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La problemática analizada en los artículos de la presente publicación ha sido estudiada considerablemente desde la filosofía y, en los dos últimos siglos, las ciencias sociales, incluyendo entre otras disciplinas la antropología, la sociología, la historia, la lingüística, las líneas culturalistas de las ciencias sociales, estudios de la religión y la mitología, y en forma destacada desde el psicoanálisis. La subjetividad y sus construcciones sociales en sus infinitas manifestaciones, como la eterna constructora del mundo humano, ha hecho especular tanto a sabios de todos los tiempos como al hombre cotidiano. Todos aquellos pensadores que han intentado explorar al ser humano en sus manifestaciones y construcciones subjetivas, en su inserción dentro de una cultura y en la clásica y equívoca oposición individuo-sociedad, han tenido que ver en algún momento con el estudio de la subjetividad.
"This second edition of Klaus Bruhn Jensen's exploration of developing digital media furthers the conversation around the ongoing society-wide and worldwide digitalization of human communication. Reviewing the long lines in the history of media and communication - from writing via printing and broadcasting to computing - the book lays out three general types of media: the human body enabling face-to-face communication here and now, the technically reproduced means of mass communication across space and time, and the digital technologies integrating one-to-one, one-to-many, as well as many-to-many interactions. All these communicative practices coexist in contemporary media environments. Across cultures, genders, and age groups, people go on communicating in the flesh, via wires, and over the air, as illustrated though case studies of mobile communication on mundane matters, and of climate change as a global challenge for human communication and coexistence. The second edition includes: Updated accounts of research and public debate on digital media and communication, analyses of current social media and an emerging internet of things, systematic presentations of digital as well as traditional empirical methods, discussion of the normative implications of digitalization, including the classic rights of information and communication, and a right not to be communicated about through surveillance. Interdisciplinary in scope to showcase the wide-reaching cultural effect of media convergence, this book is ideal for advanced undergraduate students, graduate students, and scholars in the fields of media, communication, and cultural studies"--
This book reveals unexamined assumptions and shows how sociocultural context influences measurement of disease.
This volume presents both an analysis of how identities are built, represented and negotiated in narrative, as well as a theoretical reflection on the links between narrative discourse and identity construction. The data for the book are Mexican immigrants' personal experience narratives and chronicles of their border crossings into the United States. Embracing a view of identity as a construct firmly grounded in discourse and interaction, the author examines and illustrates the multiple threads that connect the local expression and negotiation of identity to the wider social contexts that frame the experience of migration, from material conditions of life in the United States to mainstream discourses about race and color. The analysis reveals how identities emerge in discourse through the interplay of different levels of expression, from implicit adherence to narrative styles and ways of telling, to explicit negotiation of membership categories.
Art history traditionally classifies works of art by country as well as period, but often political borders and cultural boundaries are highly complex and fluid. Questions of identity, policy, and exchange make it difficult to determine the "place" of art, and often the art itself results from these conflicts of geography and culture. Addressing an important approach to art history, Thomas DaCosta Kaufmann's book offers essays that focus on the intricacies of accounting for the geographical dimension of art history during the early modern period in Europe, Latin America, and Asia. Toward a Geography of Art presents a historical overview of these complexities, debates contemporary concerns, and completes its exploration with a diverse collection of case studies. Employing the author's expertise in a variety of fields, the book delves into critical issues such as transculturation of indigenous traditions, mestizaje, the artistic metropolis, artistic diffusion, transfer, circulation, subversion, and center and periphery. What results is a foundational study that establishes the geography of art as a subject and forces us to reconsider assumptions about the place of art that underlie the longstanding narratives of art history.
In Antisemitism in North America, the editors have brought together an impressive array of scholars from diverse disciplines and political orientations to assess the condition of the Jews in the United States, Canada, Mexico, and the Caribbean. The contributors do not always agree with each other, but they offer perspectives of why the Jewish experience in North America has neither been free from antisemitism nor ever so unwelcoming and dangerous as the countries from which they came. Contributors examine antisemitism in culture, politics, religion, law, and higher education.
The first translation into English of 'Le Système colonial dévoilé', the first systematic critique of colonialism ever written from the perspective of a colonized subject.
In the three essays that make up this stimulating and often startling book, Jacques Derrida argues against the notion that the basic ideas of psychoanalysis have been thoroughly worked through, argued, and assimilated. The continuing interest in psychoanalysis is here examined in the various "resistances" to analysis—conceived not only as a phenomenon theorized at the heart of psychoanalysis, but as psychoanalysis's resistance to itself, an insusceptibility to analysis that has to do with the structure of analysis itself. Derrida not only shows how the interest of psychoanalysis and psychoanalytic writing can be renewed today, but these essays afford him the opportunity to revisit and reassess a subject he first confronted (in an essay on Freud) in 1966. They also serve to clarify Derrida's thinking about the subjects of the essays—Freud, Lacan, and Foucault—a thinking that, especially with regard to the last two, has been greatly distorted and misunderstood. The first essay, on Freud, is a tour de force of close reading of Freud's texts as philosophical reflection. By means of the fine distinctions Derrida makes in this analytical reading, particularly of The Interpretation of Dreams, he opens up the realm of analysis into new and unpredictable forms—such as meeting with an interdiction (when taking an analysis further is "forbidden" by a structural limit). Following the essay that might be dubbed Derrida's "return to Freud," the next is devoted to Lacan, the figure for whom that phrase was something of a slogan. In this essay and the next, on Foucault, Derrida reencounters two thinkers to whom he had earlier devoted important essays, which precipitated stormy discussions and numerous divisions within the intellectual milieus influenced by their writings. In this essay, which skillfully integrates the concept of resistance into larger questions, Derrida asks in effect: What is the origin and nature of the text that constitutes Lacanian psychoanalysis, considering its existence as an archive, as teachings, as seminars, transcripts, quotations, etc.? Derrida's third essay may be called not simply a criticism but an appreciation of Foucault's work: an appreciation not only in the psychological and rhetorical sense, but also in the sense that it elevates Foucault's thought by giving back to it ranges and nuances lost through its reduction by his readers, his own texts, and its formulaic packaging.