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An examination of the significance and function of oaths in the English Reformation.
Three quarters of what is now considered the corpus of Middle English romances were recovered and edited between the 1760s and the 1860s by a handful of dilettante scholars (from Thomas Percy to Frederick J. Furnivall) whose progress in the understanding of the texts and of the time in which they were written follows paths very different from those of modern textual and philological analysis. The present volume describes and discusses more than one hundred primary sources (collections, editions, dissertations, and marginal writings such as glosses and introductions) in order to provide a picture of the infancy of the study of medieval romance in Britain. The volume is arranged as a chronological review of the amateur scholars and their editorial and critical practices and it was conceived as a reference book, providing a complete list of the romances edited in the period considered and information about single texts and their manuscript and printed versions. The author offers a picture of the first steps towards the gradual rehabilitation of a genre that had been despised for more than two centuries and its inclusion in the literary canon. Her discussion illuminates several aspects of the transmission and reshaping of the medieval culture in the nineteenth century and constitutes a contribution to the desideratum of a history of medieval studies.
The progresses were both emblematic of Elizabeth's rule and intrinsic to her ability to govern." "In this book, Mary Hill Cole provides a detailed analysis of the progresses. Drawing on royal household accounts, ministerial correspondence, county archives, corporation records, and family papers, she examines the effects of the visits on the queen's household and government, the individual and civic hosts, and the monarchy of the Virgin Queen."--BOOK JACKET.
Jane Austen's England was littered with remnants of medieval religion. From her schooling in the gatehouse of Reading Abbey to her visits to cousins at Stoneleigh Abbey, Austen faced constant reminders of the wrenching religious upheaval that reordered the English landscape just 250 years before her birth. Drawing attention to the medieval churches and abbeys that appear frequently in her novels, Moore argues that Austen's interest in and representation of these spaces align her with a long tradition of nostalgia for the monasteries that had anchored English life for centuries until the Reformation. Converted monasteries serve as homes for the Tilneys in Northanger Abbey and Mr. Knightley in Emma, and the ruins of the 'Abbeyland' have a prominent place in Sense and Sensibility. However, these and other formerly sacred spaces are not merely picturesque backgrounds, but tangible reminders of the past whose alteration is a source of regret and disappointment. Moore uncovers a pattern of critique and commentary throughout Austen's works, but he focuses in particular on Northanger Abbey, Mansfield Park, and Sanditon. His juxtaposition of Austen's novels with sixteenth- and seventeenth-century texts rarely acknowledged as relevant to her fiction enlarges our understanding of Austen as a commentator on historical and religious events and places her firmly in the long national conversation about the meaning and consequences of the Reformation.