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“This is so well written. [When a book like this] comes along, it’s, like, ‘Thank you!’ What a great way to spend an afternoon, an evening, reading these essays. . . . Absolutely great.”—Jon Stewart “[Merrill] Markoe is easily as funny as David Sedaris. She’s capable of manic riffs and acerbic skewering. Still, her good nature shines through.”—The Washington Post In this hilarious collection of candid essays, including two pieces new to this edition, New York Times bestselling author Merrill Markoe reveals much about her personal life—as well as the secret formula for comedy: Start out with a difficult mother, develop some classic teenage insecurities, add a few relationships with narcissistic men, toss in an unruly pack of selfish dogs, finish it off with the kind of crystalline perspective that only comes from years of navigating a roiling sea of unpleasant and unappeasable people, and—voilà—you’re funny! Cool, Calm & Contentious is honest, unapologetic, sometimes heartbreaking, but always shot through with Merrill Markoe’s biting, bracing wit. “This has been a great year for funny women. . . . Let’s call Tina Fey and Mindy Kaling exhibits A and B. Both owe a debt to those who came before, including Merrill Markoe.”—The Boston Globe “Markoe’s goal is to find the absurdity in everyday life. That, coupled with her sharp wit, makes her writing sublime.”—BookPage “Laugh-out-loud humor.”—Tampa Bay Times “Not only crazy-funny, but crazy-heartbreaking.”—The New York Times
A zany look at the world of romance and love shares the author's observations on sex seminars, dating, the secrets of seduction, and marriage.
Dawn Tarnauer’s life isn’t exactly a success story. Already twice divorced, the young Californian is too busy job-hopping to start a career, her current boyfriend insists on living “off the grid,” her Life Coach sister perpetually interferes with incomprehensible affirmations, her eccentric mother is busy promoting the culmination of her life’s work: The Every Holiday Tree, and her father is ending his brief third marriage while scheduling two dates for the same night. Dawn’s only source of security and comfort, it seems, is Chuck, a pit-bull mix from the pound. So, when her boyfriend announces that he’s leaving her for another woman, a despairing Dawn turns to Chuck for solace. “I should have said something sooner,” Chuck confides, as he tries to console her. “Couldn’t you smell her on his pants?” Dawn is stunned. It’s one thing to talk to your pets, but what do you do when they start talking back? It’s not just Chuck, either; she can hear all dogs–and man’s best friend has a lot to say. The ever-enthusiastic Chuck offers his tried-and-true advice on the merits of knocking over garbage and strewing it everywhere, auxiliary competitive peeing etiquette, and the curative powers of tossing a ball. Doubtful of her own sanity, Dawn considers that, in the ways of life and love, it might be better to trust Chuck’s doggie instincts instead of her own. Filled with sharp wit, biting humor, and canine conversation that would make Doctor Dolittle’s jaw drop, Merrill Markoe’s engaging, cleverly written novel is about the confusing search for love and the divine acts of dog.
Award-winning comedy writer Merrill Markoe, the slightly warped mind behind Stupid Pet Tricks, is an old hand with dogs. She knows who’s boss (they are) and the myriad ways a loving pet can make you feel guilty twenty-four hours a day. This new edition of Merrill Markoe’s classic collection of humorous essays gives readers the choicest selections along with brand-new material. In these razor-sharp essays, Markoe recounts her dogs’ phone chats with animal communicators, her search for past lives, and her brief stint as a stun gun saleswoman. She describes the workshop that taught her how to launch an Internet porn business and another that gave proper instruction in the esoteric art of becoming a dominatrix. She shares insight into what it is like to structure your day using only dog rules, how to spot a really horrible restaurant, and what it’s like to have a romantic dinner with Fabio. There’s even a bright side to preparing for the apocalypse: “At last, it is time to forget about fat grams and low cholesterol.” This enchantingly rambunctious and boundlessly enjoyable book gives you Merrill Markoe at her best. You’ll devour it in one sitting (and so may your pet).
“Merrill Markoe got all the talent. In addition to being an Emmy-award winning comedy writer, she's also a top-notch artist. We Saw Scenery is revealing, sad, funny, and, above all, relatable. Merrill captures the experience of a young woman finding—and holding onto—her own voice. And we’re all lucky she did.” —Nell Scovell, author of Just the Funny Parts In her first-ever graphic memoir, four-time Emmy-winning comedy writer Merrill Markoe unearths her treasured diaries, long kept under lock and key, to illustrate the hilarious story of her preteen and teen years and how she came to realize that her secret power was her humor. Wielding her layered and comically absurd style, Markoe takes readers back through her time as a Girl Scout, where she learned that “scouting” was really more about learning housewifery skills, to her earliest crushes on uniquely awful boys and her growing obsession with television. Much has changed in our world since Markoe wrote in her diaries, or has it? Climate change wasn’t yet a rallying call, but the growing hole in the ozone preoccupied Markoe’s young mind. No one was flocking to the desert for Burning Man, but Markoe readily partook in the Ken Kesey Acid Test. As she charts the divide between her adolescence and adulthood, Markoe questions and berates her younger self, revealing how much is opaque to us in those young years. Perfect for fans of Roz Chast, Allie Brosh, and Lynda Barry, We Saw Scenery is a laugh-out-loud story of a girl growing up, told from the perspective of the woman she became, and it will speak to all who wanted to understand themselves in the midst of their own maturing.
