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Annotation. The category of belief has been severely criticised in the last decades but ideas of having principles based on interior refl ections and conscience are as strong as ever across the world. This indicates that the modern idea of conviction - religious or secular - should be understood as a way of relating to the world that has a genealogy of its won that is not identical to religious belief. Modern convictions are based on two forms of ethics: firstly an individualized ethics of sincerity that emerged from the 17th century onwards as an ideal of honest and consistent public conduct. Secondly, an ethics of consequence that emerges with radical, Jacobin and collective politics and a new belief in radical socio-political utopias in the 19th century. In the 20th century, these ethical formations have spread across the world and form today the basis of a global grammar of interiority that lies at the heart of near-universal fi gures such as the 'activist' and the committed selfl ess social worker. This title can be previewed in Google Books - http://books.google.com/books?vid=ISBN9789056295509.
A kaleidoscopic tribute to San Francisco by a life-long Bay Area resident and co-founder of Salon explores specific city sites including the Golden Gate Bridge and the Land's End sea cliffs while tying his visits to key historical events. By the author of Shadow Knights. 30,000 first printing.
This empowering handbook delivers authoritative advice on how to build a purpose-driven company, motivate employees, and connect with consumers. Written by entrepreneur and marketing expert David Hieatt, these pages offer an engaging combination of practical tips, rousing quotes from business leaders across industries, and illuminating anecdotes. Full of enlightening wisdom on how to define a company's central purpose (beyond profit), foster a strong company culture that attracts talented staff, and develop a brand story that resonates with consumers, Do Purpose is an invaluable resource for anyone with a desire to start or grow their own business.
Cool. The concept has distinctly American qualities and it permeates almost every aspect of contemporary American culture. From Kool cigarettes and the Peanuts cartoon's Joe Cool to West Side Story (Keep cool, boy.) and urban slang (Be cool. Chill out.), the idea of cool, in its many manifestations, has seized a central place in our vocabulary. Where did this preoccupation with cool come from? How was Victorian culture, seemingly so ensconced, replaced with the current emotional status quo? From whence came American Cool? These are the questions Peter Stearns seeks to answer in this timely and engaging volume. American Cool focuses extensively on the transition decades, from the erosion of Victorianism in the 1920s to the solidification of a cool culture in the 1960s. Beyond describing the characteristics of the new directions and how they altered or amended earlier standards, the book seeks to explain why the change occured. It then assesses some of the outcomes and longer-range consequences of this transformation.
At one of Kentucky's most sought-after tracks for equestrian racers is a new rider that is taking the track by storm. Young teen Chase Payne has taken multiple wins and isn't showing any signs of backing down. But something proves to be quite different with him. Could an unexpected accident change his life, faith, and the racing world forever?
This is a little bit of everything, people, places and events, reflected through autobiography, Fiction, commentary and poetry. I wanted to document where I found strength throughout life, and where I was weakest. I wanted to write a positive work, but too often descended to my weakness. All these pieces showed me more than I expected to see. I fall short if this is a tribute to the positive influences, but I make it up obsessing about the negative. Trying to find a spiritual path through the shadows of love is a trip. This is a one of a kind journey, like the one everyone takes. Even the evil ones have taught me many lessons, but this is for those who love. Many of the lines in my poems directly relate to people I didn’t mention, but if you know me, you’re probably in here somehow. Even those I got hurt by I do still love. Know that.