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An archaeological study of Greek and Roman pottery recovered from the excavation of Syme Viannou The Sanctuary of Hermes and Aphrodite at Syme Viannou VII: The Greek and Roman Pottery presents in two volumes the Greek and Roman pottery recovered from the excavation of Syme Viannou. The sanctuary of Syme Viannou is renowned as one of the most long-lived and important cult sites of ancient Crete and the Aegean, dedicated to Hermes and Aphrodite in the Greek and Roman periods. The sanctuary was active from the early second millennium BC to the late first millennium AD and attracted visitors from much of the eastern half of Crete. This study catalogs and analyzes a body of approximately 865 pieces, dating from across the entire period in which the sanctuary was in use and exhibiting a wide range of shapes and types. Integrating traditional typological and chronological inquiries, contextual considerations, macroscopic and petrographic analyses of ceramic fabrics, and quantitative studies, this work provides detailed documentation of the pottery from Syme Viannou and explores its ritual and other roles within the diachronic panorama of cultic and other activities at the site. This book will be of interest to archaeologists, ceramologists, and historians of ancient Greece and the Eastern Mediterranean.
This catalogue comprises those vases from Corinth and Athens with painted decoration in the Detroit Institute of Arts. Each vase is given a description of salient features, attribution to a painter and date, and discussion of the painted decoration.
This book has its origin in a conference held at the British School at Athens in 2011 which aimed to explore the range of new archaeological information now available for the seventh century in Greek lands.
This work consists of three illustrated sections presenting the ceramic finds excavated at Sardis, but produced in the mainland Greek centers of Corinth, Athens, and Sparta. The authors' study of this material from the Harvard-Cornell excavations offers new evidence of the taste for Greek wares and shapes in Anatolia before the time of Alexander.
The early Greek residents to arrive in Egypt were very much regarded as foreginers and were subject to all sort of restrictions, however, gradually the barriers were broken down as closer connections were established with the Greek mainland and new trading centres such as Naucratis were established. This volume studies the large amount of Greek imported pottery found in Egypt and assesses what the pottery can tell us about the nature of Egyptian-Greek relationships, Greek settlement in Egypt and the nature of trading patterns. The major part of Smoláriková's study examines the different types of Greek pottery and their distribution and context of use, placed alongside other archaeological and literary evidence. The situation at Abusir-Saqqara appears to stray from the norm, where Greek imports were directed at Greek residents in Egypt, with examples found in clearly defined Egyptian contexts.
Greek Painted Pottery has been used by classics and classical archaeology students for some thirty years. It thoroughly examines all painted pottery styles from the Protogeometric to the Hellenistic period from all areas of Greece and from the colonies in parts of Italy. In each case it covers the development of iconography and the use of colour, decorative motifs and the distinctive styles of each stage. It examines the most utilitarian pottery objects as well as some of the finest pieces produced by a flourishing civilisation. Other chapters cover the pottery industry and pottery-making techniques, including firing, the types of local clay which were used and inscription. This study also considers how one can date pottery and establish a chronology and the various methods by which these artefacts have been classified, preserved and collected. This is the third edition of this classic text, which has been extensively revised and includes a fully updated bibliography. This edition also includes coverage of new evidence and new theories which have surfaced since the book was last revised in 1972. With over 100 black and white photographs and plentiful line drawings, the new edition of this comprehensive text will be invaluable to students studying classical art, archaeology and art history.
East Greek Pottery provides a comprehensive survey of the pottery made by the Greek settlers along the western coast of Turkey. The various styles of decoration described cover the period from the eleventh century to the beginning of the fifth century B.C. Subsequently, competition from Athens pressed local potters into using very simple ornament. Chapters include analysis of Grey ware, relief ware and archaic East Greek containers (or trade) amphorae, a class of pottery which is now attracting attention for its contribution to the study of ancient economic history. East Greek pottery is a field that has been neglected, and much remains uncertain. Conjecture and fact have been clearly distinguished in this volume, and detailed references allow the evidence to be viewed and judged by the reader.
Excavations on the Iberian Peninsula yield more and more Archaic and Classical Greek material every year. This is the first book to be published in English that discusses Archaic and Classical Greek pottery found in that area. The volume provides elaborate and up-to-date information. The first chapter (by A. Domínguez) is dedicated to Archaic pottery and covers the whole Peninsula; the second (by C. Sánchez) covers the Classical period, mainly based on the study of Attic pottery from Eastern Andalusia. Both chapters contain a catalogue with many illustrations. Not just finds are listed, but distribution and shape studies are included, as well as a discussion of how the local Iberian population viewed Attic painted pottery. The final chapter gives a general overview of trade, based upon the information presented in the previous chapters.
This work deals with classical Greek pottery from a number of points of view - technique, period, place of production, function, shape, decoration and distribution. The book places an emphasis on the every-day uses of Greek pottery - as containers for water, wine, fish, honey and olives, for example - and does not treat it as art. The author explains the importance of clay as a fundamental natural resource in the lives of the ancient Greeks, stressing its versatility as a container in varying conditions of heat and cold. The book aims to offer a broad picture of Greek pottery that gives an idea of its variety and importance without dwelling too heavily upon the high-quality figured vases.