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This continuation of Contributions from the Museum of Geology features a collection of papers originally published between November 10, 1928, and April 9, 1932, and edited by Eugene S. McCartney. Most, but not all, of the contributors were members of the faculties or graduates of the University of Michigan who published on their findings while examining fossils and fossilized remains. Many of the articles discuss findings from the state of Michigan.
Unlike an encyclopedia, a data book or even a learned exposition, this book is designed to be read from start to finish as the developing story of a remarkable group of animals. It is an ideal introduction to dinosaurs for dinosaur fans and general readers alike.
In the tradition of G. G. Simpson's classic work, Kenneth D. Rose's The Beginning of the Age of Mammals analyzes the events that occurred directly before and after the mysterious K-T boundary which so quickly thrust mammals from obscurity to planetary dominance. Rose surveys the evolution of mammals, beginning with their origin from cynodont therapsids in the Mesozoic, contemporary with dinosaurs, through the early Cenozoic, with emphasis on the Paleocene and Eocene adaptive radiations of therian mammals. Focusing on the fossil record, he presents the anatomical evidence used to interpret behavior and phylogenetic relationships. The life's work of one of the most knowledgeable researchers in the field, this richly illustrated, magisterial book combines sound scientific principles and meticulous research and belongs on the shelf of every paleontologist and mammalogist.
"Hulbert's book provides the first comprehensive review of the fossil vertebrates of Florida, which has one of the richest Cenozoic fossil records of any state in the country. It will be an essential addition to the library of all professional paleontologists, students, and amateurs interested in the history of fossil vertebrates in Florida and the southeastern United States."-- Gary S. Morgan, assistant curator of paleontology, New Mexico Museum of Natural History "A wonderful mix of technical, state-of-the-art information . . . with commentary on everyday fossils that all may have experienced at one time or another. The book is both for the serious student of vertebrate paleontology and for anyone who has an interest in the fossils that may be encountered in Florida."-- David P. Whistler, curator of vertebrate paleontology, Natural History Museum of Los Angeles County Illustrated with hundreds of photographs and drawings, this authoritative yet readable book describes the fossil vertebrates found in Florida--many unique to the state--and summarizes more than 100 years of paleontological discoveries and research. It bridges the sometimes disconnected worlds of the professional paleontologist and the avocational collector and hobbyist. Florida has the richest vertebrate fossil record of any state east of the Mississippi, extending back 45 million years. Beginning with an introduction to vertebrate anatomy, Richard Hulbert describes the geological history of the state and the history of vertebrate life in it. He then addresses such questions as what animals lived in Florida, how they are related to one another and to living animals, when they first appeared and when many of them became extinct, what they ate, and what they tell us about past environments. All types of vertebrates are covered, including sharks and other fish, amphibians, reptiles, birds, and mammals. In addition to exceptionally detailed illustrations (many published for the first time), the book includes a comprehensive list of every verified fossil species ever collected in Florida. Based on the popular Plaster Jacket series of pamphlets written by renowned natural scientists and published by the Florida Paleontological Society, The Fossil Vertebrates of Florida brings information from the last 30 years into an up-to-date, greatly expanded, cohesive book form. Contributors Norman Tessman (sharks, carnivores) Elizabeth S. Wing (skates and rays and, with Camm Swift, bony fish) Walter Auffenberg (snakes, turtles, crocodilians) S. David Webb (proboscideans, peccaries, edentates, camels, ruminants) Robert A. Martin (aquatic rodents) John Waldrop (horses) Jesse S. Robertson (bison) Roy H. Reinhart (sea cows) Steve P. Christman (rattlesnakes) Clayton E. Ray (seals and walruses) Gary S. Morgan (whales and, with Ann E. Pratt, marine mammals) Bruce J. MacFadden (rhinoceroses) Jon A. Baskin (saber-tooth carnivores) Annalisa Berta (dogs) Jonathan J. Becker (birds) Peter A. Meylan (amphibians and reptiles) Richard C. Hulbert, Jr., collection manager for the Division of Vertebrate Paleontology at the Florida Museum of Natural History in Gainesville, is the author or coauthor of 30 essays and monographs published in scholarly journals, including Nature, Journal of Vertebrate Paleontology, and Journal of Paleontology.
A lively account of how dinosaurs became a symbol of American power and prosperity and gripped the popular imagination during the Gilded Age, when their fossil remains were collected and displayed in museums financed by North America’s wealthiest business tycoons. Although dinosaur fossils were first found in England, a series of dramatic discoveries during the late 1800s turned North America into a world center for vertebrate paleontology. At the same time, the United States emerged as the world’s largest industrial economy, and creatures like Tyrannosaurus, Brontosaurus, and Triceratops became emblems of American capitalism. Large, fierce, and spectacular, American dinosaurs dominated the popular imagination, making front-page headlines and appearing in feature films. Assembling the Dinosaur follows dinosaur fossils from the field to the museum and into the commercial culture of North America’s Gilded Age. Business tycoons like Andrew Carnegie and J. P. Morgan made common cause with vertebrate paleontologists to capitalize on the widespread appeal of dinosaurs, using them to project American exceptionalism back into prehistory. Learning from the show-stopping techniques of P. T. Barnum, museums exhibited dinosaurs to attract, entertain, and educate the public. By assembling the skeletons of dinosaurs into eye-catching displays, wealthy industrialists sought to cement their own reputations as generous benefactors of science, showing that modern capitalism could produce public goods in addition to profits. Behind the scenes, museums adopted corporate management practices to control the movement of dinosaur bones, restricting their circulation to influence their meaning and value in popular culture. Tracing the entwined relationship of dinosaurs, capitalism, and culture during the Gilded Age, Lukas Rieppel reveals the outsized role these giant reptiles played during one of the most consequential periods in American history.