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TV presenter and all-round car nut Ant Anstead takes the reader on a journey that mirrors the development of the motor car itself from a stuttering 20mph annoyance that scared everyone's horses to 150mph pursuits with aerial support and sophisticated electronic tracking. The British Police Force's relationship with the car started by chasing after pioneer speeding motorists on bicycles. As speed restrictions eased in the early twentieth century and car ownership increased, the police embraced the car. Criminals were stealing cars to sell on or to use as getaway vehicles and the police needed to stay ahead, or at least only one step behind. The arms race for speed, which culminated in the police acquiring high-speed pursuit vehicles such as Subaru Impreza Turbos, had begun. Since then the car has become essential to everyday life. Deep down everyone loves a police car. Countless enthusiasts collect models in different liveries and legendary police cars become part of the nation's shared consciousness. Ant Anstead spent the first six years of his working life as a cop. He was part of the armed response team, one of the force's most elite units. In this fascinating new history of the British police car, Ant looks at the classic cars, from the Met's Wolseleys to the Senator, the motorway patrol car officers loved most, via unusual and unexpected police vehicles such as the Arial Atom. It's a must-read for car enthusiasts, social historians and anyone who loves a good car chase, Cops and Robbers is a rip-roaring celebration of the police car and the men and women who drive them.
TV presenter and all-round car nut Ant Anstead takes the reader on a journey that mirrors the development of the motor car itself from a stuttering 20mph annoyance that scared everyone’s horses to 150mph pursuits with aerial support and sophisticated electronic tracking.
A Short History of Police and Policing traces the evolution of the multiple forms of 'policing' that existed in the past and the historical development of the various bodies, individuals and officials who carried these out in different societies.
The Encyclopedia of Television, second edtion is the first major reference work to provide description, history, analysis, and information on more than 1100 subjects related to television in its international context. For a full list of entries, contributors, and more, visit the Encyclo pedia of Television, 2nd edition website.
'I have spent almost 33 of the last 53 years in and out of prison, but mainly in. I was a juvenile offender back in the mid 1970s and went on to become an adult prisoner in the 1980s and beyond. My shortest prison sentence was 7 days (for criminal damage) and my longest sentence was life (for bank robbery and possession of firearms). I have 58 criminal convictions for everything from attempted theft to armed robbery and prison escape, and I was a career criminal for most of my life. What I do not know about criminal and prison slang could be written on the back of a postage stamp and still leave room for The Lord's Prayer ...' From ex-professional bank robber and bestselling author Noel Smith, this is the most authoritative dictionary of criminal slang out there - and an unmissable journey, through words, into the heart of the criminal world.
The name 'Bobby' comes from Sir Robert Peel who, as home secretary, oversaw the creation of the Metropolitan Police in 1829. In spite of his position as a national institution and his appeal as a solution to present-day concerns about law and order, the social history of the Bobby has rarely been explored. Yet his story (and since the beginning of the twentieth century it is also her story) is as exciting as that of his military cousin, Tommy Atkins. Bobby served on the front line of what is often characterized as 'the war against crime.' He may rarely have fought in pitched battles and almost never with lethal weapons, but his life could be hard and dangerous. Up until the last third of the twentieth century he usually patrolled on foot, in all weathers by day and, more often, by night. The drudgery of the foot patrol fostered that other nickname, 'Mr Plod'; something that may, or may not, have passed Enid Blyton by when she chose the name for the policeman of Noddy's Toytown. The period covered by The Great British Bobby saw massive economic, social and political change in Britain. The policing institution has shifted significantly in tandem, from having its primary relationship directly with the decentralized, local community, to becoming an instrument of the central state with, at the beginning of the twenty-first century, targets set and regulated centrally for the good of what politicians and policing professionals consider as the national community. Criminological expert Clive Emsley is ideally placed to tell the story of this remarkable and iconic institution; his book is nothing less than a social history of Britain over the last 180 years.
This beautifully crafted childrens book is dedicated to those kids who just LOVE cars! Its in their blood, they are simply born a "Petrol Head".Being a "petrol head" is like an illness for which there is no cure! And there are parents all over the world that care for these "poorly" kids with no guidance on how to cater for them.The book is the essential guide.It places the parent in the role of the doctor first helping diagnose the patient. Once diagnoses is established it guides the parent through the essentials, including some basic engineering, some ideas of car focused activities, like road trips, and even tips on how to build a soap box!Its colourful, fun and most of all a celebration of cars and how these amazing machines bring people together and create lasting memories and life long relationships!An essential must read for any child that makes a car sound, builds a car, draws a car or looks longingly at that gleaming vehicle as it passes us by.
