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A vivid account of the tragedy of England's first black celebrity, the story of the Tahitian prince brought to England by Captain Cook's companion.
In Infamous Commerce, Laura J. Rosenthal uses literature to explore the meaning of prostitution from the Restoration through the eighteenth century, showing how both reformers and libertines constructed the modern meaning of sex work during this period. From Grub Street's lurid "whore biographies" to the period's most acclaimed novels, the prostitute was depicted as facing a choice between abject poverty and some form of sex work. Prostitution, in Rosenthal's view, confronted the core controversies of eighteenth-century capitalism: luxury, desire, global trade, commodification, social mobility, gender identity, imperialism, self-ownership, alienation, and even the nature of work itself. In the context of extensive research into printed accounts of both male and female prostitution—among them sermons, popular prostitute biographies, satire, pornography, brothel guides, reformist writing, and travel narratives—Rosenthal offers in-depth readings of Samuel Richardson's Clarissa and Pamela and the responses to the latter novel (including Eliza Haywood's Anti-Pamela), Bernard Mandeville's defenses of prostitution, Daniel Defoe's Roxana, Henry Fielding's Tom Jones, and travel journals about the voyages of Captain Cook to the South Seas. Throughout, Rosenthal considers representations of the prostitute's own sexuality (desire, revulsion, etc.) to be key parts of the changing meaning of "the oldest profession."
Captain Bligh and the mutiny on the Bounty have become proverbial in their capacity to evoke the extravagant and violent abuse of power. But William Bligh was one of the least violent disciplinarians in the British navy. It is this paradox which inspired Greg Dening to ask why the mutiny took place. His book explores the theatrical nature of what was enacted in the power-play on deck, on the beaches at Tahiti and in the murderous settlement at Pitcairn, on the altar stones and temples of sacrifice, and on the catheads from which men were hanged. Part of the key lies in the curious puzzle of Mr Bligh's bad language.
Omai was the first Polynesian to visit Britain. Picked up by one of Cook's captains, he was carried to England where he became a human curiosity and the lion of fashionable London. He was presented at Court, examined by scientists and painted by a series of artists. He learned to skate and play chess, and developed a liking for the theatre. At the end of two years he was taken back to the Pacific by Cook who left him at the island of Huahine. In this landmark book, McCormick creates a portrait of Omai and a picture of his two worlds, the Polynesian and the European.
This “thoroughly researched and sharply opinionated” biography presents a nuanced portrait of the renowned 18th century navigator (The Wall Street Journal). The age of discovery was at its peak in the eighteenth century, with bold adventurers charting the furthest reaches of the globe. Foremost among these explorers was Captain James Cook of the British Royal Navy. Recent writers have viewed Cook through the lens of colonial exploitation, regarding him as a villain. While they raise important issues, many of these critical accounts overlook his major contributions to science, navigation and cartography. In Captain Cook, Frank McLynn re-creates the voyages that took the famous navigator from his native England to the outer reaches of the Pacific Ocean. Although Cook died in a senseless, avoidable conflict with the people of Hawaii, McLynn illustrates that to the men with whom he served, Cook was master of the seas and nothing less than a titan. McLynn reveals Cook's place in history as a brave and brilliant yet tragically flawed man.
Under the 1737 Licensing Act, Covent Garden, Dury Lane and regional Theatres Royal held a monopoly on the dramatic canon. This work explores the presentation of foreign cultures and ethnicities on the popular British stage from 1750 to 1840. It argues that this illegitimate stage was the site for a plebeian Enlightenment.
This narrative recounts the 18th and 19th century shipping out of Pacific islanders aboard European and American vessels, a kind of counter-exploring, that echoed the ancient voyages of settlement of their island ancestors.
An encyclopaedia of information on major aspects of Pacific life, including the physical environment, peoples, history, politics, economy, society and culture. The CD-ROM contains hyperlinks between section titles and sections, a library of all the maps in the encyclopaedia, and a photo library.