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This book offers poignant observations on overlooked aspects of life, conveyed through accessible writing to widen perspectives. Spanning various themes, I delve beneath the surface details that often escape our awareness, elevating them into consciousness through reflections from an intuitive lens. My aim is to open up unconventional avenues of exploration beyond the status quo. Rather than adhering to fixed structural formulas, I let the prose flow freely as an organic extension of my authentic self. There is a subtle power when words channel directly from their source within the mind, heart, and soul. The observations contained in these pages stem from quiet moments of inward attentiveness to what moves me. I find insight in the seemingly mundane, resonating with the extraordinary inherent in ordinary life when we pause to notice. Through spare yet stirring language, I unpack my personal revelations, hoping readers may gain fresh eyes to see the wonder always available just below the veil of habit. This book is my heart felt offering to everyone to read and to enjoy.
A New York Times Notable Book of 2019 A unique exploration of the life and work of Rudyard Kipling in Gilded Age America, from a celebrated scholar of American literature At the turn of the twentieth century, Rudyard Kipling towered over not just English literature but the entire literary world. At the height of his fame in 1907, he was awarded the Nobel Prize for Literature, becoming its youngest winner. His influence on major figures—including Freud and William James—was pervasive and profound. But in recent decades Kipling’s reputation has suffered a strange eclipse. Though his body of work still looms large, and his monumental poem “If—” is quoted and referenced by politicians, athletes, and ordinary readers alike, his unabashed imperialist views have come under increased scrutiny. In If, scholar Christopher Benfey brings this fascinating and complex writer to life and, for the first time, gives full attention to Kipling's intense engagement with the United States—a rarely discussed but critical piece of evidence in our understanding of this man and his enduring legacy. Benfey traces the writer’s deep involvement with America over one crucial decade, from 1889 to 1899, when he lived for four years in Brattleboro, Vermont, and sought deliberately to turn himself into a specifically American writer. It was his most prodigious and creative period, as well as his happiest, during which he wrote The Jungle Book and Captains Courageous. Had a family dispute not forced his departure, Kipling almost certainly would have stayed. Leaving was the hardest thing he ever had to do, Kipling said. “There are only two places in the world where I want to live,” he lamented, “Bombay and Brattleboro. And I can’t live in either.” In this fresh examination of Kipling, Benfey hangs a provocative “what if” over Kipling’s American years and maps the imprint Kipling left on his adopted country as well as the imprint the country left on him. If proves there is relevance and magnificence to be found in Kipling’s work.
ONE OF THE MOST LOVED NOVELS OF THE DECADE. A long-lost book reappears, mysteriously connecting an old man searching for his son and a girl seeking a cure for her widowed mother's loneliness. Leo Gursky taps his radiator each evening to let his upstairs neighbor know he’s still alive. But it wasn’t always like this: in the Polish village of his youth, he fell in love and wrote a book…Sixty years later and half a world away, fourteen-year-old Alma, who was named after a character in that book, undertakes an adventure to find her namesake and save her family. With virtuosic skill and soaring imaginative power, Nicole Krauss gradually draws these stories together toward a climax of "extraordinary depth and beauty" (Newsday).
When you want to sell what you write, this is the book you need.
