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Scottish Gaelic: A Comprehensive Grammar is a definitive description of contemporary Gaelic. The volume presents an authoritative account of modern Gaelic grammar, attending to both idealised usages – as typically taught in formal education – and more colloquial forms. Core chapters include useful observations about dialectal and register differences, such as variations in inflection, pronunciation and word forms. The book also demystifies nuances of the language that many users find opaque, according to recent research. In each chapter, the most important, basic information is presented first (e.g. standard verb conjugations), followed by increasingly detailed information for more advanced users. This way, the book addresses the diverse needs of its intended audience. Brimming with authentic examples, the volume accommodates readers of all levels, from complete beginners to professional linguists. It is both an ideal textbook for structured coursework and an indispensable companion for independent study.
The book offers a comprehensive overview of forms of modern Irish within a general linguistic framework. Starting with information on the sociolinguistics of modern Irish and on the overall sound system of the language, it then proceeds with a tripartite division of the present-day language into northern, western and southern Irish. It gives specific information on the features of each dialect and considers many sub-divisions, using maps and tables to illustrate clearly what is the subject of discussion. There are several innovations in the book, such as a system of lexical sets which facilitate the description and analysis of variation and change in modern Irish. The data for the book stems from recordings of more than 200 speakers and all the statements made about the structure of Irish are based on native speakers' speech samples. These are supplied online with a software interface which allows users to quickly orient themselves among the varieties of Irish via clickable maps. A number of further issues are focused on in the book, such as the possibility of dialect reconstruction and the use of place-name evidence for determining the earlier distribution of Irish. Additional historical and background information is provided so that scholars and students without any previous knowledge of the language can readily grasp the themes and issues discussed.
The Sound Structure of Modern Irish contains a comprehensive description of the phonology of Irish. Based on the main forms of the language, it offers an analysis of the segments and the processes in its sound system. Each section begins with a description of the area of phonology which is the subject - such as stress patterns, phonotactics, epenthesis or metathesis - and then proceeds to consider the special aspects of this subject from a theoretical and typological perspective. The book pays particular attention to key processes in the sound system of modern Irish. The two most important of these are palatalisation and initial mutation, phenomena which are central to Irish and the analysis of which has consequences for general phonological theory. The other main emphasis in the book is on a typological comparison of several different languages, all of which show palatalisation and/or initial mutation as part of their systems. The different forms of Celtic, Slavic languages, Romance dialects and languages along with languages such as Finnish, Fula, Nivkh and Southern Paiute are considered to find out how processes which are phonetic in origin (external sandhi) can become functionalised and integrated into the morphosyntactic system of a language.
This text provides a single-volume, single-author general introduction to the Celtic languages. The first half of the book considers the historical background of the language group as a whole. There follows a discussion of the two main sub-groups of Celtic, Goidelic (comprising Irish, Scottish, Gaelic and Manx) and Brittonic (Welsh, Cornish and Breton) together with a detailed survey of one representative from each group, Irish and Welsh. The second half considers a range of linguistic features which are often regarded as characteristic of Celtic: spelling systems, mutations, verbal nouns and word order.
The only modern account to describe all surviving Celtic languages in detail.
Irish literature's roots have been traced to the 7th-9th century. This is a rich and hardy literature starting with descriptions of the brave deeds of kings, saints and other heroes. These were followed by generous veins of religious, historical, genealogical, scientific and other works. The development of prose, poetry and drama raced along with the times. Modern, well-known Irish writers include: William Yeats, James Joyce, Sean Casey, George Bernard Shaw, Oscar Wilde, John Synge and Samuel Beckett.
This is the first full scale attempt to record the diachronic development of this important English language variety and includes extensive essays by some of the foremost international scholars of the Scots language. The book attempts to provide a detailed and technical description of the syntax, phonology, morphology and vocabulary of the language in two main periods: the beginnings to 1700 and from 1700 to the present day. The language's geographical variation both in the past and at the present time are fully documented and the sociolinguistic forces which lie behind linguistic innovation and its transmission provide a principal theme running through the book.WINNER of the Saltire society/National Library of Scotland Scottish Research Book of the Year Award