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A FULL-COLOR GUIDE FOR ARCHITECTS AND DESIGN PROFESSIONALS TO THE SELECTION AND APPLICATION OF COPPER, BRASS, AND BRONZE Copper, Brass, and Bronze Surfaces, third in Zahner's Architectural Metals Series, provides a comprehensive and authoritative treatment of copper, brass, and bronze applications in architecture and art. If offers architecture and design professionals the information they need to ensure proper maintenance and fabrication techniques through detailed information and full-color images. It covers everything from the history of the metals and choosing the right alloy, to detailed information on a variety of surface and chemical finishes and corrosion resistance. The book also features case studies that offer strategies for designing and executing successful projects using copper, brass, and bronze. Copper, Brass, and Bronze Surfaces is filled with illustrated case studies that present comprehensive coverage of how each metal is used in creating surfaces for building exteriors, interiors, and art finishes. All the books in Zahner's Architectural Metals Series offer in-depth coverage of today's most commonly used metals in architecture and art. This visual guide: Features full-color images of a variety of copper, brass, and bronze finishes, colors, textures, and forms Includes case studies with performance data that feature strategies on how to design and execute successful projects using copper, brass, and bronze Offers methods to address corrosion, before and after it occurs Explains the significance of the different alloys and the forms available to the designer Discusses what to expect when using copper, brass, and bronze in various exposures Written for architecture professionals, metal fabricators and developers, architecture students, designers, and artists working with metals, Copper, Brass, and Bronze Surfaces offers a logical framework for the selection and application of copper, brass, and bronze in all aspects of architecture.
This is a review of 190 years of literature on copper and its alloys. It integrates information on pigments, corrosion and minerals, and discusses environmental conditions, conservation methods, ancient and historical technologies.
ATMOSPHERIC CORROSION Presents a comprehensive look at atmospheric corrosion, combining expertise in corrosion science and atmospheric chemistry Atmospheric corrosion has been a subject of engineering study, largely empirical, for nearly a century. Scientists came to the field rather later on and had considerable difficulty bringing their arsenal of tools to bear on the problem. Atmospheric corrosion was traditionally studied by specialists in corrosion having little knowledge of atmospheric chemistry, history, or prospects. Atmospheric Corrosion provides a combined approach bringing together experimental corrosion and atmospheric chemistry. The second edition expands on this approach by including environmental aspects of corrosion, atmospheric corrosion modeling, and international corrosion exposure programs. The combination of specialties provides a more comprehensive coverage of the topic. These scientific insights into the corrosion process and its amelioration are the focus of this book. Key topics include the following: Basic principles of atmospheric corrosion chemistry Corrosion mechanisms in controlled and uncontrolled environments Degradation of materials in architectural, transport, and structural applications; electronic devices; and cultural artifacts Protection of existing materials and choosing new ones that resist corrosion Prediction of how and where atmospheric corrosion may evolve in the future Complete with appendices discussing experimental techniques, computer models, and the degradation of specific metals, Atmospheric Corrosion, Second Edition continues to be an invaluable resource for corrosion scientists, corrosion engineers, conservators, environmental scientists, and anyone interested in the theory and application of this evolving field. The book concerns primarily the atmospheric corrosion of metals and is written at a level suitable for advanced undergraduates or beginning graduate students in any of the physical or engineering sciences.
ZINC SURFACES THE LEADING RESOURCE FOR ARCHITECTS, DESIGNERS, AND ARTISTS WORKING WITH ZINC Zinc Surfaces: A Guide to Alloys, Finishes, Fabrication and Maintenance in Architecture and Art combines the latest guidance and information about zinc surfaces into a single and comprehensive resource for architects and artists everywhere. The fifth book in the author’s authoritative Architectural Metals Series, Zinc Surfaces offers a highly visual, full-color guide to ensure architects and design professionals have the information they need to properly maintain and fabricate zinc surfaces. Numerous case studies illuminate and highlight the theoretical principles contained within. Full of concrete strategies and practical advice, Zinc Surfaces provides readers with complete information on topics including: The use of zinc in architecture The history of zinc’s use in design How to choose the right alloy for your purposes Surface and chemical finishes Corrosion resistance of various alloys This book is perfect for architecture professionals, metal fabricators and developers, architecture students and instructors, and designers and artists working with metals.