Based on interviews with former police officers, this book addresses two main issues. Firstly, the question of how the police themselves viewed the priorities of the job and what they considered their role to be. This is the first study to consider this question and its implications for the style and content of police work. Secondly, it challenges the view of the prewar period as a "Golden Age", and shows that policing from the 1930s to the 1960s was not as unproblematic as has often been assumed. Police violence and the fabrication of evidence were more prevalent than the cosy image of the British TV series Dixon of Dock Green would have us believe. The fact that this image often went unchallenged has much to do with prevailing concepts of masculinity and with the greater moral certitude of the police within a more stable and stratified society.
The true story behind Audre Lorde's 1975 poem "Power"--a masterly, gripping and true account of the tragedy of the early-morning shooting of a child and the trial of a policeman for murder that followed. Was it a case of mistaken identity or race hatred--or both? It happened on the morning of Saturday, April 28, 1973, in Queens, New York, at around 5:00 a.m. In the pre-dawn dark, ten-year-old Clifford Glover was walking with his stepfather, Add Armstead, toward the auto salvage yard where Armstead worked, as they did most Saturdays. Patrolman Thomas Shea and his partner, Walter Scott, drove by in an unmarked car. The cops were on the lookout for a pair of armed robbers dressed similarly to Clifford Glover and Add Armstead, and stopped to give chase. The child and his stepfather, who was carrying his wages from the day before, ran, afraid they were going to be robbed. Shots were fired. Armstead flagged down a passing patrol car, not realizing that Clifford was lying on the ground, mortally wounded, the gun that killed him still in the hand of Patrolman Shea, who would become the first New York City cop in fifty years to be charged with committing murder while on duty. A policeman who shot down a ten year old in Queensstood over the boy with his cop shoes in childish bloodand a voice said "Die you little motherfucker" and there are tapes to prove it. (from "Power" by Audre Lorde)
NEW YORK TIMES EDITORS’ CHOICE • The astonishing true story of “one of the most startling police corruption scandals in a generation” (The New York Times), from the Pulitzer Prize–nominated reporter who exposed a gang of criminal cops and their yearslong plunder of an American city NOW AN HBO SERIES FROM THE WIRE CREATOR DAVID SIMON AND GEORGE PELECANOS “A work of journalism that not only chronicles the rise and fall of a corrupt police unit but can stand as the inevitable coda to the half-century of disaster that is the American drug war.”—David Simon Baltimore, 2015. Riots are erupting across the city as citizens demand justice for Freddie Gray, a twenty-five-year-old Black man who has died under suspicious circumstances while in police custody. Drug and violent crime are surging, and Baltimore will reach its highest murder count in more than two decades: 342 homicides in a single year, in a city of just 600,000 people. Facing pressure from the mayor’s office—as well as a federal investigation of the department over Gray’s death—Baltimore police commanders turn to a rank-and-file hero, Sergeant Wayne Jenkins, and his elite plainclothes unit, the Gun Trace Task Force, to help get guns and drugs off the street. But behind these new efforts, a criminal conspiracy of unprecedented scale was unfolding within the police department. Entrusted with fixing the city’s drug and gun crisis, Jenkins chose to exploit it instead. With other members of the empowered Gun Trace Task Force, Jenkins stole from Baltimore’s citizens—skimming from drug busts, pocketing thousands in cash found in private homes, and planting fake evidence to throw Internal Affairs off their scent. Their brazen crime spree would go unchecked for years. The results were countless wrongful convictions, the death of an innocent civilian, and the mysterious death of one cop who was shot in the head, killed just a day before he was scheduled to testify against the unit. In this urgent book, award-winning investigative journalist Justin Fenton distills hundreds of interviews, thousands of court documents, and countless hours of video footage to present the definitive account of the entire scandal. The result is an astounding, riveting feat of reportage about a rogue police unit, the city they held hostage, and the ongoing struggle between American law enforcement and the communities they are charged to serve.