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Chiefly set on the waters and islands of New York Harbor in the early years of the 1700s, James Fenimore Cooper's novel The Water-Witch (1830) paints a vivid picture of life in the little colonial port. It was familiar territory for Cooper, who a century later had served as a junior officer on board an eighteen-gun sloop-of-war stationed at the Brooklyn Navy Yard. That experience acquainted him with the navigational intricacies and dangers with which his characters must deal as they carry out the central action of the novel, the repeated attempts by a British naval cruiser to capture the brigantine commanded by a notorious smuggler known as the Skimmer of the Seas. As in all of Cooper's nautical novels, the scenes of ship-handling and naval combat in The Water-Witch are rendered with absolute authenticity, but here he envelops them in a cloud of mystery and magic that is dispersed only in the chaotic climax of the book. This scholarly edition includes an informative historical introduction and thorough explanatory notes. It also serves as an example of the processes by which an authoritative text is established. The Writings of James Fenimore Cooper The distinguished Cooper scholar James Franklin Beard (1919–1989) began organizing the Writings of James Fenimore Cooper in the late 1960s, as his work on publishing the monumental Letters and Journals of James Fenimore Cooper came to fulfillment. Beard's intention was to provide readers with sound scholarly editions of Cooper's major works, based wherever possible on authorial manuscripts. To date, the Writings of James Fenimore Cooper has made available texts of many of Cooper's best-known novels, as well as some of his most important works of political and social commentary.
The Water Witch is an 1830 novel by James Fenimore Cooper. Set in 17th century New York and the surrounding sea, the novel depicts the abduction of a woman, Alida de Barbérie, by the pirate captain of the brigantine Water Witch, and the subsequent pursuit of that elusive ship by her suitor, Captain Ludlow.Cooper wrote the novel, while on an extended tour of Europe, during his stay in the villa Palazzu detta del Tasso near Naples. Cooper tried to print the novel while he was in Italy in 1829 but Papal censors forbade its publication in Italy. Cooper was then able to print the novel in Dresden, before also sending copies to his publishers in the US and England. Critic Allan Axelrod describes the novel as heavily influenced by the Italian context of its writing, noting that it even compares the landscapes of New York with that of Italy.