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In this accessible and attractive book, beautiful illustrations accompany an involving contextualization of life in Ireland's Cork City at the beginning of the 20th century. Focusing on the "International Exhibition of Manufactures, Arts, Products and Industries," a monumental event which opened its doors in the summer of 1902 and which Cork City has not paid witness to before or since, local historians Daniel Breen and Tom Spalding provide an enlightening account of an Irish city during a time when civic and cultural life was celebrated in the spirit of the age, and not obscured by the divisive politics that severely marked the preceding century and following decade. The book provides a picture of Edwardian Cork, going beyond reportage to instill a real sense of the age. The International Exhibition was emblematic of this remarkably cooperative period, seeing individuals of strongly opposing political backgrounds working in unison and interacting with a huge array of international exhibitors from as far away as Russia, China, and Turkey. As an exhibition devoted to art and industry, the Cork International Exhibition acted as a focal point that expanded upon contemporary art, architecture, music, sports, and more. Filled with colorful illustrations of archival material, this elegant book presents a complete picture of the astonishing scale and vibrancy of this immense occasion in Ireland's social history. Exhibitions of this kind were showcased in major global cities, such as London, Paris, Glasgow, St. Louis, and Chicago. The fact that it came to a burgeoning city such as Cork, ahead of Belfast or Dublin, was of historic importance within Ireland.
The Lost World of Mitchell and Kenyon' contains essays from leading historians covering film history, popular entertainment, the seaside, transport and the social and economic context of Edwardian Britain. Together they provide a vivid commentary on the Peter Worden Mitchell and Kenyon collection of films.
"Report of the Dominion fishery commission on the fisheries of the province of Ontario, 1893", issued as vol. 26, no. 7, supplement.
This book brings together new research on loyalism in the 26 counties that would become the Irish Free State. It covers a range of topics and experiences, including the Third Home Rule crisis in 1912, the revolutionary period, partition, independence and Irish participation in the British armed and colonial service up to the declaration of the Republic in 1949. The essays gathered here examine who southern Irish loyalists were, what loyalism meant to them, how they expressed their loyalism, their responses to Irish independence and their experiences afterwards. The collection offers fresh insights and new perspectives on the Irish Revolution and the early years of southern independence, based on original archival research. It addresses issues of particular historiographical and political interest during the ongoing 'Decade of Centenaries', including revolutionary violence, sectarianism, political allegiance and identity and the Irish border, but, rather than ceasing its coverage in 1922 or 1923, this book - like the lives with which it is concerned - continues into the first decades of southern Irish independence. CONTRIBUTORS: Frank Barry, Elaine Callinan, Jonathan Cherry, Seamus Cullen, Ian d'Alton, Sean Gannon, Katherine Magee, Alan McCarthy, Pat McCarthy, Daniel Purcell, Joseph Quinn, Brian M. Walker, Fionnuala Walsh, Donald Wood
This fascinating selection of photographs traces some of the many ways in which Cork Harbour has changed and developed over the last century.
Lists publications of Geological Survey of Canada from its inception to August 1, 1917. Arranged into sections according to type of publication. Includes finding list arranged according to provinces and territories as well as author index.
The planning of Holy Trinity church in Cork City began in 1825, and the building was finally completed some sixty years later. The story of its completion mirrors the turbulent history of Ireland of the time, and the development of the cultural and civic life of the community, particularly in charting the life of its patron, Father Theobald Matthew and the important role of the Capuchin Order. In this new work, Patrica Curtin-Kelly chronicles the fascinating history of this building and details some of its treasures, including the stained-glass windows by renowned Irish artist Harry Clarke.
Irish Revivalist playwright J. M. Synge is often regarded as a realist. Yet what happens when his work is analysed through wider performance studies and situated alongside less familiar historical contexts? By addressing this question, Hélène Lecossois offers new and valuable perspectives on Synge's plays while at the same time engaging with the complexity of his treatment of a range of performance practices – from keening at rural funerals to the performances of 'native villagers' in the entertainment section of International Exhibitions. What emerges from her study is a dramatist acutely aware of the ability of theatre in performance to counteract relentless forward-moving narratives of modernity. Through detailed, contextualized case studies, the book simultaneously makes meaningful contributions to performance studies and opens up theoretical questions of performance relating to the status of the object on stage, the body on stage and theatrical time.