The papers in this volume derive from the proceedings of the nineteenth International Bronze Congress, held at the Getty Center and Villa in October 2015 in connection with the exhibition Power and Pathos: Bronze Sculpture of the Hellenistic World. The study of large-scale ancient bronzes has long focused on aspects of technology and production. Analytical work of materials, processes, and techniques has significantly enriched our understanding of the medium. Most recently, the restoration history of bronzes has established itself as a distinct area of investigation. How does this scholarship bear on the understanding of bronzes within the wider history of ancient art? How do these technical data relate to our ideas of styles and development? How has the material itself affected ancient and modern perceptions of form, value, and status of works of art? www.getty.edu/publications/artistryinbronze
This book presents the first full length study in English of monumental bronzes in the Middle Ages. Taking as its point of departure the common medieval reception of bronze sculpture as living or animated, the study closely analyzes the practice of lost wax casting (cire perdue) in western Europe and explores the cultural responses to large scale bronzes in the Middle Ages. Starting with mining, smelting, and the production of alloys, and ending with automata, water clocks and fountains, the book uncovers networks of meaning around which bronze sculptures were produced and consumed. The book is a path-breaking contribution to the study of metalwork in the Middle Ages and to the re-evaluation of medieval art more broadly, presenting an understudied body of work to reconsider what the materials and techniques embodied in public monuments meant to the medieval spectator.
Copper has been used for thousands of years. In the centuries, both handicraft and industry have taken advantage of its easy castability and remarkable ductility combined with good mechanical and corrosion resistance. Although its mechanical properties are now well known, the simple f.c.c. structure still makes copper a model material for basic studies of deformation and damage mechanism in metals. On the other hand, its increasing use in many industrial sectors stimulates the development of high-performance and high-efficiency copper-based alloys. After an introduction to classification and casting, this book presents modern techniques and trends in processing copper alloys, such as the developing of lead-free alloys and the role of severe plastic deformation in improving its tensile and fatigue strength. Finally, in a specific section, archaeometallurgy techniques are applied to ancient copper alloys. The book is addressed to engineering professionals, manufacturers and materials scientists.
A full-color guide for architects and design professionals to the selection and application of aluminum Aluminum Surfaces, second in William Zahner's Architectural Metals Series, provides a comprehensive and authoritative treatment of aluminum applications in architecture and art. It offers architecture and design professionals the information they need to ensure proper maintenance and fabrication techniques through detailed information and full color images. It covers everything from the history of the metal and choosing the right alloy, to detailed information on a variety of surface and chemical finishes and corrosion resistance. The book also features case studies offering architecture and design professionals strategies for designing and executing successful projects using aluminum. Aluminum Surfaces is filled with illustrative case studies that offer strategies for designing and executing successful projects using aluminum. All the books in Zahner’s Architectural Metals Series offer in-depth coverage of today’s most commonly used metals in architecture and art. This important book: Contains a comprehensive guide to the use and maintenance of aluminum surfaces in architecture and art Features full-color images of a variety of aluminum finishes, colors, textures, and forms Includes case studies with performance data that feature strategies on how to design and execute successful projects using aluminum Offers methods to address corrosion, before and after it occurs Discusses the environmental impact of aluminum from the creation process through application Explains the significance of the different alloys and the forms available to the designer Discusses expectations when using aluminum in various exposures For architecture professionals, metal fabricators, developers, architecture students and instructors, designers, and artists working with metals, Aluminum Surfaces offers a logical framework for the selection and application of aluminum in all aspects of architecture.
David A. Scott provides a detailed introduction to the structure and morphology of ancient and historic metallic materials. Much of the scientific research on this important topic has been inaccessible, scattered throughout the international literature, or unpublished; this volume, although not exhaustive in its coverage, fills an important need by assembling much of this information in a single source. Jointly published by the GCI and the J. Paul Getty Museum, the book deals with many practical matters relating to the mounting, preparation, etching, polishing, and microscopy of metallic samples and includes an account of the way in which phase diagrams can be used to assist in structural interpretation. The text is supplemented by an extensive number of microstructural studies carried out in the laboratory on ancient and historic metals. The student beginning the study of metallic materials and the conservation scientist who wishes to carry out structural studies of metallic objects of art will find this publication quite useful.