Lisa Roberty is a successful screenwriter with an impoverished social life who’s enduring a demoralizing job at the mind-numbing sitcom You Go, Girl. Grant Repka is an obscure indie rock musician who, in his forties, finds his career surprisingly resurrected with the success of his comic operetta about the doomed romance of Tommy Lee and Pamela Anderson. When Grant and Lisa meet after one of his shows, sparks don’t immediately fly—but e-mail addresses are exchanged. A my-book-for-your-CD trade and a couple of e-mails later, Lisa tells Grant that she enjoys his song “My Psycho Ex,” but warns him that where psycho-exes are concerned, she’s pretty sure she “could drink him under the table.” Little does she know that this will become the opening salvo in an epic e-mail battle dubbed the Psycho Ex Game, a storytelling competition in which horrific tales of dysfunctional love and living with lunatics are volleyed with glee. The rules are simple; the point system, unique: the experiences that would normally leave someone running for the therapist’s office (humiliation, degradation, and complicity in psychotic behavior) just might win match point in the Psycho Ex Game. Now it’s Grant vs. Lisa as the wretched tales of his ex, the Junkie Queen of Darkness, vie with the woe inflicted by her ex, a tantrum-throwing actor/director widely known as Mr. Summer Box Office Record-Holder. As the correspondence evolves, it surprises Lisa by offering her the kind of intimacy she has never shared with a man in the same room. Before long, what started as a friendly competition becomes a road map to an unlikely couple’s growing involvement, leaving both Grant and Lisa secretly wondering, “If we were to get involved, which one of us is potentially the next Psycho Ex?” Written in alternating he said/she said chapters, The Psycho Ex Game is shot through with the acerbic humor of Merrill Markoe and the mordant observations that have made Andy Prieboy a literate voice in rock. The Psycho Ex Game is a hilarious dissection of injuries sustained on the front lines of romance—and the careful nursing that gets us battleready once again.
“In the coming year,” she said, hoisting her blindingly clean and gleaming glass into the air, “may half of all your dreams come true.” “Mom,” I said to her, “isn’t that kind of pathetic?” “Well, it’s realistic.” It’s her thirty-sixth birthday, and she really thought things would be different this year—that she’d have figured out men and how to get along with her narcissistic parents enough to survive a birthday celebration. But nothing’s changed. Her disappointing day is capped off by the delivery of a huge bouquet of flowers from Carl, with whom she has recently, and bitterly, split. A gesture of reconciliation? Of passive aggression? She’s too unhinged to tell. It’s My F---ing Birthday unfolds in seven state-of-my-life addresses this hapless high school art teacher writes to herself on consecutive birthdays, as she is determined to break the patterns of behavior that are keeping her down. Her objective: to avoid making the same mistakes over and over and start making some new ones. Through seven outrageously funny years of needling parents, self-absorbed boyfriends, riots, O.J., and Monica—and bigger and bigger bouquets from Carl—she navigates a circuitous (and ultimately successful) route to happiness in a world where everything seems to conspire to the contrary. What I Learned This Year That I Need to Remember 1. No more taking the bait from Mom. Even if the fight becomes about not taking the bait. 2. No more dwelling in the past. 3. Try much harder to continue being a vegetarian. This will limit the restaurants the folks can take me to. 4. No more trying to decode the flowers from Carl. If he sends them again, just think of them as a fun, free thing, like a little sample box of cereal or detergent that suddenly appears in the mailbox. 5. Don’t make a big deal out of the fact that there were no guys this year. Perhaps that’s a better thing than continuing to get involved with guys who exhibit behavior from the beginning that indicates the whole thing is completely hopeless. So try to remember the above as a coping strategy when I am so crazed with horniness that I want to throw myself off a building. 6. No more mumbo jumbo. This means no more calling 900 astrology numbers listed at the end of horoscopes in women’s magazines to find out my love forecast. And no more going to psychics, no matter how dicey things get.
Since it was first released, How to Defend the Faith has given Catholics worldwide a new way of talking about their faith around the dinner table or at the office, getting across the Church's positions on contentious issues without losing their cool. It's about learning the principles that allow you to step outside the negative frames imposed by the news media and being well briefed on what the Church actually thinks about politics, gay people, marriage, women, sex abuse, and other key topics. Now revised and updated, How to Defend the Faith includes new sections on what we can learn from Pope Francis's communication, advice on how to give a talk and be active on Twitter, and many other invaluable tips and principles gleaned from the author's years of putting the Church's case in the media. Find your voice. Embody the new evangelization. Enjoy a new and better way to defend the Faith -- without ever having to raise your voice.
A collection of skits, cartoons, and photos involving David Letterman's late-night television show.
From the National Book Award nominated author of Innocents and Others and Wayward, a bold and moving novel that follows a fugitive radical from the 1970s who has lived in hiding for twenty-five years and explores themes of idealism, passion, sacrifice, and the cost of living a secret. In the heyday of the 1970s underground, Bobby DeSoto and Mary Whittaker—passionate, idealistic, and in love —organize a series of radical protests against the Vietnam War. When one action goes wrong, the course of their lives is forever changed. The two must erase their past, forge new identities, and never see each other again. Now it is the 1990s. Mary lives in the suburbs with her fifteen-year-old son, who spends hours immersed in the music of his mother's generation. She has no idea where Bobby is, whether he is alive or dead. Shifting between the protests in the 1970s and the consequences of those choices in the 1990s, Dana Spiotta deftly explores the connection between the two eras—their language, technology, music, and activism. Dana Spiotta, "wonderfully observant and wonderfully gifted...with an uncanny feel for the absurdities and sadness of contemporary life" (The New York Times), has written a character-driven, brilliant, and riveting portrait of two eras and a revelatory novel about the culture of rebellion, with particular resonance now.