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A unique guide to over 40 of the most popular places around the fabulous Cornish coastline, one of the UK's best-loved tourist destinations. There are maps shoing you how to get there, where to park and what to look out for. You'll also discover unexpected, hidden delights, plus the secrets of cornish pasties, cream teas, cornish palms and much more.--Cover.
Intimate and often unseen, the sketchbook means something different to each illustrator. It might be a beautiful object, a work of art in its own right, where every line is painstakingly considered. It might be a pictorial playground, where mistakes can make art. The boundaries between sketchbooks, notebooks and visual journals are often blurred, lending to the creativity that fills their pages. It is likely that you will recognize many of the illustrators featured, including classic childhood favourites Beatrix Potter, Jean de Brunhoff, Edward Ardizzone and Tove Jansson, and established names such as Beatrice Alemagna, Oliver Jeffers and Shaun Tan. Others are up-and-coming, for example Charlotte Ager and Leah Yang. Martin Salisbury draws on decades of experience as an illustrator and educator to shed light on the lives and work of each artist. He even reveals pages from his own sketchbooks, exposing the rawness of his ideas and the narratives that surround them. As the reader will discover, sketchbooks are often a fascinating and surprising window into the mind of the illustrator.
Musician, writer, and artist, Graham Sibley, was born and brought up in St. Ives, Cornwall. He attended the local St. Ives schools, and gained the Duchy of Cornwall Scholarship to Gordonstoun School in Scotland in 1985. Born and brought up in St Ives, Sibley has a deep personal connection with the West Cornwall area, which he tries to convey through his drawings.
Use this sketchbook for doodles, art, sketches, inspiration and ideas. 6x9 inches with 110 pages. Each page is blank with a simple rectangular frame. Cover art features a painting of a town in Cornwall in the south west of England.
Realities once obscured are approaching the light, revealed for everyone to scrutinise and make apparent to the global community. This knowledge can no longer hold back those uncomfortable ‘truths’, languishing in dust covered archives: lain forgotten until the world began digitising, ready for the 21st century to access on the inter-web, at long last. This monograph represents a visual exploration into the relationships between painting, photography and our mediation with phantasmagorical collaged realities, investigating relational aspects about the way we interact with images and how these represent positive and negative forces, in-turn educating new ‘ways of seeing’.