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Corpus Anima is a collection of previously published essays written for professional Jungian journals about the unity of psyche and soma, spirit and matter, body and soul. There are also two chapters of more personal reflections, previously unpublished, including a series of articles on the mid-Atlantic Azorean Archipelago. The essays on psyche and soma come from the direct experience of their unity. We live, life moves, at the confluence of these polarities of spirit and matter, body and soul, where through the capacity to hold contradiction and paradox we can become whole. Included in this collection is a published essay (Routledge) on the Portuguese poet and writer, Fernando Pessoa (1888-1935). His particular paradoxical expression of the soul and its life in the world is radically inspiring. The lines below are written on his tomb in Lisbon, resting in the same national monument with Vasco de Gama (c. 1460s-1524), world oceanic explorer. Pessoa was an explorer of inner worlds. He is, posthumously, a national treasure. I am nothing. I shall always be nothing. I cannot want to be anything. But I have in me all the dreams of the world. Cedrus Monte, PhD, is a Jungian Analyst, graduate of the C.G. Jung Institute in Switzerland (1995) where she now resides. She is originally from Northern California. Her roots lie there, even her heart; but even deeper roots, soul roots, lie in the Azores and Madeira, both autonomous island regions of Portugal. An uprooted wanderer of many lands, she has grounded herself as much as possible in the one constant earth, the body.
The Cosmotheandric Experience is not a Christian, or an Indic, or a Buddhist study, but an interdisciplinary study with a firm foundation. It aims at an integration of the whole of reality: We have to reconstruct the body of Prajapati, even if some of the parts feel unworthy, are shy or run away ... We have to think of all of the fragments of the present world in order to bring them together into a harmonious--though not monoliithic--whole. The Cosmotheandric principle, which the author advocates, could be formulated by saying that the divine, the human and the earthly are three irreducible dimensions which constitute the real.
From Robert Grosseteste to Jean-François Lyotard, Augustine’s suggestion that time is a “dilation of the soul” (distentio animi) has been taken up as a seminal and controversial time-concept, yet in The Space of Time, David van Dusen argues that this ‘dilation’ has been fundamentally misinterpreted. Time in Confessions XI is a dilation of the senses—in beasts, as in humans. And Augustine’s time-concept in Confessions XI is not Platonic—but in schematic terms, Epicurean. Identifying new influences on the Confessions—from Aristoxenus to Lucretius—while keeping Augustine’s phenomenological interpreters in view, The Space of Time is a path-breaking work on Confessions X to XII and a ranging contribution to the history of the concept of time.
Edith Stein is widely known as a historical figure, a victim of the Holocaust and a saint, but still unrecognised as a philosopher. It was philosophy, however, that constituted the core of her life. Today her complete writings are available to scholars and therefore her thinking can be properly investigated and evaluated. Who is a human person? And what is his or her dignity according to Edith Stein? Those are the two leading questions investigated in this volume. The answer is presented based on the complete writings of the 20th-c. phenomenologist and, moreover, compared to the traditional Christian understanding of human dignity present in the writings of the Church Fathers and the Doctors of the Church as well as Magisterial Documents of the Catholic Church. In the final parts of the book, the author shows how Stein's ideas are relevant today, in particular to the ongoing doctrinal and legal debates over the concept of human dignity.
The work of Dom Adalbert de Vogüé, O.S.B. (1924-2011) serves as the basis of all serious study of the Rule of Benedict. In this second volume, Vogüé first provides historical and critical commentary on texts from the Rule of the Master and other early sources, then shows how Benedict integrated and developed this material in writing his Prologue, Epilogue and chapters on the Tools of Good Works, Silence and Humility.