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This analytical catalogue of sculpture from the historic counties of Devon, Dorset, Somerset and Wiltshire provides a new perspective on the artistic achievement of the late Saxon kingdom. The volume includes individual pieces of the highest quality such as the Bradford-on-Avon and Winterbourne Steepleton angels or the newly discovered figures from Congresbury. Most of the monuments were carved at a time when Wessex art was at its zenith in the tenth and eleventh centuries, a formative period for English cultural identity. This volume sets the sculpture within an historical, topographical and art-historical context, highlighting the close links with contemporary styles in manuscripts and metalwork. Full photographic records of each monument present many new illustrations unique to this volume. An indispensable research tool for all those interested in the early medieval world, this volume is also an authoritative aid for local historians.
The visual heritage of Northern Yorkshire in the pre-Conquest period is revealed in this addition to the Corpus series. This volume surveys the sculpture in the historic North Riding of Yorkshire (excluding those parts covered in Volume three).
This book focuses on the period from the seventh to eleventh centuries that witnessed the rise and fall of Mercia, the great Midland kingdom, and, later, the formation of England. Specifically, it explores the relationship between the bishops of Lichfield and the multiple communities of their diocese. Andrew Sargent tackles the challenge posed by the evidential 'hole' at the heart of Mercia by synthesising different kinds of evidence - archaeological, textual, topographical and toponymical - to reconstruct the landscapes inhabited by these communities, which intersected at cathedrals and minsters and other less formal meeting-places. Most such communities were engaged in the construction of hierarchies, and Sargent assigns spiritual lordship a dominant role in this. Tracing the interconnections of these communities, he focuses on the development of the Church of Lichfield, an extensive episcopal community situated within a dynamic mesh of institutions and groups within and beyond the diocese, from the royal court to the smallest township. The regional elite combined spiritual and secular forms of lordship to advance and entrench their mutual interests, and the entanglement of royal and episcopal governance is one of the key focuses of Andrew Sargent's outstanding new research. How the bishops shaped and promoted spiritual discourse to establish their own authority within society is key. This is traced through the meagre textual sources, which hint at the bishops' involvement in the wider flow of ecclesiastical politics in Britain, and through the archaeological and landscape evidence for churches and minsters held not only by bishops, but also by kings and aristocrats within the diocese. Saints' cults offer a particularly effective medium through which to study these developments: St Chad, the Mercian bishop who established the see at Lichfield, became an influential spiritual patron for subsequent bishops of the diocese, but other lesser known saints also focused c
The book examines the lived experience of worship in early medieval England and Ireland, ranging from public experience of church and stone sculptures, to monastic life, to personal contemplation of, and meditation on, manuscript illuminations and other devotional objects.
The British Archaeological Association Conference held at Peterborough in 2015 provided a welcome opportunity for a new analysis of the cathedral’s architecture, sculpture and artistic production, and a reassessment of the relationship between the former abbey, the city and its institutions, and the Soke over which it held sway. This ambitious volume casts new light on the Roman occupation of the Nene valley, and the rich Anglo-Saxon sculptural and manuscript context that preceded the construction of the present cathedral, as well as exploring the vital Romanesque tradition of the Soke and the essential contribution of the Barnack quarries. But inevitably the most exciting new disclosures concern the church: its high-quality building campaigns during the 12th to 16th centuries, its abbots’ tombs and the reconstruction of the lost 14th-century High Altar screen from descriptions and loose fragments. Peterborough has attracted the attention of antiquarian scholars since its sacking by Cromwell’s men during the Civil War, and as its secrets are gradually revealed it continues to stimulate the historical imagination.
This volume explores the importance of Norwich as the second city of England for 500 years. It addresses two of the most ambitious Romanesque buildings in Europe: cathedral and castle, and illuminates the role of Norwich-based designers and makers in the region.
This is the first general survey of the carved stone crosses of the Isle of Man (late 5th to mid-11th century) for more than a century, providing a new view of the political and religious connections of the Isle of Man in a period of great turmoil in the Irish Sea region. The book also includes an up-to-date annotated inventory of the monuments.
A study of social organization, political power, conversion to Christianity, and church building in Anglo-Saxon Yorkshire in 400-1066 AD, Kingship, Society, and the Church in Anglo-Saxon Yorkshire argues that the decision of local kin-groups to convert to Christianity transformed kingship, society, and even the physical landscape.
This is a collection of eighteen papers presented at a conference that was held at the Hatfield Campus of the University of Hertfordshire with 122 members and guests from the United Kingdom, the United States of America, Germany and Norway were present. The papers are on the research on various aspects of the art and architecture of the abbey, at St Albans and provides an ideal forum for bringing together many aspects of the abbey’s history.