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This revised and updated edition gathers interviews and profiles covering the entire forty-five-year span of Woody Allen's career as a filmmaker, including detailed discussions of his most popular as well as his most critically acclaimed works. The present collection is a complete update of the volume that first appeared in 2006. In the years since, Allen has continued making movies, including Midnight in Paris and the Oscar-winning Blue Jasmine. While many interviews from the original edition have been retained in the present volume, nine new entries extend the coverage of Allen's directorial career through 2015. In addition, there is a new, in-depth interview from the period covered in the first edition. Most of the interviews included in the original volume first appeared in such widely known publications and venues as the New York Times, the Washington Post, Time, the New Yorker, Rolling Stone, and Playboy. A number of smaller and lesser-known venues are also represented, especially in the new volume. Several interviews from non-American sources add an international perspective on Allen's work. Materials for the new volume include pieces focusing primarily on Allen's films as well as broader profiles and interviews that also concentrate on his literary talent. Perhaps Stephen Mamber best describes Allen's distinctiveness, especially early in his career: “Woody Allen is not the best new American comedy director or the best comedy writer or the best comedy actor, he's simply the finest combination of all three.”
Comprising the classic bestsellers Getting Even, Without Feathers, and Side Effects, this definitive collection of comic writings is from a man who needs no Introduction. Really–this book has no Introduction. The Insanity Defense reveals many sides of Woody Allen as he holds forth on the most human of urges (“Why does man kill? He kills for food. And not only for food: frequently there must be a beverage”); reflects on death (“I don’t believe in an afterlife, although I am bringing a change of underwear”); and notes the effect on history wrought by trick chewing gum, the dribble glass, and other novelties. There is also an inspiring story of the futile race to beat Dr. Heimlich to the punch: “The food went down the wrong pipe, and choking occurred. Grasping the mouse firmly by the tail, I snapped it like a small whip, and the morsel of cheese came loose. If we can transfer the procedure to humans, we may have something. Too early to tell.” All Woody Allen fans will cherish this uproarious treasury–and those who don’t enjoy The Insanity Defense are just plain crazy. “If you don’t care if you break into helpless whoops of laughter on buses, trains, or wherever you happen to be reading it.” –Chicago Tribune, on Without Feathers “Brilliant flights of fancy whose comic detail and inspired silliness are at once dramatic and controlled.” –The New York Times, on Side Effects
From the author of the best-selling biography Woody Allen—the most informative, revealing, and entertaining conversations from his thirty-six years of interviewing the great comedian and filmmaker. For more than three decades, Woody Allen has been talking regularly and candidly with Eric Lax, and has given him singular and unfettered access to his film sets, his editing room, and his thoughts and observations. In discussions that begin in 1971 and continue into 2007, Allen discusses every facet of moviemaking through the prism of his own films and the work of directors he admires. In doing so, he reveals an artist’s development over the course of his career to date, from joke writer to standup comedian to world-acclaimed filmmaker. Woody talks about the seeds of his ideas and the writing of his screenplays; about casting and acting, shooting and directing, editing and scoring. He tells how he reworks screenplays even while filming them. He describes the problems he has had casting American men, and he explains why he admires the acting of (among many others) Alan Alda, Marlon Brando, Michael Caine, John Cusack, Judy Davis, Robert De Niro, Leonardo DiCaprio, Mia Farrow, Gene Hackman, Scarlett Johansson, Julie Kavner, Liam Neeson, Jack Nicholson, Charlize Theron, Tracey Ullman, Sam Waterston, and Dianne Wiest. He places Diane Keaton second only to Judy Holliday in the pantheon of great screen comediennes. He discusses his favorite films (Citizen Kane is the lone American movie on his list of sixteen “best films ever made”; Duck Soup and Airplane! are two of his preferred “comedian’s films”; Trouble in Paradise and Born Yesterday among his favorite “talking plot comedies”). He describes himself as a boy in Brooklyn enthralled by the joke-laden movies of Bob Hope and the sophisticated film stories of Manhattan. As a director, he tells us what he appreciates about Bergman, De Sica, Fellini, Welles, Kurosawa, John Huston, and Jean Renoir. Throughout he shows himself to be thoughtful, honest, self–deprecating, witty, and often hilarious. Conversations with Woody Allen is essential reading for everyone interested in the art of moviemaking and for everyone who has enjoyed the films of Woody Allen.
