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The Paris Conservatoire's rigorous curriculum for training both singers and instrumentalists led to a wealth of musical treasures in the form of pieces composed specifically for the end-of-year examinations, which culminated in a public prize competition, the Concours du Conservatoire. The solos composed for these examinations, both the sight-reading works and the longer contest pieces (morceaux de concours), constitute the first extended series of compositions for woodwinds, brass, and harp in music history, being composed nearly annually for each instrument beginning in the 1830s. The wealth of musical treasures resulting from this systematic accumulation of works represents the historical core of these instrumental repertories today. The present volume contains a selection of morceaux de concours and other pieces written in a similar style, representing some of the most influential oboists and composers associated with the Conservatoire.
This comprehensive, annotated resource of solo repertoire for the horn documents in detail the rich catalogue of original solo compositions for the instrument. Intended as a guide for practical use and easy reference, it is organized into three large sections: works for unaccompanied horn, works for horn and keyboard, and works for horn and ensemble. Each entry includes publisher information, a brief description of the form and character of a work, technical details of the horn writing, and information on dedication and premiere. The authors also include commentary on the various techniques required and the performance challenges of each piece. Representing over ten years of careful compilation and notation by an expert in horn performance and pedagogy, and by a seasoned music librarian and natural horn performer, Guide to the Solo Horn Repertoire will be an invaluable resource for performers, educators, and composers.
Originally compiled and edited by Louis Kí_hler, this edition contains some of the most popular keyboard sonatinas, rondos and other works (including symphonic transcriptions) of Beethoven, Clementi, Haydn, Kuhlau and Mozart, among others. In clarifying this edition, editor Allan Small has removed impractical fingerings and unnecessary accidentals found in other editions.
The Paris Conservatoire's rigorous curriculum for training both singers and instrumentalists led to a wealth of musical treasures in the form of pieces composed specifically for the end-of-year examinations, which culminated in a public prize competition, the Concours du Conservatoire. The solos composed for these examinations, both the sight-reading works and the longer contest pieces (morceaux de concours), constitute the first extended series of compositions for woodwinds, brass, and harp in music history, being composed nearly annually for each instrument beginning in the 1830s. The wealth of musical treasures resulting from this systematic accumulation of works represents the historical core of these instrumental repertories today. The present volume contains a selection of morceaux de concours and other pieces written in a similar style, representing some of the most influential oboists and composers associated with the Conservatoire.
Expertly arranged French Horn Solo by Camille Saint-Saëns from the Kalmus Edition series. This is from the Romantic era.
This collection features a selection of classical pieces by the world's most renowned composers: Johann Sebastian Bach, George Frideric Handel, Johannes Pachelbel, Antonio Vivaldi, Wolfgang Amadeus Mozart, Ludwig van Beethoven, Richard Wagner, Johannes Brahms, Johann Strauss, Pyotr Tchaikovsky, Giuseppe Verdi, Edvard Grieg and Edward Elgar. This selection of pieces is intended for absolute beginners. While other books have a accompaniment part for teachers, in this book the accompaniment has been over simplified for beginner students. Includes: 1812 Overture A Little Night Music The Blue Danube Bridal Chorus Canon in D Dance of the Flowers Greensleeves In the Hall of the Mountain King Jesu, Joy Of Man Desiring La Donna e Mobile Land of Hope and Glory Lullaby Ode to Joy Spring - Four Seasons Water Music Disclaimer: this edition does not include an insert. The pieces are presented for duet and then, at the end of the book, the parts for the soloist instrument."
Guide to the Tuba Repertoire is the most comprehensive investigation ever undertaken into the literature and discography of any single musical instrument. Under the direction of R. Winston Morris and Daniel Perantoni, this publication represents more than 40 years of research by dozens of leading professionals throughout the world. The guide defines the current status of the tuba and documents its growth since its inception in 1835. Contributors are Ron Davis, Jeffrey Funderburk, David Graves, Skip Gray, Charles A. McAdams, R. Winston Morris, Mark A. Nelson, Timothy J. Northcut, Daniel Perantoni, Philip Sinder, Joseph Skillen, Kenyon Wilson, and Jerry A. Young.
Biographaical dictionary emphisizes classicaland art music; also gives ample attention to the classics as well as Jazz, Blues, rock and pop, and hymns and showtunes across the ages.