With breathtaking virtuosity, Garry Thomas Morse sets out to recover the appropriated, stolen and scattered world of his ancestral people from Alert Bay to Quadra Island to Vancouver, retracing Captain Vancouver's original sailing route. These poems draw upon both written history and oral tradition to reflect all of the respective stories of the community, which vocally weave in and out of the dialogics of the text. A dramatic symphony of many voices, Discovery Passages uncovers the political, commercial, intellectual and cultural subtexts of the Native -language ban, the potlatch ban and the confiscation and sale of Aboriginal artifacts to museums by Indian agents, and how these actions affected the lives of both Native and non-Native inhabitants of the region. This displacement of language and artifacts reverberated as a profound cultural disjuncture on a personal level for the author's -people, the Kwakwaka'wakw, as their family and tribal possessions became at once both museum artifacts and a continuation of the -tradition of memory through another language. Morse's continuous poetic dialogue of "discovery" and "recovery" reaches as far as the Lenape, the original Native inhabitants of Mannahatta in what is now known as New York, and on across the Atlantic in pursuit of the European roots of the "Voyages of Discovery" in the works of Sappho, Socrates, Virgil and Frazer's The Golden Bough, only to reappear on the American continent to find their psychotic apotheosis in the poetry of Duncan Campbell Scott. With tales of Chiefs Billy Assu, Harry Assu and James Sewid; the -family story "The Young Healer"; and transformed passages from Whitman, Pound, Williams and Bowering, Discovery Passages links Kwakwaka'wakw traditions of the past with contemporary poetic -tradition in B.C. that encompasses the entire scope of -relations between oral and vocal -tradition, ancient ritual, historical -contextuality and our continuing rites.
"There are two ways to get enough. One is to continue to accumulate more and more. The other is to desire less." Gilbert Keith Chesterton, (29 May 1874- 14 June 1936) was a poet, novelist, playwright, literary commentator, editor, biographer, journalist, orator and theologian. He was often dubbed as the "prince of paradox" for his light whimsical style that often addressed serious issues such as politics and religion, .. The latter was as a member and defender of the Christian faith and the former was shaped by a distrust of concentrated wealth and power. He advocated Distributionism and said that every man should be allowed to own "three acres and a cow." These political views have spread round the world, crediting Chesterton as the father of the "small is beautiful" movement. It is also said to have influenced Gandhi in seeking a genuine nationalism for India rather than imitating the British state. As one of the world's most prolific writers, his main claim to fame is as the creator of Father Brown, but Chesterton's style and ideas in this work reveals a truth that makes it remarkably contemporary and relevant to the modern reader. G. K. Chesterton was a true patriot and felt that the love for his country should not make him blind to England's support of Prussia that allowed it to get away with political bullying and territorial acquisitions over a period of years and ultimately meant it was not blameless in World War I. He is also critical at England's response to the French Revolution and the rise of Napoleon as well as in Ireland.. This is a fascinating and very different look at the domestic debate of the time and includes the slogan "every citizen is a revolution"
Multiple award winning, #1 New York Times bestselling author Neil Gaiman returns to dazzle, captivate, haunt, and entertain with this third collection of short fiction following Smoke and Mirrors and Fragile Things—which includes a never-before published American Gods story, “Black Dog,” written exclusively for this volume. In this new anthology, Neil Gaiman pierces the veil of reality to reveal the enigmatic, shadowy world that lies beneath. Trigger Warning includes previously published pieces of short fiction—stories, verse, and a very special Doctor Who story that was written for the fiftieth anniversary of the beloved series in 2013—as well “Black Dog,” a new tale that revisits the world of American Gods, exclusive to this collection. Trigger Warning explores the masks we all wear and the people we are beneath them to reveal our vulnerabilities and our truest selves. Here is a rich cornucopia of horror and ghosts stories, science fiction and fairy tales, fabulism and poetry that explore the realm of experience and emotion. In Adventure Story—a thematic companion to The Ocean at the End of the Lane—Gaiman ponders death and the way people take their stories with them when they die. His social media experience A Calendar of Tales are short takes inspired by replies to fan tweets about the months of the year—stories of pirates and the March winds, an igloo made of books, and a Mother’s Day card that portends disturbances in the universe. Gaiman offers his own ingenious spin on Sherlock Holmes in his award-nominated mystery tale The Case of Death and Honey. And Click-Clack the Rattlebag explains the creaks and clatter we hear when we’re all alone in the darkness. A sophisticated writer whose creative genius is unparalleled, Gaiman entrances with his literary alchemy, transporting us deep into the realm of imagination, where the fantastical becomes real and the everyday incandescent. Full of wonder and terror, surprises and amusements, Trigger Warning is a treasury of delights that engage the mind, stir the heart, and shake the soul from one of the most unique and popular literary artists of our day.