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Moore's work exhibits a profound recognition of the forces of heredity, gender, culture, and history while simultaneously declaring his belief in an autogenous self. In early novels like A Drama in Muslin and Esther Waters, there is a notable conflict between his postulation of the pure, instinctive individual and the emphasis upon the shaping power of heredity and economics inherent in the traditions of social realism that he adopts. In The Untilled Field, The Lake, and later works, Moore perfects a narrative technique that in highlighting the power of subjective memory, allows his characters to work out a new relation with the forces of history.
Through the letters and commentary in this volume, the Irish writer George Moore is revealed as a man and artist far more complex and important than most works on him suggest, one who played a significant role in the Irish Literary Renaissance.
Minor characters are everywhere in novels. They linger with readers and invite us into the untold aspects of their lives. They fill a text's landscape, bringing depth to its ecosystem, and encourage us to shift our thoughts from textual centers to margins and even to consider the minor elements of our own experiences. Minor characters challenge us to hold oppositional perspectives, rethink interdependencies, and reimagine textual and lived relationships. In many ways, we identify with minor characters, and yet we lack a nuanced way of understanding them. This work is about minor characters and the qualities of "minorness" in Victorian novels. It offers casual readers and scholars alike a method of reading and rereading for minor characters that extends across genres.
Contains list of "Fictitious and pseudonymous names."