The Long-Awaited, Enormously Entertaining Memoir by One of the Great Artists of Our Time—Now a New York Times, USA Today, Los Angeles Times, and Publisher’s Weekly Bestseller. In this candid and often hilarious memoir, the celebrated director, comedian, writer, and actor offers a comprehensive, personal look at his tumultuous life. Beginning with his Brooklyn childhood and his stint as a writer for the Sid Caesar variety show in the early days of television, working alongside comedy greats, Allen tells of his difficult early days doing standup before he achieved recognition and success. With his unique storytelling pizzazz, he recounts his departure into moviemaking, with such slapstick comedies as Take the Money and Run, and revisits his entire, sixty-year-long, and enormously productive career as a writer and director, from his classics Annie Hall, Manhattan, and Annie and Her Sisters to his most recent films, including Midnight in Paris. Along the way, he discusses his marriages, his romances and famous friendships, his jazz playing, and his books and plays. We learn about his demons, his mistakes, his successes, and those he loved, worked with, and learned from in equal measure. This is a hugely entertaining, deeply honest, rich and brilliant self-portrait of a celebrated artist who is ranked among the greatest filmmakers of our time.
In this fascinating insight into the artistic process, longtime Woody Allen biographer Eric Lax follows the legendary director through the making of a movie—from start to finish. Charting the production of Allen’s forty-sixth directorial feature, Irrational Man—starring Joaquin Phoenix and Emma Stone—from inception to premier, Lax takes us onto the set and behind the scenes, revealing the intimate details of Allen’s filmmaking. We see the screenplay being shaped, the scenes being prepared, and the actors, cinematographers, editors, and other participants at work. We hear Allen’s colleagues speak candidly about working with him, and Allen speaking with equal openness about his career. An unprecedented insight into one of the foremost filmmakers of our time, Start to Finish is sure to delight not only movie buffs and Allen fans, but everyone who has marveled at the magic of the movies.
In a series of interviews Woody Allen shares the anxieties, frustrations, and inspirations in his life.
A film by film guide through the career of Woody Allen, from his masterpieces Annie Hall and Manhattan, to lost gems like Shadows and Fog. The book also goes into Woody's cameos and performances in other people's movies, such as Antz and Fading Gigolo. There are also new interviews with people who have worked with him over the years, including Jerry Lacy (Play It Again Sam), and Gloria Norris, who was Woody's personal assistant on Stardust Memories, Zelig and A Midsummer Night's Sex Comedy.
Paul Mazursky's nearly twenty films as writer/director represent Hollywood's most sustained comic expression of the 1970s and 1980s. But they have not been given their due, perhaps because Mazursky's films—both sincere and ridiculous, realistic and romantic—are pure emotion. This makes films like Bob & Carol & Ted & Alice, An Unmarried Woman, and Enemies, A Love Story difficult to classify, but that's what makes a human comedy human. In the first ever book-length examination of one of America's most important and least appreciated filmmakers, Sam Wasson sits down with Mazursky himself to talk about his movies and how he makes them. Going over Mazursky's oeuvre one film at a time, interviewer and interviewee delve into the director's life in and out of Hollywood, laughing, talking, and above all else, feeling—like Mazursky's people always do. The book includes a filmography and never-before-seen photos.
With Richard Schickel as the canny and intelligent guide, these conversations take us deep into Scorsese's life and work. He reveals which films are most autobiographical, and what he was trying to explore and accomplish in other films.