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Professor Litman's work stands out as well-researched, doctrinally solid, and always piercingly well-written.-JANE GINSBURG, Morton L. Janklow Professor of Literary and Artistic Property, Columbia UniversityLitman's work is distinctive in several respects: in her informed historical perspective on copyright law and its legislative policy; her remarkable ability to translate complicated copyright concepts and their implications into plain English; her willingness to study, understand, and take seriously what ordinary people think copyright law means; and her creativity in formulating alternatives to the copyright quagmire. -PAMELA SAMUELSON, Professor of Law and Information Management; Director of the Berkeley Center for Law & Technology, University of California, BerkeleyIn 1998, copyright lobbyists succeeded in persuading Congress to enact laws greatly expanding copyright owners' control over individuals' private uses of their works. The efforts to enforce these new rights have resulted in highly publicized legal battles between established media and new upstarts.In this enlightening and well-argued book, law professor Jessica Litman questions whether copyright laws crafted by lawyers and their lobbyists really make sense for the vast majority of us. Should every interaction between ordinary consumers and copyright-protected works be restricted by law? Is it practical to enforce such laws, or expect consumers to obey them? What are the effects of such laws on the exchange of information in a free society?Litman's critique exposes the 1998 copyright law as an incoherent patchwork. She argues for reforms that reflect common sense and the way people actually behave in their daily digital interactions.This paperback edition includes an afterword that comments on recent developments, such as the end of the Napster story, the rise of peer-to-peer file sharing, the escalation of a full-fledged copyright war, the filing of lawsuits against thousands of individuals, and the June 2005 Supreme Court decision in the Grokster case.Jessica Litman (Ann Arbor, MI) is professor of law at Wayne State University and a widely recognized expert on copyright law.
With a new introduction by Ronan Deazley, Professor of Law, University of Glasgow. First Edition of "A Standard Book on the Law of Copyright" Reprint of the first edition. "A standard book on the law of copyright was published by W.A. Copinger [1847-1910] in 1870. It deals very fully with the history and the statute law as to literary copyright; as to Crown and university and college copyright; as to musical, dramatic, and artistic copyright, and copyright in designs; as to international copyright and copyright in foreign countries; and as to agreements between authors and publishers. The merits of the book are proved by the fact that is reached a ninth edition in 1958." --William S. Holdsworth, History of English Law XV 299-300 WALTER ARTHUR COPINGER [1847-1910] was a barrister-at-law of the Middle Temple.
Copyright is the exclusive legal right to reproduce, publish, sell, perform or prepare derivitives of an original fixed work such as literary, artistic, musical, dramatic or related works. Since copyright is controlled by federal law, this book is a national text that answers every practical question relating to ownership use and transfer of copyrights. It is a practical work that contains forms, regulations and detailed instructions on registering, assigning and acquiring copyright, as well as information about investigating imitations and stopping infringers. There is substantial legal background including references to all major cases as well as historical background inlcuding some emphasis on the landmark decisions of Learned Hand.
To access the 2014-2015 Supplement click here. Copyright Law is unique among copyright casebooks in that it is tightly and coherently structured, intelligently distilled, and clearly contextualized. Halpern's casebook explores the complex and sometimes counterintuitive issues surrounding protection of intellectual creativity under US copyright law by ensuring that both student and professor always maintain an understanding of how doctrinal elements relate to the whole. Thus, the book is perfect for those students who have struggled with dense notes and opaque explanations, professors who have labored through cumbersome and poorly ordered texts, and for new teachers who need a concise and clear pedagogic template complete with both substantive doctrine and highly instructive cases. Simply put, Copyright Law is a refreshing primer on the title topic, and a welcome alternative to less coherent texts. The second edition expands upon the first and brings the material up-to-date while retaining its eminently teachable structure. "...a great primer for all things copyright...an excellent overview of the topic. The table of contents reads like a class outline you would 'borrow' from the smart guy sitting up front." -- Legal Information Alert, on the first edition
52 short, understandable Conversations provide artists in all genres with a working knowledge of the legal issues affecting their arts and businesses. Copyright. Trademark. Contracts. Lawyers. Courts. Nonprofits.
The fields of literature and law intersect in frequent, and often surprising ways. This clear and concise book offers an introduction to the area, covering the history, key thinkers and ideas as well as detailed and fascinating studies into areas such as evidence and truth, inheritance, sex, vigilantism and justice. Each chapter examines a number of familiar authors and texts including Shakespeare, Brecht, Austen, Dickens, Ishiguro, Beecher-Stowe, Atwood, Miller. The book also opens up the broader study of law as it relates to culture in such areas as film, television, and digital media and how they affect such issues as a right to privacy, copyright and creative reworking, and censorship. Mark Fortier offers a concise, systemic introduction to the law and legal system for the lay person, covering basic notions of justice and law (fundamental justice, natural law, positive law) and the legal system (common law vs civil law, case law, statute, constitutional law, private law [tort, contract, property], criminal law, equity, basic rules of evidence, stare decisis, the adversarial system) as well as a very handy glossary of legal terms. This is a fascinating guide to a very topical and increasingly relevant area of literary studies.
What is an author? What is a text? At a time when the definition of "text" is expanding and the technology whereby texts are produced and disseminated is changing at an explosive rate, the ways "authorship" is defined and rights conferred upon authors must also be reconsidered. This volume argues that contemporary copyright law, rooted as it is in a nineteenth-century Romantic understanding of the author as a solitary creative genius, may be inapposite to the realities of cultural production. Drawing together distinguished scholars from literature, law, and the social sciences, the volume explores the social and cultural construction of authorship as a step toward redefining notions of authorship and copyright for today's world. These essays, illustrating cultural studies in action, are aggressively interdisciplinary and wide-ranging in topic and approach. Questions of collective and collaborative authorship in both contemporary and early modern contexts are addressed. Other topics include moral theory and authorship; copyright and the balance between competing interests of authors and the public; problems of international copyright; musical sampling and its impact on "fair use" doctrine; cinematic authorship; quotation and libel; alternative views of authorship as exemplified by nineteenth-century women's clubs and by the Renaissance commonplace book; authorship in relation to broadcast media and to the teaching of writing; and the material dimension of authorship as demonstrated by Milton's publishing contract. Contributors. Rosemary J. Coombe, Margreta de Grazia, Marvin D'Lugo, John Feather, N. N. Feltes, Ann Ruggles Gere, Peter Jaszi, Gerhard Joseph, Peter Lindenbaum, Andrea A. Lunsford and Lisa Ede, Jeffrey A. Masten, Thomas Pfau, Monroe E. Price and Malla Pollack, Mark Rose, Marlon B. Ross, David Sanjek, Thomas Streeter, Jim Swan, Max W. Thomas, Martha Woodmansee, Alfred C. Yen