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An engaging, encyclopedic account of the material world of early modern Britain as told through a unique collection of dated objects The period from 1500 to 1800 in England was one of extraordinary social transformations, many having to do with the way time itself was understood, measured, and recorded. Through a focused exploration of an extensive private collection of fine and decorative artworks, this beautifully designed volume explores that theme and the variety of ways that individual notions of time and mortality shifted. The feature uniting these more than 450 varied objects is that each one bears a specific date, which marks a significant moment—for reasons personal or professional, religious or secular, private or public. From paintings to porringers, teapots to tape measures, the objects—and the stories they tell—offer a vivid sense of the lived experience of time, while providing a sweeping survey of the material world of early modern Britain.
Published in conjunction with an exhibition held at The Metropolitan Museum of Art, New York, Sept. 16, 2013-Jan. 5, 2014.
Three women led a fashion revolution and turned themselves into international style celebrities. Joséphine Bonaparte, future Empress of France; Térézia Tallien, the most beautiful woman in Europe; and Juliette Récamier, muse of intellectuals, had nothing left to lose. After surviving incarceration and forced incestuous marriage during the worst violence of the French Revolution of 1789, they dared sartorial revolt. Together, Joséphine and Térézia shed the underwear cages and massive, rigid garments that women had been obliged to wear for centuries. They slipped into light, mobile dresses, cropped their hair short, wrapped themselves in shawls, and championed the handbag. Juliette made the new style stand for individual liberty. The erotic audacity of these fashion revolutionaries conquered Europe, starting with Napoleon. Everywhere a fashion magazine could reach, women imitated the news coming from Paris. It was the fastest and most total change in clothing history. Two centuries ahead of its time, it was rolled back after only a decade by misogynist rumors of obscene extravagance. New evidence allows the real fashion revolution to be told. This is a story for our time: of a revolution that demanded universal human rights, of self-creation, of women empowering each other, and of transcendent glamor
This book fills a significant gap in the literature on eighteenth-century social and cultural history. Starting with their production and trade, Sorge-English looks at the intricacies of the staymaker’s craft, the role of gender in the design and manufacture of stays and the changing shape of stays over time.
In the Preface of the 5th Edition of Survey of Historic Costume, Tortora and Eubank conclude with the following: "In the history of dress at the beginning of the 21st century, costume might be compared to a constantly moving river. This river divides into many narrower channels that separate, cross, come together, and separate again, and yet that river continually moves on." Building on the previous editions, the authors update their analysis of Western dress to 2008. Survey of Historic Costume has, from its beginnings, taken seriously the need to accompany the text with appropriate illustrations and the major change in the 5th Edition is the move to full color throughout the book to enrich the text and the concepts. Perfect for anyone interested in historic costume, fashion, textiles, drama, and design, this beautifully illustrated book is full of interesting facts and commentary.New to this Edition:-- Over 500 four-color photographs and illustrations-- Updated text to 2008-- Additional influences from one period or civilization to another, including influences from other cultures-- Index - updated and organized to be utilized as glossary with terms defined and page numbers printed in boldface-- Instructor's Guide provides sources for visuals, websites, teaching strategies and evaluation techniques-- PowerPoint® Presentation contains interactive visual presentation with links to Internet
"Anglomania gripped Europe during the mid to late 18th century. Continental Anglophiles such as Voltaire and Montesquieu saw England as a land of reason, freedom, and tolerance. Yet what began as an intellectual phenomenon became, and has remained, a matter of style. Through the lens of fashion, this volume examines aspects of English culture that continue to capture the imaginations of Europeans and Americans, among them the class system, sport, royalty, pageantry, eccentricity, the gentleman, and the country garden. Englishness is a romantic construct, formed by fictive and imaginary narratives. These narratives are, however, not merely the product of European-American Anglophilia but are fostered by the English themselves. As this book reveals, they can be found in the novels of Samuel Richardson and in the paintings of George Stubbs and William Hogarth. AngloMania presents historical costumes with clothing of the late 20th and early 21st centuries in a series of theatrical vignettes staged in the Museum's English Period Rooms. The illuminating and entertaining texts are complemented by an essay, which traces the desire for all things British"-- Metropolitan Museum of Art website.
Behold, the power of the purse! The must-have accessory for the fashion lover's desktop, Handbags delivers a year of showstopping clutches, hobos, totes, and satchels gorgeously photographed in full color. The beaded. The sequined. The fringed. The pleated. The antique. And the elegantly minimalist. Adapted from Anna Johnson's delightful bestseller Handbags. Ooh-la-la!
An exquisite and authoritative look at four centuries of quilts and quilting from around the world Quilts are among the most utilitarian of art objects, yet the best among them possess a formal beauty that rivals anything made on canvas. This landmark book, drawn from the world-renowned collection of the Colonial Williamsburg Foundation, highlights the splendor and craft of quilts with more than 300 superb color images and details. Fascinating essays by two noted scholars trace the evolution of quilting styles and trends as they relate to the social, political, and economic issues of their time. The collection includes quilts made by diverse religious and cultural groups over 400 years and across continents, from the Mediterranean, England, France, America, and Polynesia. The earliest quilts were made in India and the Mediterranean for export to the west and date to the late 16th century. Examples from 18th- to 20th-century America, many made by Amish and African-American quilters, reflect the multicultural nature of American society and include boldly colored and patterned worsteds and brilliant pieced and appliquéd works of art. Grand in scope and handsomely produced, Four Centuries of Quilts: The Colonial Williamsburg Collection is sure to be one of the most useful and beloved references on quilts and quilting for years to come.