stephen Crane And don't forget to search your favorite ebook store for Megapack to see the other great entries in this series -- covering science fiction, fantasy, horror, mysteries, westerns, children's literature, and much, much more!
An original and highly unusual psycholinguistic study of American literature and culture from 1584 to 1860, this volume focuses on the metaphor of 'land-as-woman.' It is the first systematic documentation of the recurrent responses to the American continent as a feminine entity (as Mother, as Virgin, as Temptress, as the Ravished), and it is also the first systematic inquiry into the metaphor's implications for the current ecological crisis.
This major new text presents a collection of recent writings on architecture and urbanism in the United States, with topics ranging from colonial to contemporary times. In terms of content and scope, there is no collection, in or out of print, directly comparable to this one. The essays are drawn from the past twenty years' of publishing in the field, arranged chronologically from colonial to contemporary and accessible in thematic groupings, contextualized and introduced by Keith Eggener. Drawing together 24 illustrated essays by major and emerging scholars in the field, American Architectural History is a valuable resource for students of the history of American art, architecture, urbanism, and material culture.