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Continuous Frieze Bordering [Red] documents the migratory patterns of an Other as she travels between countries, languages, and shades of Rothko's red. A narrative on hybridity, the text navigates the instability of cultural border identities and functions as an ekphrasis of Rothko's bricked-in, water-damaged windows in his Seagram murals.
Cross Words refers to cultural hybrids, trans-cultural alliances, and associations. This fascinating compendium documents—in essays, conversations, and socratic raps—the vital work poets perform when they write across borders. Anne Waldman is the author of more than forty collections of poetry, the editor of numerous anthologies, and, for The Iovis Trilogy, the winner of the Shelley Memorial Award and the USA PEN Center Award for Poetry. She is a chancellor of the Academy of American Poets. Laura E. Wright is a poet, translator, and librarian. With Anne Waldman, she co-edited Beats at Naropa (Coffee House Press, 2009).
This text explores themes of familiarity and strangeness, asking the reader to consider the differences between them and where they overlap. Sampling from all forms of communication, the author implores us to greet the unknown and to listen in turn.
Late Antique artefacts, and the images they carry, attest to a highly connected visual culture from ca. 300 to 800 C.E. On the one hand, the same decorative motifs and iconographies are found across various genres of visual and material culture, irrespective of social and economic differences among their users – for instance in mosaics, architectural decoration, and luxury arts (silver plate, textiles, ivories), as well as in everyday objects such as tableware, lamps, and pilgrim vessels. On the other hand, they are also spread in geographically distant regions, mingled with local elements, far beyond the traditional borders of the classical world. At the same time, foreign motifs, especially of Germanic and Sasanian origin, are attested in Roman territories. This volume aims at investigating the reasons behind this seemingly globalised visual culture spread across the Late Antique world, both within the borders of the (former) Roman and (later) Byzantine Empire and beyond, bringing together diverse approaches characteristic of different national and disciplinary traditions. The presentation of a wide range of relevant case studies chosen from different geographical and cultural contexts exemplifies the vast scale of the phenomenon and demonstrates the benefit of addressing such a complex historical question with a combination of different theoretical approaches.
This catalogue accompanies an exhibition that brings together more than 150 glass objects representing twelve centuries of Islamic glassmaking. Included are the principal types of pre-industrial glass from Egypt, the Middle East, and India in a comprehensive array of shapes, colors, and techniques such as glassblowing, the use of molds, the manipulation of molten glass with tools, and the application of molten glass to complete or decorate an object. -- Metropolitan Museum of Art website.
This landmark, interdisciplinary publication of the Red Monastery church, the most important Christian monument in Egypt's Nile Valley, highlights its remarkable and newly conserved paintings and architectural sculpture.
Red-Figured Athenian Vases in the Metropolitan Museum of Art is a descriptive catalogue of the more important red-figured Athenian vases in The Metropolitan Museum of Art's collection. This book is written to serve as a general handbook on red-figured vases. 173 vases are featured and arranged chronologically with special emphasis placed on the styles of the various painters. Descriptive texts preceed each time period while drawings and photographs elucidate the vases decoration.