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Om den spanske maler Antonio Tàpies, født 1923
The author has condensed hundreds of hours of her conversations with Spain's leading contemporary artist, and neatly assembled them in thematic chapters.
An extensive survey of Antoni Tàpies' work, revisiting the period the Catalan artist lived under Franco's dictatorship, between 1946 and 1977. In works that occupy a unique midground between painting and sculpture, Catalan artist Antoni Tàpies (1923-2012) fused the material vocabulary of Arte Povera and the gestural energy of Abstract Expressionism with the mystical sensibility of Iberian Catholicism. Tàpies showed a preference for an austere palate and unconventional materials reflecting the limited resources of his political environment. He spent three decades of his long productive career in Barcelona, where he lived and died, under the dictatorship of Francisco Franco. In that time, Tàpies confronted many of the paradoxes a creative artist faces under an authoritarian and anti-intellectual regime. In painting, sculpture, writing and other mediums, his work existed in conversation with the currents of contemporary art in the West while within the strictures of an oppressive state. Antoni Tàpies: Political Biography illuminates the artist's responses to the conditions of his native Catalonia, reproducing documents such as letters, manifestoes and samples of the media reception Tàpies generated over the years alongside reproductions of works from across his career. Texts by artists, curators and critics discussing Tàpies and the context of his oeuvre, plus a comparative chronology, are also included.
Footmarks and handprints, sand, wood, earth, rope, words and letters: Tapies, repertoire is infinite. Miro encouraged him to use forms and materials of every kind, all the more so in an environment devoid of meaning-Spain in the post-war years-in which official reality bore no relation to the situation as it really was. Imperceptibly, true reality asserted its pre-eminence and the expressiveness of increasingly organic materials, endowing his painting with greater materiality than signification. 130 illustrations
A collection of forty interviews by Michael Peppiatt with artists from 1966 to 2012.